Concert in your area for Comedy, Indie & Alt, Rock, Folk & Blues, Metal, and Country.
John William Weller (everyone called him Paul from a young age, even his parents) is proof that teenage pop stars are not entirely a modern phenomenon. You can talk about your Lorde’s and your Rihanna’s (who both made their debut on the Billboard Hot 100 at the same age, 17), but in The Jam, Weller was touring with The Clash by the time he was 19 and was nothing short of a youth cult leader by the time he was 24. Even at the time, few people had seen anything like the level of devotion that fans of The Jam displayed since the heyday of The Beatles. That kind of love can only really come from people seeing one of their own on stage, singing songs inspired and fuelled by the same experiences the audience were going through at the time.
Looking back on it, it seems quite strange for a man as famously contrary as Weller is to be related to as strongly as he was. However, apart from the whole successful rock band thing, Weller’s life had been pretty par for the course up until then. Growing up with a musical diet of The Beatles, The Who and The Small Faces, music was the one thing that Weller cared about from the age of eleven, the age that he took up playing the guitar. By 1972 he’d formed the first incarnation of The Jam with his mates Steve Brooks and Dave Waller on lead and rhythm guitar respectively, with Weller playing bass.
Weller’s father was a taxi driver by trade, but he became the bands manager and booked them a series of shows in working men’s clubs, which they played with Rick Buckler on the drums. The classic Jam line-up was beginning to take shape, and when Waller left the band, Bruce Foxton took his place playing guitar and the stage was finally set. The band gigged all over London and Surrey until 1976, when Brookes left as well, so Weller and Foxton swapped instruments and The Jam that would become familiar to millions over the next seven years was finally ready. While not quite a punk rock band, The Jam came to prominence at around the same time as bands like the Sex Pistols and The Damned, and by 1977, just before the Summer of Punk reared its head, they were signed to Polydor Records.
As far as The Jam goes, the rest is history. They became something of a youth movement, far and away one of the biggest bands in the country. However, come 1982 Weller became frustrated with how creatively constricting it was to be in The Jam and pulled the plug on the whole thing when he was a mere 24 years old. Not wasting a moment, The Jam played their final concert in December 1982 and Weller’s follow up band, The Style Council, were formed in early 1983 alongside keyboard player Mick Talbot. The band were moderately succesful in their way, having a series of top ten hits with the likes of “Shout To The Top” and “Speak Like A Child”, and the band even gave Weller some small success in the states, something which had eluded him in The Jam, but it didn’t even rival Weller’s previous success, and by 1989, The Council’s record company refused to release their fifth album “Modernism: A New Decade”.
Disillusioned, Weller split The Council and found himself without a band or label for the first time since he was 17 years old. Many others would have retired but Weller is nothing if not tenacious, and after taking most of 1990 off, he began touring again in 1991 with his band The Paul Weller Movement. These concerts, mostly taking place in the clubs that he’d long since outgrown previously, were highly acclaimed, leading to a newfound surge in interest and some serious hype around his debut solo album. “Paul Weller” was released in 1992 on Freedom High, his own record label, and was such a success that it got him a new deal with Go! Disks, who re-released the album and saw it hit the top ten of the U.K album charts. Weller had his commercial and creative mojo back, and ever since then he’s been a true national treasure, releasing acclaimed album after acclaimed album and still commanding respect from multiple generations of music fans. He’s earned the respect of any music fan multiple times over, and still comes highly recommended.
Born in Kidderminster, Worcestershire, Plant was renowned for his trademark high pitched falsetto vocals, which lead to him being adorned with the title of the ‘greatest singer of rock’ time and time again. In a Poll carried out by Planet Rock, Plant came out on top for the greatest rock vocalist, and the title stuck. Throughout his career, the musician has had significant influence on great musicians, including Freddie Murcury. Additionally, in 2011 he was awarded the 1st place nomination for the greatest lead singer of all time from Rolling Stone Magazine for his time in Led Zeppelin.
As well as releasing countless albums with Led Zeppelin, Plant has 10 studio albums to his name, 8 of which have achieved either a gold or silver status. Plant’s talent as a multi-instrumentalist has helped tremendously in his composition over the years, playing harmonica, guitar, bass, and drums.
After leaving home at the age of 16 to pursue his music career, Plant became a member of the English Midlands blues scene, and his early work was heavily influenced by the genre. Jimmy Page approached Plant after hearing about him through contacts in the circuit and was astounded that he’d not been snapped up by labels previously, and they immediately began collaborating, ultimately forming Led Zeppelin.
During the production of Presence in the mid 70s, Plant was injured in car accident on holiday with his wife, which lead to a delayed release, and several cancelled tour dates. Renowned for his onstage banter and narratives of the origins of his songs, his lyrics were influenced by a variety of sources, from Tolkien, to the untimely death of his son, catalysing his mystical and spiritual lyrics.
After the disbanding of Led Zeppelin in the 80s, Plant’s solo career took off to much success, with all of his albums being extremely well received. As well as solo tours, he also collaborated further with Page, and they produced several records and performed shows together.
