Def Leppard have had a mix up of members, since 1992 they have consisted of Rick Savage on bass guitar and backing vocals, Joe Elliott who is the lead vocalist, Rick Allen playing the drums, Phil Collen on the guitar, and Vivian Campbell also on the guitar. This is the band's longest-standing line-up.
The band's success came in the 80s when they released their debut album, "On Through the Night", which successfully reached the 'Top 15' in the UK. Despite this success, the band performed at Reading Festival where they were greeted with unhappy fans who pelted beer cans and bottles filled with urine at them on stage. This came after fans were angry that the band were conforming to please an American market, being disloyal to their local roots.
However, after their release of their second album in 1981, named "High 'n' Dry", they began to find their feet and get to grips with their own original sound. Impressively, Def Leppard's video for "Bringin' On the Heartbreak" became one of the first metal videos played on MTV in 1982. This success brought the band back to likeness in America where they then went on to tour, opening for Ozzy Osbourne and Blackfoot.
Their most successful album came in the form of "Hysteria", released in 1987 considered on of the most successful bands of the ‘New Wave of British Heavy Metal’ in the 80s in the UK.
You know you’ve made it when you create a cliché, and Boston’s very own Extreme are perfect examples of this. The band had their fans back in the day, with some small radio hits and a decent selling debut album. However, might have remained nothing more than a surprisingly awesome curio had they not inadvertently perfected the longstanding tradition of hard rock bands releasing a preposterous, over the top acoustic ballad that can still get you singing along no matter what the occasion might be. Yes, they are partially responsible for “I Don’t Want To Miss A Thing”, “November Rain”, and “To Be With You”, and let’s be honest, is the world not a brighter place with them in it?
Of course it is, and in a spectacular display of good things coming from insane pettiness, the band began with three different hard rock groups arguing about sharing a dressing room. Singer Gary Cherone and drummer Paul Geary both played in The Dream, guitarist Nuno Bettencourt was playing in a group called Sinful and bassist Pat Badger (not a stage name) played in “In The Pink”. These four men were the first four people in all three groups to get over themselves and struck up a friendship with each other, they started jamming together soon afterwards and decided to form a new group together.
Since Geary and Cherone both were late of the band The Dream, that obviously made the two men “Ex-Dream”, and in a stunning display of punning ability (pundamentalism? Sorry.), they named their new group Extreme as a result. The new group started writing, rehearsing and gigging soon after that, building a strong enough following around the Boston rock scene to with the “Outstanding Hard Rock/Heavy Metal Act” at the Boston Music Awards two years running before they’d even released their first album or signed to a record label. Their label deal would come in 1988 when they signed to A&M Records, and their self-titled debut album was released one year later, in1989.
All things considered it was an ideal first release, big enough to make a name for themselves, strong selling enough to secure a second album, but not so big that they had nowhere else to go but down. In hindsight, no-one at all could have predicted what happened next. Come August 1990, their second album, the preposterously titled “Extreme II: Pornograffiti” was released. Like their first effort, it sold modestly but unlike their second effort, the band had an ace up their sleeve. At first the album’s third single, “More Than Words” charted at number 81. However, then it started to climb, and climb and climb the charts until the band realized they had a bona-fide smash hit on their hands, hitting number one in June 1991.
In the dying days of hair metal, Extreme were the biggest deal of them all. They even had a second top five hit with the other acoustic ballad on their second album “Hole Hearted”, and ever since then they might not have ever been able to emulate that kind of success but then again, who has? What other rock band has had that kind of chart success ever since for that matter? The band split in 1996 but got back together in 2004, and their reunion shows have been a must see for any fan of 80’s metal. Yes it’s silly, yes it’s cheesy and yes, there are probably more tasteful ways of spending your time and money but the fact remains that no-one can deny Extreme’s charms, no matter how cool you might be. And twenty years after their heyday, they still come highly recommended.
In case you aren’t convinced about Def Leppard’s present-day pulling power, consider this; in both 2009 and 2011, they headlined Download Festival. In the world of hard rock, they remain titans more than thirty-five years after their formation in Sheffield; on their own tours, too, they frequent arenas, with a fervent cult fanbase. Things, admittedly, have slowed down on the studio front; their last record, Songs from the Sparkle Lounge was released back in 2008 and met with a tepid reception, although a new full-length is being promised for 2015. Onstage, though, it’s very much business as usual; an impressive light show incorporates giant screens with visuals behind the band, but otherwise it’s largely left to the musicianship to take centre stage. Joe Elliott’s vocals are holding up nicely, despite decades of relentless touring - he’s one of only two original members - whilst Phil Collen and Vivian Campbell are by no means shy of a solo. Perhaps the biggest attraction, though, remains Rick Allen behind the kit - surely the world’s finest one-armed drummer, having overcome the loss of his left arm in a car accident back in the eighties to earn the nickname - from Leppard fans - of The Thunder God, and not without reason.
Going to an Extreme concert is an "EXTREMEly" immense experience. Not only are you going to be listening to Extreme, but you get to watch Nuno Bettencourt shred on the guitar. The man is an incredible musician - I wish I could play half as well as that guy.
The atmosphere is always very lively. The audience is always pumped up; they dance to the music, the jump around, they sing along with Gary Cherone, etc. The band themselves don't dress extravagantly, instead opting for casual clothing. The stage set-up, like the clothes they wear, is very minimal, so as to remove all distractions from the music.
The band is present on the stage, with nothing but their equipment and various lights above them to make them visible to the audience. Now for the music itself. Extreme is a metal band. As their name suggests, they are not afraid to experiment with various subgenres; funk, glam, hard rock, heavy metal, you name it.
When the band performs "Get the Funk Out," Bettencourt starts off with a really cool solo. When the rest of the band joins in, the crowd goes nuts and screams with excitement. Watching Nuno play those solos live is reason enough to want to go see these guys live in concert. It is definitely an experience that takes you back to a time when metal music was much more popular.