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Club Academy, Manchester, UK Oxford Road
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SWG3, Glasgow, UK 100 Eastvale Place
Motion & the Marble Factory, Bristol, UK 74-78 Avon Street, Bristol, Bristol, BS20PX
KOKO, London, UK 1A Camden High Street
Kampnagel, Hamburg, Germany Jarrestrasse 20
Koncerthuset, Copenhagen, Denmark Ørestads Boulevard 13
John Dee, Oslo, Norway Torggata 16
Debaser Strand, Stockholm, Sweden Hornstulls Strand 4
Pustervik, Gothenburg, Sweden Järntorgsgatan 12
Columbia Theater, Berlin, Germany Columbiadamm 9-11
Angel Olsen is an indie/folk guitarist and singer-songwriter from Missouri, US who performed as a backing singer in the Bonnie ‘Prince’ Billy and the Cairo Gang ensemble.
Having perfected her craft from an early age and discovering her unique tone and incredible range, Olsen began performing at local coffeehouses in St Louis during her teenage years. Taking on backing vocal duties in 2010 with Bonnie ‘Prince’ Billy and the Cairo Gang the albums “The Wonder Show of the World” (2010) and “Wolfrey Goes to Town” (2011), Olsen toured and recorded with them for much of 2010.
Later in 2010, Olsen released her own material in the shape of the six track EP “Strange Cacti” bathed in indie-folk sensibilities as she told tales of life and its heartbreaks. The quirky EP using cynicism charmingly featured tracks such as “Creator/Destroyer”, “Drunk & with Dreams” and “Some Things Cosmic”.
Two years later she released her debut full length album “Half Way Home” through Bathetic Records with a more upbeat tempo yet maintaining her brutally honest and emotional insight. Encapsulating a range of genre styles inspired by the likes of country crooner Roy Orbison and the carefree nature of Joni Mitchell provided musical gems on the album, delicately accentuated through tracks such as “Lonely Universe”, “The Sky Opened Up” and “Tiniest Seed” whilst captivating audiences and critics.
In 2013 Olsen added bassist Stewart Bronaugh and drummer Josh Jaeger to pad out her live stripped back sound whilst bringing a rocky element as she toured nationwide. Later that year Olsen signed to the label Jagjaguwar home to the likes of Bon Iver, Love Life and Dinosaur Jr. The following year she released her second album “Burn Your Fire for No Witness” offering a deeper expression of emotions and creating that heartfelt connection which she does so well. Having the addition of Jaeger and Bronaugh both on the record and in a live capacity provided a heavy almost grunge element reflected in tracks such as “Stars” and “Hi-Five” whilst maintaining the enchantingly dreamy nature about Angel Olsen.
Read moreIf Angel Olsen's music touches you or interests you in any way, it is a must see live. I have seen her with the full band twice this year and it is a real example of seeing the sounds and the lyrics on the record coming to life. Olsen has a terrific and unusual vocal range to show off her lyrics that include heartfelt platitudes where the first and second person are used to an effect where she can be singing to/about herself, to the audience, to a current or lost lover or otherwise.
There are no shortage of intense and spellbinding songs from her two albums such as Acrobat, Lights Out and Unfucktheworld along with more straightforward rock cuts like Forgiven/Forgotten.
They also played a couple of older songs including Sweet Dreams, during which she really belted 'Goodbye' with an expletive.
Sweet Dreams was followed by a nice cover of Dreams by Fleetwood Mac, which seemed to settle things down somewhat and loosened some limbs while still keeping in with the band's general sound and mood and demonstrrated some of the influences. There was no encore but before the final song, which Olsen played solo following the rest of the band being cheered off, she told the crowd 'I'm sorry if you didn't get what you wanted today, or the next day...' and finished with another forlorn but captivating and somehow uplifting song. Most of this needs to be seen to be really taken in and is hard to describe, so whether she is playing near you solo or full band go check it out.
Having already had one of the most critically acclaimed albums of the year with ‘Burn Your Fire for No Witness’, Angel Olsen is seemingly set to build on that reputation with every show she plays. Angel Olsen possess a spectacular voice, commandingly powerful but at the same time elegantly controlled and a stark contrast to her easy going stage persona.
Her unique blend of throwback country influence with a more contemporary indie style provides the framework for her honest compositions which her and her band deliver with a surprisingly refreshing tinge of nostalgia. There is nothing between Angel and her songs. No gimmicky showmanship or showy instrumentals to drown out the message of the music and its because of this that the spellbinding romance of the songs is allowed to bleed out and move the audience.
Angel's shows aren’t a once in a lifetime event packed with over the top action or hyperbole but if you let yourself open up to receive the songs you will find yourself touched by one of the most gently rewarding performances of the year.
For anybody interested in the indie folk circuit, the name Angel Olsen will not be a new one. Although the young musician only began touring and recording in 2009, she has released a variety of flawless albums beginning with 'Summer Bummer Get Laid Get Wasted'. The backing singer to Bonnie Prince Billy has complete creative control when heading out on her own live tours and she capitalises on this with a very organic and natural live show.
Joined by a couple of trusty musicians, they perform as though jamming in a garage as opposed to on a big stage surrounded by hundreds of paying patrons. There is something charming in the style though as Angel often acknowledges the crowd with a cheeky grin as they cheer for selections and applaud loudly. She caters to the audience well with a cover of 'Dreams' by indie folk gods Fleetwood Mac which has the whole room singing along before she returns to her own crowning achievement 'May as Well' which closes the proceedings in a suitable style tonight.
Angel Olsen was incredible. Her singing was perfect — I don't think she missed a note all night. Played a good mix of older and newer songs. Her backing band was also very solid. Definitely one of the better shows I've been to recently.
Opening act was pretty good ambient. I've been waiting to see Angel Olsen for ages, she did not disappoint me at all. Front row was perfect. Woodard theater always a good venue. 10/10
Great show; she played "Windows", and had a well rounded set which included some of her early classics and many off the new record which is great. Tight band, would see again.
Concorde 2, Brighton, UK Madeira Drive
Rough Trade East, London, UK Old Truman Brewery, 91 Brick Lane
Grey Eagle, Asheville, NC, US 185 Clingman Ave.
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