Für Fans von: Indie & Alternative, Rock, Folk & Blues, und Funk & Soul.
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The band are timeless in a rather unique way. Rather than invoking the spirit of no time in particular, White Denim invoke the spirit of every era in rock and roll’s storied history on a song by song basis. They veer from bombastic southern rock riffs straight out of Almost Famous through to the scratchy, lo-fi punk of the late 80’s and absolutely everything in between, Taking influence from dub, psychedelia and jazz at their most out there.
It’s almost strange to think that the members of a band with so much creativity and chemistry could have ever played with anyone else but White Denim formed out of the ashes of two separate bands. Josh Block, James Petralli, Lucas Anderson’s Parque Touch and Steve Terebecki’s Peach Train played a gig together in March 2005, Parque Touch were so taken with Terebecki’s playing that they asked him to join them playing the bass guitar.
The newly formed quartet weren’t to last however. Anderson moved to Russia in 2006 before any recording could be done with their new bassist, so the remaining trio changed their name to White Denim and set about changing their sound drastically. By 2007 they’d written and recorded their debut E.P, which the band called “Let’s Talk About It”.
“Workout Holiday” became the bands second release, a “tour E.P” as the band put it, which came out the same year. The E.P caught the attention of rising netlabel RCRD LBL, who contracted the band to re-record three of its tracks and release them as a separate E.P online. That release was what earned them their first national attention, playing slots at 2008’s SXSW festival and the CMJ Music Marathon, not to mention winning the “Best New Band” accolade at the same year’s Austin Music Awards.
Re-recorded tracks from those first two E.P’s ended up on two versions of the band’s debut album, one that was called the “Workout Holiday LP” and was released in Europe during the summer of 2008, and a version of that record which was released in the US. The US version had a slightly altered track listing and came in the October of that year, which was entitled “Explosion”. In Europe, the album was released on Full Time Hobby, their label to this day, but in the U.S they only signed a full time deal in 2009, with Downtown Recordings.
Since then the band has been one of the most reliable bands in Alternative rock, who can always be counted on to release great albums and put on unmissable live performances. With a sold out concert at London’s Shepherd’s Bush Empire in 2014 and three sold out nights at New York City’s Music Hall of Williamsburg in the same year, their star is rising as well. Any rock fan would do well to seek out this most unique of bands at the peak of their powers.
I’ve seen a lot of loud bands over the years but the one that did the worst things to my ears, and I didn’t expect it at all, was White Denim. Those Texans are ones to watch. With now six albums of progressive experimental rock under their belts, I knew I’d be in for some great rock and roll from James Petralli and co, but just how loud and energetic it happened to be was quite the surprise. They lure you in with what seems like a gentle and melodic opener of ‘Street Joy’, letting Petralli’s soulful voice take centre stage... and then the rousing chorus and huge drums come piling in and there’s no looking back. The soloing is stunning; the rhythm section is flawless as the band roars through ‘River to Consider’ (all shimmying grooves and breakdowns) and the blistering ‘At the Farm’, which was the exact point I knew my hearing was in danger. It only got better (and my hearing worse) from there as they rolled out the best of their back catalogue, the best of which was lost 60s classic ‘Shake Shake Shake’.
White Denim are an unbelievably powerful live act. Don’t let the look of those four charming young men onstage con you into thinking otherwise.
Such a blessing to see Arc Iris live. The venue was a dimly lit speakeasy sort of bar, and it made the show even more interesting. All the members of the band are great musicians, and even greater artists. Jocie Adams had the coolest fit on, and visually, the performance was hypnotizing. I hope to see them again next week during their residency in Los Angeles.