The Swingle Singers have been challenging the boundaries of vocal music for over 60 years, earning 5 Grammy Awards and establishing themselves as one of the world's most beloved and admired vocal groups.
It began in Paris in 1962, when Ward Swingle sat a group of session singers down and had them sing Bach as if it were jazz. He wanted a sound "as if the singers were whispering in the audience's ear". The records that followed were a sensation, and what started as a vocal exercise became the sound and approach the group has carried ever since.
Today, that same instinct runs through everything they do, taking music apart and rebuilding it for voices alone. Along the way they've collaborated with artists all across the musical map, among them Jamie Cullum, Kurt Elling, New York Voices and Labrinth.
Through every iteration, the group's signature sound has stayed unmistakable, and their arrangements built with intricacy and imagination. Close-microphone amplification and the range of seven individual voices combined into one blended sound that composers and arrangers have long admired for its versatility.
This is The Swingle Singers at their very best, with their reimagining of jazz, folk, pop and classical music alongside original songs of their own. It’s the set they’re proudest of and built to be heard up close.
It’s hard to believe that The Swingle Singers have been going strong since way back in 1962, but I can say for sure that they’ve not at all lost their touch. Of course their line up has changed considerably over the years, but each new member seems to bring a new lease of life and enthusiasm to the band, stopping their sound from becoming dated and out of the mainstream loop.
Listening to a cappella music is something that I find incredibly mesmerising, and it’s remarkable to see how these singers create such scopes of sound with only their voices. They opened the show with Sara Brimer, one of their soprano vocalists, singing a solo a cappella introduction, before the rest of the ensemble joined in to the cover or the Annie Lennox track. They way that they perform tracks ranging from pop music to classical pieces such as Bach and Mozart really demonstrates their versatility as a group.
They sang mainly from Weather To Fly, as well as some of their older and classical tracks. They were great at getting everyone in the audience involved, and when they played New World, they got everyone in the audience singing the melody whilst they harmonised around us which was awesome.