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Before Scoffern took up the path of a solo artist he lugged in a fair amount of time with the loosely assembled rap collective the Living Legends. The group was originally comprised of BFAP, PSC, and the Grouch, but later expanded to include the members of Melancholy Gypsys: Eligh, Scarub and Murs. The Living Legends were one of the most diligent rap projects in the greater LA area. They seemed to do everything themselves including recording, promotion and album distribution. The collective have been credited for independently selling close to 300,000 units and are likewise recognized as being one of the few rap groups to avoid the typical appeal to gangsta hip-hop, opting instead for a more straightforward style.
The Grouch broke out as a solo rap artist around the mid 90s. Taking inspiration from local west coast iconoclasts such as Digital Underground, Too Short, and “Tony! Toni! Tone!”, Scoffern constructed a musical style that was poignant, but not overtly self-serious. He started penning songs in ’94 and just a year later played his first gig at the Journeymen’s “Broke Ass Summer Jam” shows. His performance sailed with success and the audiences positive feedback encouraged him to keep up the rap game.
His first album “Don’t Talk to Me” came out in 1995 through the Living Legends record label. This album was the start of a giant wave of consecutive releases. He put out 5 more albums before the close of the 90s including “Nothing Changes” (1996), “Success Is Destiny” (1997), “Fuck the Dumb” (1998), “You’re Not the 1” (1998), “Simple Man” (1999), and “Making Perfect Sense” (1999).
The 2000s proved to be just as busy as the 90s. Not only was Scoffern functioning as a solo artist and a member of the Living Legends he was also participating in multiple side projects and making several guest appearances on other artist’s albums. Other than the 8 studio album’s Scoffern released that decade under his moniker The Grouch he also put out several releases with his Living Legend’s co-members Eligh and Zion I and in 2002 produced Felt’s debut album “Felt: A Tribute to Christina Ricci”.
Brother Ali is an unusual character. As a devout Muslim, Ali is an important figure for the Muslim community in the world of Hip Hop, standing alone in a world of drugs, sex and hedonism. Alongside his religious beliefs that are entirely opposite to the lifestyle of other Hip Hop artists, he also has the rare genetic condition of albinism, leaving him with a lack of pigment, making him even more unique. Yet whiles these facts make him a rare character, it is his socially conscious underground rap that has made him turn heads in hip hop, achieving significant success in the charts.
Growing up in various cities in the Midwest, US, his family settled in Minneapolis, where he began rapping at the tender age of eight, recording his first piece of music at 13. His demo tapes, "Rites of Passage" (2000) caught the attention of the Rhymesayers crew, who decided to sign Ali, bringing him along as part of their crew to the 2000 Scribble Jam, where Ali reached the finals. In 2003 he released his debut record, "Shadows on the Sun" which dealt with his struggles due to his albinism.
His next three records all entered the top 100 US Charts, entering the top ten of the Indie Charts and R & B/Rap Charts. 2007's "Undisputed Truth" peaked at 69, with 2009's "Us," a return to more traditional forms of hip hop, reaching 56 and 2012's "Mourning in America and Dreaming in Color," which held more political vehemence than previous records, peaked at 44.
Brother Ali is known for his outspoken political activism, focusing on themes of racial inequality, slavery, economic injustice and gay rights. His song and accompanying video "Uncle Sam Goddamn" even prompted the US department of Homeland Security to freeze financial earnings from being transferred to his label.
Corey Scoffern, aka. The Grouch, is involved with the underground hip hop group Living Legends, and has been extremely influential in the rapping community over the past 20 years. He’s also collaborated on some big tracks with artists such as Eligh, and Zion I over the years. His support act got everyone in the mood for his set, so the energy was really high and pretty intense before he even came out on stage. Everyone was cheering like mad, and the opening music for his track Wish You a Good Day played over the auditorium.
He came on stage to the intro music, and launched straight into the song, before introducing himself, or his DJ. Half way through the song, he signalled for the music to have an interlude, and welcomed everyone to the show. The applause was epic, and everyone was jumping up and down, begging him to continue with the incredible song. The great thing about The Grouch, is that although his raps are fast paced and wordy, he still manages to articulate, and especially in a live performance, I feel like I can relate really well to the lyrics.
He played all his hits, such as tracks from Lighthouses, and They Don’t Have This, and he brought the house down every time. He’s an incredibly talented artist, who needs to keep producing and creating great music.
Eligh Nachowitz, or as he’s most commonly known as, simply Eligh, is one of my favourite hip hop rappers working the circuit at the moment. From the beginning, he was set for success, founding his high school hip hop duo Boogalu Badboys with the musician Scarub, and then later the who met the rapper Murs, and there they formed 3 Melancholy Gypsys. From there on, Eligh has worked consistently, and had made it far in his career since then.
Although he’s struggled with issues surrounding drugs and alcohol, and his alteraction in his music after his time in recovery, has been an eye opening insight to his life. He put on an absolutely magnificent show when I saw him recently. He opened the show with his track Chronik, and had everyone singing along right away. He was great at interacting with the audience, and getting everyone to dance and sing along to the show.
The selection of music that he played was perfect, as he was totally aware of his audience and got everyone singing along to the remixes where he used samples, and put his arms in the air encouragingly to get everyone dancing along to the tracks.
Brother Ali brings the politically potent lyricism that he puts into all his recordings onto the stage and leaves the crowd in awe of his flawless flow. There’s no denying that he is a born entertainer, and at his shows you can’t help but notice that virtually every member of the crowd is captivated and excited by his music. The live band that accompanies him transforms a standard rap show into a great live gig. Although his backing band is made up of some hugely talented musicians, Brother Ali is most definitely the star of the show. He seems very comfortable on stage and never fails to express his gratitude to all the fans that come to see him. Between tracks he engages in an entertaining and intimate back and forth with the audience, encouraging them to engage with his lyrical message. Quality hip hop, honestly staged.
It was awesome to see Lyrics Born doing his thing, rapping and performing awesome hip hop, and also with his fantastic backing vocalist performing with him. He opened the show with The World is Calling, and it was a great track to get everyone into the vibe of the show. The great thing about having a backing vocalist with him was that Lyrics Born was able to speak to the audience over her vocals, and get everyone dancing and singing along. He kept shouting ‘all the beautiful people make some noise’, which got everybody on the dance floor, showing their appreciation for his music, and just having a really great time.
He played through the new album, Real People which was so brilliant to hear live. Most people were big fans at the concert, so everyone was familiar with the new music. His performance, both vocally and physically was even better than I anticipated, and his energy was so high throughout the entire concert. I’ve seen many hip hop artists live before, and something that really stood out about the lyrics born show was that his diction was fantastic and it was easy to understand what he was rapping about, and in the past I’ve found that other artists struggle with this. His lyrics are powerful and grounding, and hearing them live brought another layer of meaning to them, being able to see his facial expression and body language. I’m an even bigger fan after the show.