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Growing up Rudd learned to play the guitar, clarinet and saxophone however sought ways to overlap and interweave various instruments at once. These skills were honed and expanded on during his years travelling and busking.
The list of instruments Rudd is able to play cannot be counted on a single pair of hands, from Weissenborn slide guitars and banjos, to harmonicas and Aztec Organettes, the Australian musician’s set up surrounds him with the capacity for sound. Rudd has also perfected the art of circular breathing on the didgeridoo, often seen with jazz musicians, he is able to produce a singular drone sound that never falters.
Rudd’s first recording titled “Live in Canada” was released independently in 2001 and made way for his debut studio album “To Let” in 2002. His sophomore released named “Solace” saw Rudd’s introduction to the Australian music chart debuting at No. 13 and became a platinum selling album, due to distribution via Universal Records Australia. Becoming more well know Rudd toured with Jack Johnson and G. Love & Special Sauce and later released the live album “Good Spirit” and the Studio album “Food in the Belly” in 2005.
Rudd is widely known and appreciated on the festival circuits in Australia and Canada, and is equally appreciated in both countries for his socially conscious lyrics often regarding the mistreatment of aboriginals. Rudd’s 2007 tour in support of his 2007 album “White Moth” was lauded by critics for being entirely carbon-neutral and the album introduced darker themes which are observable in his follow-up “Dark Shades of Blue” in 2008. 2010 brought a new album and a new band to fit including bassist Tio Moloantoa and percussionist Andile Nqubezelo.
Australian multi-instrumentalist Xavier Rudd really does embody the free spirited laid back nature associated with his home country. His folk stylings have earned him a loyal fanbase globally and his natural approach to live show is particularly impressive. Playing an impossible amount of instruments, he mainly uses the guitar this evening to recreate the downtempo material of 'Spirit Bird' for adoring crowds.
Looking as though he had just stepped off the beach, his entangled hair is illuminated by the stage lights as the opening strings to 'The Mother' fill the room with those easy listening vibes. He thanks the crowd sincerely for coming out to see him and jokes that without their support, he probably would be busking somewhere on the beach.
Playing a number of reimagined tracks from early album 'Food In My Belly' demonstrates the progression of his career whilst a cover of Cyndi Lauper's 'Time After Time' shows his talents as a musical inventor.