WOW! He is 74 years old but you can't tell. He's still ripped. An awesome show in a beautiful old theater. So glad I could take my teenage son to see him before these legends are no more. He played lots of Who material as well as some of his own. Was a real treat!
As one of the pioneers of indie / punk / mod rock, Paul Weller is still rocking into his fifties. Weller was the frontman for two very influential indie rock bands, The Jam and The Style Council. Paul Weller started his solo career in 1992 with the release of his self titled album, "Paul Weller". He has released a total of 11 solo albums to go along with his catalog of recordings from the two previously mentioned bands. Weller has been nicknamed The Mod Father for his influential role in the style of mod rock.
Weller still tours regularly and is not showing signs of slowing down. His recent shows have been divided into acoustic and electric sets. The majority of the setlist consists of Weller's solo material, which is some of the best music he has created. The highlights though are when he reaches into the archives of The Jam and The Style Council and delivers some mod classics. He is also known to sprinkle in a surprise cover here and there. Weller isn't very talkative on stage, he lets the music do the talking. And it's for that very reason Paul Weller remains one of the must see's for mod rock fans.
Most rock performers that gain huge celebrity status in their early career tend to stick to the same formula whether or not they can pull it off or not, but Robert Plant is unlike these performers. Robert Plant knows he is aging and he has shifted his musical compositions into forms that he handles impeccably well. Other singers often do not have the nerve to shift their style of performance as they grow older, but musicians such as Tom Waits and Robert Plant know how to move with the times and end up venturing into new territories that see them producing the highest quality of music.
Robert Plant’s most recent concerts are a complete joy to see live. His shows contain a sense of maturity to them. He does not participate in the high-pitched shrieks and yells that he so masterfully produced in classic Led Zeppelin recordings, but his style has changed to the tune of more traditional folk standards, singing like an old soul with an angelic voice. It should not be a surprise that Robert Plant’s new style encompasses the ranges of traditional folk music. Robert Plant has been a fan of traditional folk standards since the early days of Led Zeppelin. The album, Led Zeppelin III, contains the folk standard, “Gallows Pole”, which Robert Plant frequently puts on his recent setlists. Robert Plant also performs other classic Led Zeppelin songs from his setlist such as “Tangerine” and a slow-downed, bluegrass rendition of “Black Dog”.
Robert Plant also tours with very skilled backing musicians. He has previously toured with the phenomenal bluegrass singer, Alison Krauss, who adds rich layers to Robert Plant’s songs by harmonizing in perfect pitch with him. Robert Plant has also brought other talented bands such as Band of Joy and Sensational Space Shifters with him on tour to perform new songs as well as some of our favorite Led Zeppelin tunes. Robert Plant is one of the most well respected singers still out there performing. Rolling Stone magazine has included him on the list of “100 Greatest Singers of All Time” and he has also been nominated for numerous Grammy awards. If you get a chance to see him live, Robert Plant will prove to you how his style has matured with him for the better and why he is one of the best singers still performing.
The Royal Albert Hall is the perfect venue for Rick Wakeman. They are both old, respected London Institutions. They have both enjoyed star-studded existences. The Royal Albert Hall has seen Freddie Mercury, Sting, Eric Clapton, Elton John, Paul McCartney and so many others pass through its doors and on to the stage of the lush, velvet seated auditorium.
Wakeman has sessioned with David Bowie, T.Rex, Cat Stevens and Black Sabbath, but is best known as the keyboardist for progressive rock outfit, Yes, working on their albums Fragile (1971), Close to the Edge (1972), and Tales from Topographic Oceans (1973), before kicking off a highly successful solo career in 1974. He has recorded over fifty albums since then, among the more revered of these being 1984, Time Machine and Night Airs.
There is an air of regard that feels befitting at the Royal Albert Hall, as Wakeman takes to the keyboards and riffles out some classics from his long-standing career. There is a sense of allure that memorialises the glory days of glam and there are many hands waving along to all those years in retrospective.
Great night at St. Lukes . Chris entertained with his life journey, classic Squeeze songs and from his own back catalogue. Intermixed with funny stories and banter. His side kick Boo Hewerdine supported through a very enjoyable evening. Brightened up a Wednesday evening.
Really amazing night ! Beth's voice is as pure & melodic as when we first saw her many years ago.
We were so lucky to get seats 2 rows from the stage this time, the closest seats we have had.
Also really enjoyed her band Ruth, Robbie
& especially Robert Vincent. Bonus of meeting Beth again for another personally signed latest C.D !!
This is a review of the woman to woman (Beverly Craven, Judie Tzuke and Julia Fordham) gig at union chapel London 23/11/18.
Tracy ullman introduced the ladies for their 2 hour plus, 2 set show. It was an evening of each artist showcasing their hits with the other two ladies as backing singers, with the three coming together to sing songs from their joint album woman to woman. It was magical, sad, uplifting, funny and joyous, three great uk singer songwriters illustrating how bland today’s music is compared to their output. Standouts were For You, Safe, Stay with me till Dawn, Promise me, Stay, Love moves in mysterious ways and Girlfriend.
The second half of the tour starts in June next year, if you can ge5 a ticket for the shows go it will be the highlight of your year.