Sons of Noel and Adrian

Further details to follow. Also check out the facebook event here. Here’s some information on the tour and upcoming album…

SONAA are back on the road and will be releasing a brand new collection of songs this year – their second long player, Knots. The band’s sophomore album sees them breaking away from the acoustic roots of their debut album which lead them to tour twice with Mumford & Sons and support Laura Marling at Royal Festival Hall.

The Sons’ immersion in folk music was always more informed by guitarists like Dave Pajo, David Grubbs and Jeff Parker than by traditionalists. These influences, rooted in the city of Chicago’s pre-millennial post-rock, jazz and avant-pop scenes, are explored on Knots resulting in an album much closer to the band’s live sound.

The duelling fingerpicked classical guitars are still there, but they’re put through cranked up, needle-in-the-red valve amps. There’s still a bit of banjo, but it’s played with an e-bow and a slide so it sounds like a haunted Hammond organ. And there’s plenty of actual Hammond, giving the track “Come Run Fun Stella Baby Mother of the World” a kind of fairground darkness borrowed from Liars or Captain Beefheart.

Elsewhere the fragile strings of “Black Side of the River” evoke the still sadness of humanity epitomised by Arvo Pärt augmented by the weighty piano chords of Earth; “Big Bad Bold” sounds like These New Puritans started an earthquake in a burning symphony hall; “Cathy Come Home” demonstrates the band’s love of drone, unison and extended guitar techniques and ends up sounding somewhere between Tortoise and the scores of Danny Elfman; and aching closer “Heroine” sounds like Robert Wyatt sped up a track from Twin Peaks for Will Oldham to sing over.
At times soft and orchestral, at times crass and loud, Knots is always infused with beauty and tenderness: soulful, taunt, honed and with a new found love of kosmiche experimentation.

Knots’ expa