Thao Nguyen at Barden’s Boudoir review
A friend recently saw Thao in SF and told me I absolutely had to go see her. I had been reading her name all over the place, so I moseyed on over to her MySpace, fell in love with her sound, bought a ticket, and went to a great show last night.
Thao Nguyen’s folk sound has drawn comparisons to Cat Power, but I don’t really hear that. I suppose the tenor of her voice is similar, but she is so childishly gleeful without being twee (the downfall of many a female vocalist, in my opinion). Cat Power’s more somber, subdued melodies don’t really aspire towards that. I kept seeing a little girl singing to herself at the top of her lung, endearing in its lack of self-consciousness.
She was so charming and likable, while remaining a really confident guitar player. It’s been a while since I’ve seen a performer with great between-song banter. She also does a pretty impressive beatbox, which is barely audible in this recording of “Bag of Hammers.”
Thao Nguyen – Beat (Health, Life, and Fire)
Thao Nguyen – Bag of Hammers
Now for the eye candy.
Look at them fingers go!