Para fans de Rock, Metal, Indie y Alternativa, Pop, Folk y Blues, Hip-Hop, Country, Electrónica, Reggae, Funk y Soul, y R&B.
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Members Dave Grohl, Chris Shiflett, Pat Smear, Nate Mendel, and Taylor Hawkins have been bringing their brand of hard rock to the world since the release of their debut album Foo Fighters in 1995. A long list of EPs, studio albums, and world tours later, the band is still picking up fans from all across the globe.
The start of Foo Fighters was not, as many bands are, a meeting of minds — rather, it was the blossoming of a single mind. Lead singer and guitarist Dave Grohl had famously joined Nirvana in 1990 as a drummer, but frequently took his guitar along on tours to write songs. Too shy to share them with bandmates Kurt Cobain and Krist Novoselic, he instead recorded his own material in private. In 1992 he released an album of demos called Pocketwatch.
When Cobain passed away in 1994, Grohl faced a crossroads: He could accept the numerous offers to play drums for acts like Pearl Jam and Tom Petty, or he could go his own route. He chose the latter, saying: “I would rather do what no one expected me to do.”
In October 1994, Grohl entered Robert Lang Studios in Shoreline, WA and recorded 15 of his original songs. Astoundingly, Grohl sang every vocal and played every single instrument on the album with the exception of a single guitar part on “X-Static”, which the Afghan Whigs’ Greg Dulli contributed. The whole process took five days. Grohl released the album as Foo Fighters, a name he later said is the “stupidest f***ing band name in the world.” Though he hoped to remain anonymous, record labels quickly developed interest in the project.
Capitol Records eventually signed the album. When it came time to form a band, Grohl pulled in drummer William Goldsmith and bassist Nate Mendel, both of whom had recently departed from the band Sunny Day Real Estate. Pat Smear came on board as a second guitarist.
The Foo Fighters’ debut gig was February 23, 1995 at Arcata’s Jambalaya Club. Grohl at first refused to play large venues or to conduct interviews, but caved after the album’s release in July 1995. Things took off from there with successful single releases and months of international touring.
The Foo Fighters toured through early 1996 before returning to the studio to record their sophomore album. Grohl wrote all the songs and got assistance from his band in arranging the parts. Grohl later found he was unsatisfied with the drumming, so he scrapped the drum tracks and re-recorded them himself, which caused Goldsmith to quit the band.
The Foo Fighters needed a drummer, and quickly. He contacted Taylor Hawkins, who had drummed for Alanis Morisette, for a recommendation. Hawkins had one ready: himself. The band released The Colour and the Shape in May 1997 with Hawkins debuting. It followed up with a year of heavy touring culminating in the Reading Festival and Glastonbury Festival.
The Foo Fighters’ alternative rock sound has been cultivated from the band’s love of various genres and other artists. The band is as much influenced by Dave Grohl’s former band-mate Kurt Cobain’s minimalist rock aesthetic as it is by the decadence of Queen and the melodic purity of bands like The Beatles.
Many of Foo Fighters’ hit songs, such as “Everlong” and “The Pretender”, have distinctive melodic cores which balance out the harder edge of the band’s thrashing rock sound. Gentle verses lead into powerful, shredding choruses, which encapsulate the songs' emotion.
The Foo Fighters have received a staggering 25 Grammy nominations over the past 18 years, and have managed to take home 11 awards, including four for Best Rock Album. The band has won accolades from all over the globe, with to albums such as 2011’s Wasting Light debuting at number one in 12 countries.
Sadly, long-time drummer Taylor Hawkins died on March 25, 2022, the day the band was supposed to perform at the Estéreo Picnic Festival. The band instead turned the stage into a candlelit vigil for their departed band member and friend. On September 3, it played a tribute concert to Hawkins at Wembley Stadium in London, UK and at Kia Forum in Los Angeles.
The Foo Fighters continue to play to sold-out crowds all over the world, managing to pack out small venues and huge arenas alike. In 2008 the band played two sold-out shows at Wembley Stadium in London, England, each night rocking the audience 86,000 people. With more material on the way, the Foo Fighters’ hard-earned success and popularity are not set to diminish any time soon.
It’s very telling that Foster The People frontman Mark Foster spent a year at a job writing commercial jingles. Not for the reason that one might think, however. Foster The People songs are far from soulless shards of pointlessly catchy noise wrenched into existence for no reason other than to get other people to give up their hard earned lucre.
