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Flocka Flame was born in South Jamaica, Queens, New York, but raised in Atlanta after his family went on to settle there; unlike many of his contemporaries, though, his isn’t quite a rags to riches tale. Indeed, his mother actually managed Gucci Mane for a while, and is the CEO of a management company that has also, at some point, counted the likes of Nicki Minaj and French Montana amongst its clients. That, in itself, leaves Flocka Flame in an unusual position; his comfortable upbringing was likely never going to provide him with much in the way of material with which to base his records around, but then again, he’s never really been one to play the traditional hip hop game; after all, how many rappers, like Flocka Flame did in 2011, would pose nude for PETA to protest the killing of animals for the purpose of wearing fur?
His debut record, “Flockaveli”, involved complex lyrical themes and genuine, unabashed aggression across the course of its hour-plus running time, and tracks like “Hard in da Paint” and “No Hands” made a name for Flocka Flame. Since then, his career has unfolded in soap opera style - he made a record, “Ferrari Boyz”, with Gucci Mane before going on to become embroiled in a very public - and recently-resolved - spat with him, and his live performances have taken him everywhere from supporting Drake on tour to playing at the legendary Reading and Leeds Festivals in the UK. He’s now set to release two new albums - both the much delayed “Flockaveli 2” and a new EDM record, “Turn Up God.”
Bash’s musical career began in the early noughties, not too long after injury had conspired to curtail a promising basketball career in college. Between his hometown of Vallejo and his new, adopted home base of Houston, Texas, he found himself performing in a number of hip hop groups, including Latino Velvet and Potna Deuce. That was enough to put him on the hip hop map in his own right, and he released a couple of moderately-received records in 2001 and 2002, ‘Savage Dreams’ and ‘On tha Cool’ respectively.
Those records did more than enough to earn Bash a chance with Universal, who quickly signed him and put out album number three, ‘Tha Smokin’ Nephew’, in 2003. It would ultimately go gold, with sales of over half a million. His first release under the Bash name, meanwhile - ‘Super Saucy’ - would secure him a top twenty single in the U.S., in the form of the Akon collaboration, ‘Baby I’m Back’. In the years since, he’s continued to collaborate widely, with the likes of Paul Wall, Miguel, Too Short, Problem and T-Pain having appeared on his solo records, whilst he’s made four albums to date with his rap group Lone Star Ridaz, too.
Formed of childhood friends Ali (Lakeem Mattox), Quez (Donquez Woods), and Strap (Harold Duncan), the group, originally dubbed Hard Hitters, envisioned taking the rap world by storm. By 2008 the name was changed to Travis Porter in order to appeal to a larger audience, and the trio were honing their performing skills playing shows in the U.S. as well as Europe. Through a combination of underground mixtapes, well-profiled live shows, and apt use of social media, Travis Porter quickly gained recognition in the south, aided by the underground hits “Black Boy White Boy”, “Uh Huh”, “Go Shorty Go”, and “All the Way Turnt Up”.
In 2010, having already released four mixtapes, Travis Porter issued “Proud 2 Be a Problem”, “I Am Travis Porter”, and “Differenter Gang”, all of which caught the attention of labels hoping to sign the young, appealing hip hip group. Towards the tail end of the year Travis Porter inked a deal with Jive Records, however the label was closed by its parent RCA in 2011, which resulted in Travis Porter’s debut “From Day 1” being issued by RCA in 2012. The album, featuring Diplo, and J.U.S.T.I.C.E. League at the production reigns, peaked at No. 16 on the Billboard 200, and No. Two on the Billboard Top Rap Albums. Featuring guest appearances from 2 Chainz, Tyga, Mac Miller, and Mike Posner, the album spawned the singles “Make It Rain”, “Bring It Back”, and “Ayy Ladies”. The latter single, featuring Young Money rapper Tyga peaked at No. 56 on the Billboard Hot 100, and topped the Heatseekers Songs chart. The group released their self-made film “Red Rock” in November 2012, followed in 2013 by the mixtape “Mr Porter”.
Waka Flocka Flame - not, you’ll be shocked to learn, his birth name - is actually representative of something that’s pretty rare in hip hop nowadays; an artist who’s captured the attention of the mainstream without either steadfast adherence to current trends, or the backing of a high-profile hip hop label or movement. Instead, he was allied to 1017 Brick Squad with fellow underground stars Gucci Mane and French Montana, and has gone from strength to strength since signing to Warner Bros. in 2009; his debut record, Flockaveli, peaked at six in the U.S., with follow-up Triple F: Friends, Fans and Family also making the top ten. Recently, he and Mane have been locked in a high-profile feud, but that hasn’t stopped Flocka touring prodigiously; his appearances at a slew of European festivals last summer, including Reading and Leeds here in the UK, earned him plenty of plaudits, as he combined the musicianship that his records deserve - a full live band saw to that - with the kind of chaos that any good hip hop show really needs; flanked by an entourage, he ran through his biggest hitters - including tracks from his Mane collaboration Ferrari Boyz - to a feverish reception from the crowd. With Flockaveli 2 set to drop later this year, new UK dates before long look a certainty.
You may not recognize the name Ronnie Ray Bryant, but anyone raised in the 90s will recognize the name Baby Bash. I was actually a bit apprehensive about going to his show, mainly because I didn’t know a lot of his songs; but somehow, my friend convinced me that I still knew enough that it’d be worthwhile. As much as I hate to admit it, she was right. The crowd was huge! I hadn’t really thought about how big of a following he had, but it was awesome because the energy level was set so high. When Baby Bash took to the stage I found myself singing and dancing along. I was also pleasantly surprised at how great his raps are live, probably because of the emotion and love of what he does really shines through. He was great with the audience, constantly engaging them and getting them pumped up (even though I didn’t think it was possible to raise the energy more). The best part about the show was that he had a lot of guests come on and do their collaboration songs. Like Frankie J coming on stage to sing “Sugar Sugar,” and Sean Kingston coming on to sing “What Is It.” He closed out the show with “Cyclone” and everyone went wild! The whole place boomed, with everyone singing and dancing.
Despite the name Travis Porter, Travis Porter is not one man, but a group consisting of Lakeem "Ali" Mattox, Donquez "Quez" Woods and Harold "Strap" Duncan. A fact that I did not know until my friend dragged me to one of their shows. Since I really had no knowledge of the group, I had no expectations for their performance, which resulted in a positive outlook on their music.
I had really only heard one of their songs on the radio, but when they came to the annual fall Block Party at University of California, Riverside, one of my hall mates, who was a huge fan, had talked me into going to their set. We joined the already huge crowd in front of the stage just as they started their first song. Since I didn’t know most of them I felt a little awkward at first, but as their set progressed, it became a great atmosphere. You could really tell that the crowd was truly getting what they wanted from this group. The whole crowd was dancing and singing a long. When they started to play their closing song, “Ayy Ladies,” I was able to be a part of this crowd since it was the one song that I did know. Once I got home I did end up listening to more of their stuff because of this show.