New York City was the stomping ground for Bilal Sayeed Oliver as he started to blossom on the scene. It wasn’t long before Aaron Comess from the Spin Doctors, in an after-school jam session, discovered him. Bilal took the opportunity to record a demo CD with Aaron Comess, which was sent to an A&R at Interscope Records. The label offered him a contract and sent him straight into the studio to record what would later become “1st Born Second”, which was released on July 17th 2001. The album was very well received in the charts with it making it to number 31 on the Billboard 200. To date, it has sold upwards of 319,000 copies.
Bilal would feature on various recordings over the next decade, whilst working on his sophomore release, which would be titled “Love for Sale”. It was an album that was slightly experimental, exploring new genres and showing a natural progression. Unfortunately, Interscope rejected the original idea, saying that it wasn’t commercial enough. If that wasn’t enough, most of the album was leaked online. He considered quitting music, but the album was downloaded upwards of 500,000, so he consequently embarked on a tour of the album. With almost a decade having gone by, Bilal came back with the album “Airtight’s Revenge” released on his own Plug Research Label. It was released on September 6th 2010, and peaked at number 21 on Billboard’s R&B chart.
With his career back on the rise, he toured and re-entered the studio a couple of years later to work on “A Love Surreal”. It was released on February 26th 2013, making it to number 17 in the Independent Albums Chart.
Bilal's collaborative rap sheet features a who's who of African American musicianship, he has worked with Jay Z, Beyonce, Erykah Badu, Common, J Dilla, The Roots and the list stretches far out into the distance. His projects have been so many and varied that he has been labelled with countless genres, he's an R&B artist, Neo-soul singer, jazz musician etcetera etcetera. His style variations are testament to his musical range and varied influences. His albums each explore a different musical genre, and his features on innumerable artists' records have allowed him to explore even further, making great use of his incredible vocal range. Like his records, his live performances are a mixed bag of all his combined musical repertoire. It's an untold gift of Bilal's live shows that you are essentially watching a performer take you through, what feels like, not just one body of work, but those of three of four different artists, all of which fit seamlessly into the one man. His shows are soulful affairs, a reflection of Bilal's sincerity in the music that he makes. They compel you, despite yourself, to start grooving, clicking your fingers, harking back to the days of the jazz clubs, all smoky haze and dark corners.