Instead, they display a wonderfully deft ability to flit between genres that came from Foster being contractually obligated to write three different styles of song in an average day. Their songs feel equally natural whether their “Coming Of Age” or “Don’t Stop (Colors On The Ceiling)”’s sparkling guitar pop or the Prog leaning electro pop of “Helena Beat”.
Even the live versions of the deathless hit “Pumped Up Kicks” have an extended outro that flits between dubstep and disco in a way that sends every crowd that hears it completely bananas. In fact it was this song that arguably made them.
The trio wrote, recorded and released it onto the internet without a record contract at first, and almost immediately it got the attention of music blogs the world over. Once the major labels circled, the band picked the Columbia imprint Startime International and started honing their live act with festival appearances and a residency at The Echo, a legendary L.A nightclub.
“Pumped Up Kicks” grew into one of the biggest hits of 2011, peaking at number three on the Billboard Hot 100. Several other hit singles followed, as did a couple of Grammy nominations for the subsequent debut album “Torches”.
The band continues to go from strength to strength with their sophomore effort “Supermodel”, and with that record, they kept their crown as one of the most thrillingly unique new bands in the world.
After the breakup of his previous band, Josh Homme formed Gamma Ray in 1996, and later changed the name to Queens of The Stone Age; said to be named so because “rock should be heavy enough for the boys and sweet enough for the girls.” The band released their self-titled album in 1998, which was mostly recorded by Homme himself, with the appearance Alfredo Hernandez on drums and Chris Goss on backing vocals. Shortly after it’s release, Homme’s former Kyuss band mate, bassist Nick Oliveri joined the band, shortly followed by guitarist Dave Catching, as well as drummer Joey Castillo.
With the help of various other artists, “Rated R” was released in 2000, garnering a lot more attention than their debut album. Frequent touring helped the band gain more support, but they were still able to get time in the studio and released “Songs For The Deaf.” The record was extremely well received and saw to the addition of guitarist Troy Van Leeuwen (previously a part of A Perfect Circle). The band was on a constant tour, and due to issues, Oliveri ended up leaving the band in 2004.
Due to a leak, their 2005 album “Lullabies to Paralyze” debuted on the Billboard charts at the Number 5 slot, making it their most successful album to date. Later that same year, the band released a live album from their performances in London, England. With a slate of guest appearances, the band’s album “Era Vulgaris” was completed and released in 2007, followed by a tour where bassist Michael Shuman and keyboardist Dean Fertita took over touring duties.
During the span of 2009-2010, the band took a hiatus for members to work on their solo projects. While other members joined other bands, Homme suffered an unfortunate near death experience during a knee surgery, forcing him into bed rest for three months. This caused a plunge into depression where Homme almost considered quitting music altogether; however, once he recovered, Queens of the Stone Age re-released their self-titled album and included a tour and a few large festivals, one of which was the last show with drummer Joey Castillo.
With the loss of Castillo and a new album in the works in 2012, Homme announced that Foo Fighter’s Dave Grohl was filling in on the recording sessions for the drum parts, and by summer of 2013 “…Like Clockwork” was released, first in the UK, followed by a US release with the debut reaching Number 1. Homme announced that at the end of their “…Like Clockwork” tour, the band will return to the studio at the end of 2014 to start recording their next album.
Rumour has it the band started when founder and guitarist Wayne Coyne stole a cache of musical instruments from a church hall and invited his vocalist brother Mark Coyne and Michael Ivins, the bassist, to start a band. Following a succession of drummers, Richard English was chosen as the band’s percussionist and who joined the band to record their self-titled album, released in 1985 on their very own label Lovely Sorts of Death.
Rarely has there been a band of such eclectic and esoteric appeal, a band’s whose proclivity for the surreal formed a sporadic pop career. The Flaming lips is often associated with psychedelic culture and many of the themes in the Flaming Lips’ earlier releases share this fascination for science fiction, space opera and the metaphysical world. A string of recordings on independent labels saw the band expand on their sound introducing tape loops and guitar and vocal effects. The band signed to Warner Bros. in 1990 after a representative of the label saw The Flaming Lips almost burn down a venue in Oklahoma, U.S. using pyrotechnics.
