Para fans de Rock, Indie y Alternativa, y Hip-Hop.
genre_page_link
The two chief members, Conrad Keely, formed the band in 1993 and Jason Reece, who originally met as children in Hawaii. The two moved to Austin, Texas where they expanded to include guitarist Kevin Allen, and bassist Neil Busch and also picked up the moniker You Will Know Us By The Trail of Dead, later lengthening it to …And You Will Know Us By The Trail of Dead. By 1995 they released their first song “Austen Live Houses,” followed by an eponymous EP, and by early the next year released their first full-length, a self-titled album.
In 2001 the band signed with Interscope Records and released a new EP entitled “Relative Ways.” In 2002 the band released “Source Tags & Codes” which did extremely well, as did the tour that followed. The band went through a bit of a lineup change, taking on Aaron Ford on drums and Jay Leo Phillips on bass, and once their tour was done, went back to the studio to work on their sixth record. That same year they also left Interscope to become an independent band, self-releasing the EP “Festival Thyme” as an album teaser, followed in 2009 by “The Century of Self.”
In 2011, following the release of “Tao of The Dead,”the band announced that the band would be stripped down to a four-piece ensemble. As a foursome, the band continued to release new music and continued to tour. In 2014 they announced that they were working on a ninth album, “IX” through the clever use of an online jigsaw puzzle.
Frank Turner has an innovative way of blending the genres of folk, punk and rock with his intelligent lyrics to create quietly anthemic music. Often described as a social commentator, the Bahrain born, Meonstoke raised songwriter released his first album 'Sleep Is for the Week' in 2007 which was received well critically. 'Love Ire & Song' came in the following year and made Turner's first dent in the UK album charts, his reputation was growing quickly as his tours began to sell out by his loyal fan base. He supported The Offspring and The Gaslight Anthem on tours which developed his reputation further.
The next album 'Poetry of the Deed' debuted within the UK top 40 thanks to support from the likes of Kerrang and Q Magazine. This album gained him a nomination for an NME Award in the Best Solo Artist category. He became a regular on the festival circuit, playing Two Thousand Trees, Reading & Leeds and Cambridge Folk to support the release of 2011 album 'England Keep My Bones'. He won two AIM awards in the same year for Best Live Act and Hardest Working Artist.
In 2012 Frank and his support band The Sleeping Souls were personally invited as the warm up act to the London 2012 Olympics Opening Ceremony where they played 'Sailor's Boots' 'Wessex Boy' and 'I Still Believe'. His biggest commercial album to date was released in 2013 and was titled 'Tape Deck Heart', it debuted in the UK at #2 and holds a MetaCritic score of 78/100. It also featured a hit single of sorts in 'The Way I Tend To Be' which became Turner's second ever appearance on the UK singles chart.
For the last dozen years or so, there are few better live bands than ...And You Will Know Us By The Trail Of Dead.
Although once notorious for destroying their instruments at the end of shows, the band have backed off that expensive bit of auto-destruction in recent years, but are no less exciting even so.
Able to draw on nearly 15 years of material now, seeing Trail Of Dead live is a chance to hear how they've evolved over the years. Yes, there's still the punk fury of “It Was There That I Saw You”, and they still rip through material like that from the debut album. That being said, their newer, more ambitious material (like “Isis Unveiled”, from their 2009 album Century Of Self) actually tends to steal the show at Trail Of Dead live gigs.
The constant through the band's evolution from its noisy beginnings to its current arty incarnation is the intensity of drummer, co-vocalist and guitarist Jason Reece. His wide-eyed, sweaty, strutting onstage persona makes it pretty clear that these guys mean ever note they play and every word they sing. The excitement that the entire band exudes, in fact, makes them a group worth road-tripping to see play live. They may not smash up their instruments any more, but they will pin your ears back with some of the most visceral and intense rock and roll on the planet.
“Pandemonium” is the opening song of Larry And His Flask in their set tonight at the Crescent Ballroom. Their harmonies fill the atmosphere as the five of them line the front of the stage, it’s almost comparable to a barbershop quartet to begin with and then Larry at the front shouts, “Alright you F**kers, 1, 2, 3, 4!” and before you know it you’re dancing with beer all over your shirt because the drop comes out of nowhere. It is utter pandemonium in this room tonight. One of the things I find super impressive about this band is that the drummer is standing up using setup of a bass drum, floor tom a snare drum, a crash cymbal and a splash cymbal, but they are still maintaining quite a large sound! Pure madness. “Big ride” is a worthy sing along as they manage to engage every member of the audience to sing along with these comedic songs, in this folk-esque style. They finish with “Call is What You Will”, which has that fantastic quality of the rest of the band repeating what the lead singer sings, but in a stunning three part harmony.
Absolutely amazing!!! Incredible energy and talent. Definitely try to catch her at a smaller venue before she gets bigger. She finished the show by shredding Ace of Spades and I couldn't have been happier!
When I first went to the Girl In a Coma show with my girlfriend I was not expecting that good of a show.
After the initial song or two I could legitimately say that I was enjoying myself and the music. Their music was a mixture between rock and some new age elements and they had a really good setup.
All of the band members had really good style and put together their outfits in a way that went nice with their music. The energy throughout the show was really strong and very contagious. I could not image somebody going to their show and not having a good time!
They did a good job putting their set together and seemed to really make the crowd happy with their song selection. Most of the songs came from their album 'Exits & All The Rest' with some others mixed in.
I definitely had a blast and look forward to going to another show soon.
The truly unique feeling about a Frank Turner gig is the feeling of community that comes with every single one of them. Frank's mission statement is to make his every show a place where everyone is an equal, where he himself is on the same footing as everyone in the audience, both united in their love of rock & roll and singing it at the top of their lungs.
He's also confident that at least half of the multitude of people who come to see him play the O2 Arena, or Wembley Arena or any of the enormodomes he currently slays on his home turf, have also seen him play in a room that holds under a hundred people.
At least half of them care enough about his music and what he represents to see him in any and every environment they can, be it the back room of a pub, a cavernous arena, a sodden festival field and everything in between. And at 1577 shows and counting Frank knows how to utterly slay any audience in he finds himself in front of.
Frank may not be reinventing the wheel with his brand of quintessentially British folk rock but it's nothing if not passionate, intelligent and emotionally honest. That passion is reflected in everything about his concerts from Frank and his backing band the Sleeping Souls to the love that comes from his audience, and for that reason a Frank Turner concert is a truly inspiring, humbling and life-affirming thing to be a part of.