-
- Worcester concerts
-
Artists
Get your tour dates seen by one billion fans: Sign up as an artist
Anberlin since 2007 has had a consistent line-up of lead vocalist Stephen Christian, bassist Deon Rexroat, guitarists Joseph Milligan and Christian McAlhaney and drummer Nathan Young. Before the advent of Anberlin, members of the band formed the punk band called ‘SaGoh 24/7’ which had two releases, “Servants After God’s Own Heart” in 1999 and “Then I Corrupt Youth” two years later in 2001. Shortly after, the band recorded five demos, which they posted on mp3.com and signed with the label Tooth & Nail Records.
The band’s sound is characterised by Christian’s soaring and lofty vocals, combined with alternative rock and pop/punk elements and have been compared to the sound of Third Blind Eye. Due to their attachment to the label Tooth & Nail Record the Anberlin has often been referred to as a Christian band however lead singer Stephen has dismissed the association.
May 2003 brought the band’s debut album entitled “Blueprints for the Black Market” and on the back of played shows alongside the likes of Fall Out Boy and Story of the Year. Anberlin’s February 2005 follow-up album “Never Take Friendship Personal” featuring new guitarist Nathan Strayer charted at No. 144 on the Billboard 200 and
The band’s third album “Cities” released in early 2007 and produced by Aaron Sprinkle signalled Anberlin’s move into the mainstream, charting well at No. 19 on the Billboard 200 and receiving positive reviews the band, it represented a more mature approach to lyrics and music production.
After this success Anberlin signed to the major label Universal Republic in August 2007 and released their fourth studio album name “New Surrender” produced by Fall Out Boy and New Found Glory producer Neal Avron in September 2008. In support of the album the band toured the U.S. alongside Scary Kids Scaring Kids, There For Tomorrow and Starlight Run.
Anberlin’s fifth studio album “Dark Is the Way, Light Is a Place” saw the band work with Grammy winning producer Brendan O’Brien and tour with 30 Seconds to Mars. Their sixth album “Vital” returned the band to long-term producer Aaron Sprinkle and showed a darker side to their music. The band released their seventh album in October 2013 and announced they were disbanding after their 2014 tour.
They made Emerald City their new hometown and signed a record deal with Tooth & Nail Records and wasted no time in heading for the studio to work on their debut album which would later be called “The Weak’s End”. It was produced at the Black Lodge Studio in Eudora, Kansas. It was later released on January 27th 2004. Shortly after, touring extensively, the band headed back into the studio, to work on their following album “The Question”. The project took five weeks to record. It was released on August 2nd 2005, and made it into the US Billboard 200, charting at #45. It became the band’s highest charting album of their career. They re-released the album adding a DVD, which was a documentary film with bonus footage and exerts of Emery performing live songs.
It was whilst the band were on tour in Australia with their contemporaries, Underoath, that Emery announced that they would be releasing a new album. The album “I’m Only A Man” was unfortunately leaked on the Internet before it’s official release on October 2nd 2007. It received mixed reviews. They released a deluxe edition of the album as well, which featured four acoustic songs that were recorded while on the Take Action Tour.
They maintained a certain level of chart success throughout their career with songs such as “…In Shallow Seas We Sail” released on June 2nd 2009, making it into the Christian, Rock, Alternative and Digital Charts as well as the Billboard 200 Chart too. It gave the band their first number one in the Christian Chart. Their subsequent album “What Do What We Want” released on March 29th 2011 followed suit.
The band has made other appearances on compilation albums, most notably a version of “Holding Out for a Hero” originally by Bonnie Tyler featuring on the “Punk Goes 80’s” album.
With Anberlin, music and performance go hand in hand. As soon as the band hit the stage, the air is already filled with excitement as audience cheer, with the loudest applause for charismatic frontman Stephan Christian as he enters the stage last. His only request for the night is ‘I want you to sing as loud as you can, this night is yours’. With seven albums worth of material to cover is almost like a lottery, with of course favourites such “We Owe This To Ourselves”, “Impossible” and “Dismantle.Repair” to name a few. Whatever the set list selection, you know you’ll be highly entertained for the next 75 minutes. Christian’s breathy vocals are pitch perfect as he swings the mic lead around his head like a lasso commandeering any available space on stage. Crowd participation is a vital aspect of any Anberlin show as Christian demands ‘I wanna see this entire place moving!’ as they play “Feel Good Drag” the audience enthused by the electric atmosphere proceed to bounce up and down, waving their arms in the air as they sing the words from the top of their lungs. There’s no doubt of the passion which Anberlin fans possess kindly received and reciprocated by the band. The dramatic lights and the extended guitar distortion combined with electronic beats used as an interlude gets the crowd pumped even more, screaming as they clap in unison. Coming back for an encore “(Fin)” couldn’t be a finer choice as they play acoustically. At just under nine minutes long, this song was definitely made to be performed live as the crowd wave their lighters in the air. The performance is epic in all proportions not only because it’s a brilliantly beautiful track, but because Anberlin truly put all their heart and soul in it stirring an overwhelming wave of emotion in the crowd leaving you with goose bumps until the only word you can muster is ‘Wow!’ With a combination of explosive energetic performances intertwined with beautiful acoustics every time you witness an Anberlin show, you’re bound to be shown a new dimension of their live experience. And with that comes new found appreciation of their material as though this is the first time you’re are listening/watching them and falling in love with Anberlin all over again.
EvieCriedWolf
Emery is an American post-hardcore band. The guys in this band are dressed pretty normal in shirts and jeans but their sound really gets you pumped. It hard and really gets the crowd going. In "Walls", My hands seem to deceive me When I'm nervous or when I'm healthy. The scenery's all drawn". This song really gets you going, and I feel that many people can relate. Don't we all put up walls around people that make us feel vulnerable and nervous.
These guys get really into the song. The men are really headbanging and getting really into. They are great at performing because by showing that they are so into what they are doing, it really gets the audience excited about it as well. "So I could see my breath" is another great song. It has great lyrics and a wonderful beat. I find myself relating to a lot of these songs. In "so I could see my breath" there's a lyric that says "you are condescending". Who hasn't experienced that? They are very easy to relate to, especially when they scream at the perfect moments. I feel that the moment when they scream allow you to get even more into the music.
Log in to your account