The album “Transmission from the Satellite Heart” released in 1993 was the first in which producer Dave Fridmann had not been involved. The album and in particular the song “She Don’t Use Jelly” saw the band have a more mainstream appeal and feature on a number of TV shows including Beverly Hills and Beavis and Butt-head, as well as long stints of touring, opening for the likes of the Red Hot Chilli Peppers.
There biggest breakthrough however, came following the release of 1999’s “The Soft Bulletin”, which drew similarities between it and The Beach Boys’ “Pet Sounds” due to its orchestral sounds and traditional catchy melodies.
By 2007 after releasing two more full-length albums the band had won three Grammy Awards, one for Best Engineered Album in 2007 for “A War With Mystics” and two for Best Rock Instrumental Performance for “Approaching Pavonis Mons by Balloon (Utopia Planitia) and “The Wizard Turns On…”. Since then the band has released a whopping 16 albums and have used their critical acclaim to collaborate with an impressive group of past and current musicians from Neon Indian, to Nick Cave and Erykah Badu. The Flaming Lips can seemingly do no wrong.
Musgraves first taste of music was at the modest age of eight where she wrote a song for her elementary school graduation titled “Notice Me”, which largely represented her musical career until 2007. After elementary school she learned to play the mandolin, the guitar and the harmonica among others and used to record country music demos to make money and play at local swing music festivals.
The singer-songwriter self-released three albums“Movin’ On”, “Wanted: One Good Cowboy” and a self-titled in 2007. The same year brought Musgraves big break where she appeared on the USA Network’s singing competition Nashville Star, which is a similar set-up to American Idol. The singer came seventh but gave Musgraves some much-needed publicity and allowed her to make tracks within the Nashville music scene.
In 2008 the independent label Triple Pop discovered Musgraves with whom she recorded the songs “Apologize” and “See You Again” to modest success however her big break was still to come.
In 2012 Kacey Musgraves accompanied Lady Antebellum on their Own the Night tour in the United Kingdom, as well as signing with the label Mercury Records with whom she released her solo debut single “Merry Go ‘Round”. The song is featured on her album “Same Trailer Different Park” along with other hit singles “Blowin’ Smoke” and “Follow Your Arrow” the latter of which was voted by Rolling Stone as No. 39 of their list 100 Greatest Country Songs. Around this time she co-wrote the 2013 single “Mama’s Broken Heart” with the infamous Miranda Lambert.
Musgraves was nominated for four Grammy Awards at the 56th Annual Grammy Awards including Best New Artist, Best Country Album, and two for Best Country Song, she won Best Country song for “Merry Go ‘Round” and Best Country Album for “Same Trailer Different Park”. Musgrave joined Katy Perry on the North American leg of her Prismatic World Tour as well as playing with the likes of Willie Nelson and Alison Krauss.
Father John Misty was born Joshua Tillman to an evangelical Christian family in Rockville, Maryland. Despite being a “pretty aimless kid”, in his words, from a young age Tillman was taken with the idea of being a performer. However, since secular music was forbidden in his house, the closest thing to it that he could aspire to be was a pastor, which was his ambition until the age of 17. That was the age he was at when his parents allowed him to listen to secular music that had a “spiritual theme”, leading him to discover albums like Bob Dylan’s “Slow Train Coming”, which completely changed his life.
Tillman was already musical, having learnt the drums as a child, and then picked up the guitar at 12. Once he was able to listen to the albums that influenced him most he began to write songs, and then at the age of 21 he moved from his native Maryland, to Seattle, Washington in 2002. One of his first demos found its way to Seattle based singer-Damien Jurado, who was so impressed that by the age of 22, Tillman was opening for him on tour. After extensive touring and distributing his demos at shows for free, independent label Fargo Records released Tillman’s first solo album “Minor Works” in 2006, along with his albums “I Will Return” and “Long May You Run” in the same year as a double disk set.
In 2007, another album of Tillman’s was released called “Cancer and Delirium”, meaning that Tillman was an artist who’d released four studio albums of entirely original material in two years. For such a prolific artist, it’s a testament to his creative spirit and lack of ego that he’d then join Fleet Foxes the following year as their drummer, without any involvement in their writing process. Despite him touring with the band extensively, his solo albums still got him signed to Western Vinyl in 2009 where another two albums of his were released the same year. He stayed touring with Fleet Foxes until 2012, when he played his last show with them, changed his stage name from J. Tillman to Father John Misty and made a break for the mainstream.
