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Bringing the most majestic of riffs wherever they go, Wolfmother rock like it’s eternally 1973 and the eighties never happened. They do so with absolute conviction as well, which is strange because the original trio that made up the band only met at the turn of the 21st century. Andrew Stockdale, bassist Chris Ross and drummer Myles Heskett formed Wolfmother properly in 2004 after a couple of years of aimless jamming. Their first demo recordings netted them a record deal with Modular Recordings and after their first batch of national tour dates were completed they set to work on their self-titled debut E.P. The trio realised they had something special on their hands when their E.P, a debut effort from a one year old band, charted at number 35 on the Australian album charts in its first week of release.
In fact, the band were so sure of themselves that after they finished their first six months of hardcore touring (or “Chonging” in the bands parlance), they relocated to Los Angeles to record their debut effort with David Sardy. Sardy had previously worked with the likes of Oasis, Slayer, and their countrymen Jet and whatever good luck charm he’d given those previously mentioned bands more than made its mark on Wolfmother. Their self-titled debut album was released in October 2005, peaked at number three on the ARIA Album’s Chart and stayed there for two years, going five times platinum in the process.
For a period of time, they were far and away the biggest new band in Australia and by 2006 their appeal started to spread across the globe, playing Download, Lollapalooza, Fuji Rock, Reading and Leeds festivals in the same summer among many, many others. As Wolfmother’s fame grew, Stockdale began to take complete creative control of the band, Ross and Heskett left as a result and it was another three years before another album would take shape. 2009 saw the release of “Cosmic Egg” a record that didn’t match its predecessor for impact but was rapturously received by fans, who propelled it into the same number three spot of the ARIA Charts that its predecessor got to and into the top 20 of the Billboard 200.
Ever since then, the band have been beloved by their fans for their face melting riffs and spectacular live shows. No matter that the band have effectively become Stockdale’s solo project, he still does it better than just about anyone else in the world right now. With a third album out in the form of 2014’s “New Crown” very little seems able to stand in the band’s way and for that reason, Wolfmother come highly recommended.
Críticas en vivo
A lot of people feel that they were born out of time. That they came into the world in the wrong year, decade, century, you name it. This is especially apparent with music fans, and in a way, we’re all guilty of it. Who hasn’t dreamed of seeing Led Zeppelin at Earls Court, The White Stripes at the Astoria or The Beatles at the Cavern when their own parents hadn’t met back then? Who hasn’t looked at the gig listings of the day and pined for the firebrand genius that yesteryear seems to hold? That’s where Wolfmother comes in. The Australian power trio saw no worth in the music of their time, but rather than whine about it, they decided to do something about it. What they ended up doing can be described in three words. Rock. Like. Bastards. It goes without saying that nowhere is this commitment to rocking like bastards more apparent than in their live show. All the traditional signs are there, amps set to kill, lead singer Andrew Stockdale’s hair looking like a fuzzy beach ball, double necked guitars (DOUBLE NECKED GUITARS) and riffs that would have made them the biggest band in the world in the 1970’s. Woman? New Moon Rising? Joker and the Thief? They’re all here, and while the folks backing up Stockdale might shift from time to time he has a knack of finding players that perfectly gel with his retro sensibilities. So if you feel that you’re living in a century that isn’t for you, Wolfmother understand, and they’re here to make you feel more at home, one monstrous riff at a time.
william-howard-2
Although the band has only been working for just over ten years, Wolfmother have a sound that is often described as wise beyond their years. Taking influence from classic artists including Led Zepplin and The Beatles, rock is very much at the centre of all they do.
With three albums to date, the group has gained global appeal and their fans now come from far and wide to view a piece of classic rock. The band themselves also incorporate the mentality of rock showmen, and although they are not known for throwing televisions out of hotel room windows, they do really know how to entertain a crowd. As the drum beats begin to 'Woman', Andrew Stockdale and his proud afro swagger from side to side of the stage to make sure the crowd are suitably excited before beginning their show.
They rattle through the hits including 'Californian Queen' and 'White Unicorn' along with music mainly lifted from the first two albums which are the most commercially successful. A singalong to 'Joker & the Thief' leaves both the audience and the band content with the show as they take their final bows.
sean-ward
24-11, Tivoli, Utrecht.
Great show! We got there in time to be sure to have a nice spot. However the Ronda hall in Tivoli had ample space to house all the concert goers. The support act, Mothers' cake was a nice warm up. I liked their mixed style of rock, funk and some experimental.
Wolfmother delivered; 'Their best songs with your favorites of the victorious album'. Standing close to the stage, the atmosphere was great. Almost every song resulted in a mosh-pit. Unlike many other venues, the security in Tivoli just let the crowd party. They didn't take any action against the crowd surfers and a few fans which went on stage.
I really hope Wolfmother will continue to perform and release albums in the future.
TL;DR
Wolfmother live, kick ass!
christian-klein-gebb
Great show. Wolfmother brings the old-school vibe of rock-n-roll to the 21st century. The fans got more and more into the show as it went on ending with a masterful version of Joker & Thief.
Marquee Theater was fantastic. Intimate.
Highly recommend Wolfmother. My only complaint is the setlist was missing California Queen, WTF!
Rock on ladies & gents.
jdu123
so i was in the front row and it was awesome. wolfmother were in very good mood and they rocked the stage. i can't believe i saw them live. one of my favourite bands. they played all of my favourite songs, some old ones and of course some new ones from the new album. i'm so in love with them and i enjoyed every second. wow!
janine-garber
Honestly, brilliant. Absolutely brilliant. The set wasnt exactly balanced, but I'd say everyone would almost prefer it that way. The new album stuff was great and the first album songs were brilliant. Minds Eye - Need I say more. If you need to go to a gig for tax reasons or for a great time, see these guys on tour!
guywhodances
Best live show i've ever seen! Wolfmother definitely got it ;) starting of with their newest hits, then - mid show - lifting the roof with what's in my opinion their all time best song. Incredible, how they managed to end even stronger, leaving the crowd very satisfied.
lasse-sterud
Amazing band! They started a little cold but then they rocked the fucking crowd out!! Poor guitar sound though, the whole PA output was just a big ball of noise.
And, why did they start so punctual? Give the people some time to warm-up! (in the pub).
edu-gonzalez
Venue - Awesome
Opener (The Soft White Sixties) - Really Awesome (very positive energy and radical vocals, truly loud, truly rock)
Show (Wolfmother) - Unbelievably Awesome (killed it. all great songs. humble.)
Thank you Wolfmother!
dmwilliamson