Since then he’s become something of a songwriter’s songwriter, still releasing stellar solo albums, touring the world to ever increasing crowd sizes and working with everyone from rapper Kid Cudi to Parks and Recreation actress Aubrey Plaza. He’s the kind of artist that could have found success whenever he started, and we should be thankful that we’re around to see his prime. Highly recommended.
The War on Drugs was formed by musicians Kurt Vile and Adam Granduciel after they had both moved from Oakland and back to Philadelphia. Both had similar interests and had especially connected through their appreciation of Bob Dylan. This led to the two, recording, writing and even performing together. Through this instant connection and chemistry, The War on Drugs was born.
Early in the career of the band they had many accompanying musicians but none were official members, Vile and Granduciel then decided to settle official members of the band. These members included: Charlie Hall as the Drummer/Organist, Kyle Lloyd as drummer and Dave Hartley would be the bass player of the band.
In 2008 The War On Drugs gave away their EP 'Barrel of Batteries' for free.
After the release of their debut album 'Wagonwheel Blues' and the European tour which followed,founding member of the band Kurt Vile, had decided to leave so that he could focus on his solo projects. Following Vile leaving other members followed suit, those being: Charlie Hall and Kyle Lloyd by 2008.
Following the departure of key members, the band in 2008 now consisted of members: Adam Granducial, David Hall and Mike Zhangi (who would leave in 2010). By 2012 the bands lineup consisted of: Adam Granducial, Patrick Berkery, Robbie Bennett and David Hall.
2011 saw the release of The War On Drugs second album 'Slave Ambient' this generated widespread critical acclaim as it managed to receive 7 out of 10 from 'Spin', 'BBC Music' gave it a favourable rating and it received an A- grade from 'The A.V. Club'.
As of 2014 the current members of the band are: Adam Granducial on vocals, Dave Hartley on bass guitar, Robbie Bennett on keyboards and Charlie Hall on drum.
At the age of five she started violin lessons where she gained valuable knowledge on music theory and classical music. By the time she was 16 she was playing violin in a rock band in Arizona. While in the band she wrote a solo violin rock song that won her the Spirit Award in the America’s Junior Miss Finals competition. In 2010 Lindsey Stirling started to catch audiences’ attention with her performances on the television show “America’s Got Talent”. Although she did not win the competition for “America’s Got Talent”, she did catch the eye of cinematographer Devin Graham, who would later help her make music videos for her songs that would launch her career.
Devin and Lindsey started to film her music videos in 2011 and released “Spontaneous Me” as her first video. The video immediately gathered a following, which caused a continuation of filming music videos and releasing them on YouTube. Not before long Lindsey had millions of people interested in her music through her YouTube videos and has already had over 519 million views for her videos. In 2012 YouTube announced that her music video for “Crystallize” was the No. 8 most viewed video of the year with over 42 million views.
Lindsey Stirling released her self-titled debut album in 2012, which would go on to reach the No. 1 spot on the Billboard’s Classical Albums and Dance/Electronic Albums chart. The album was a massive success in Europe earning platinum certifications in places like Austria and Germany. The album was also well received by critics who enjoyed the unique combination of mixing in traditional classical music with modern sounds of hip-hop and dubstep.
In 2014 Lindsey Stirling released her second studio album “Shatter Me”. The album was met with great success and reached the No. 2 spot on the Billboard 200 chart. The album contained a more progressive style of music than her debut album, and it featured the hits “Beyond the Veil” and “Shatter Me”. The album also featured several collaborations with vocalists such as Lzzy Hale and Dia Frampton.
Lindsey Stirling has also released several cover songs that have caught mainstream attention. Her cover of the song “Radioactive” with Pentatonix was highly successful and won her the award for “Response of the Year” for the YouTube Music Awards. She is also well recognized for her cover songs of various video games and movie theme songs. Her collaborations with other musicians are also quite impressive, which show her teaming up with John Legend, Tay Monday, and Sam Tsui.
The touring schedule for Lindsey Stirling clearly conveys that she is a busy performer. She has been touring since the release of her debut album and has made appearances on some late night television shows to promote her music such as “Conan”. Her tours have taken her all over the world to such places like Japan, South Korea, and Switzerland. She has played a 21,000-seat Conference Center in Salt Lake City, US and has sold out numerous venues across the US. Lindsey Stirling’s strong work ethic and immense talent has clearly pushed her into stardom, and her creativity continues to be recognized through her many awards from such institutions as the Billboard Music Awards, German Echo Music Awards, and Streamy Awards.
Gary Clark Jr. started playing guitar aged twelve. He was born and raised in Austin playing humble gigs throughout his adolescence, before meeting promoter, Clifford Antone, who is the proprietor of the Austin music club Antone’s. Antone has in the past given a platform to Stevie Ray Vaughan, and Jimmy Vaughan. Clark’s career began to snowball and started to ascend in the Texas rock & roll scene. He has experimented with various styles over the course of his career from hip-hop to country. He developed his sound using trademarks such as an extremely fuzzy guitar sound alongside his smooth vocal style.
It was Clark’s third studio album “Blak and Blu” released through Warner Bros on October 22nd 2012, that catapulted him to a new level of success, reaching number 6 in the US, The Netherlands and New Zealand. It also charted in Australia, France, German and the UK.
It was in April 2011 that Rolling Stone declared Clark, “Best Young Gun” in its “Best of Rock” issue. His song, “Bright Lights” can be heard in the video game Max Payne 3, in the premiere episode of House of Lies and the movie Think Like a Man. His song “Don’t Owe You a Thang” made it into Need for Speed: The Run.
He has played at numerous festivals such as Coachella, JazzFest, Hard Rock Calling, Lollapalooza and more. He won eight awards at the 31st annual Austin Music Awards for 2012-2013, for Band of the Year, Musician of the Year, Song of the Year – “Ain’t Messin Round”, Album of the Year, Electric Guitarist of the Year, Songwriter of the Year, Blues/Soul/Funk Artist of the Year and Male Vocalist of the Year. On January 26th 2014, Clark won the Grammy Award for Best traditional R&B performance, for his song “Please Come Home”
Although the band didn't become active until 2012, Paul Janeway and Jesse Phillips actually met in the mid-2000s while both being part of another musical project. The pair reunited in 2012 in Ol' Elegante Studios in Birmingham, AL and began work on a new collaboration that would go on to be known as St. Paul and the Broken Bones. Through quite an organic movement, the two began working around Janeway's vocals before realising that the sounds created were all very soulful. After being joined by Browan Lollar, they recorded their first EP 'Greetings from St. Paul and The Broken Bones' before working out their live arrangements or gigging to crowds.
After a positive response the band quickly went on to begin recording sessions for the debut album 'Half the City'. It was at this time that keyboard player Al Gamble joined the operation and has remained a key element ever since. The production side was handled by Ben Tanner of Alabama Shakes fame.
The preceding critique of 'Half the City' was very positive and this strong recommendation along with a number of high profile television features and performances led onto good chart success. The debut album reached #3 on iTunes Top Albums charts and #56 on Billboard 200 charts. They supported the release with a worldwide tour, taking their sound to Europe where their music is lesser known.
When it comes to rock and roll, nothing forces a band to prove themselves quite like tragedy. With the passing of a band member, the rest of the group is immediately presented with two possibilities, to stop or to continue. In this case, stopping is the easy, understandable option. Absolutely no-one would begrudge any band to split due to the loss of one of their band-mates, but if they do continue and mess up, then they’re liable for more abuse than they could possibly get any other way. However, if they continue and make it work, then you know without question that the band is something very special indeed.
In the form of Better Than Ezra, we have one of the best examples of the latter scenario rock and roll has ever provided us. The trio formed as a four piece in 1988, with Kevin Griffin on guitar and vocals, Tom Drummond on bass, Joel Rundell on lead guitar and Cary Bonnecaze on drums. The quartet met while studying at the Louisiana State University, and cut their teeth performing at assorted college bars and fraternity houses around their campus. The band made their first demo tape the same year they formed and started to generate a substantial local following, and by 1990 they’d self-released their first album “Surprise” on cassette.
“Surprise” was very well received by the local press and started to gain the band some serious attention, but the very same year was when tragedy struck the up-and-coming band. On August 8th, Joel Rundell took his own life, upturning the lives of his bandmates and throwing their future as a band into serious doubt. The band decided to press on by the end of the year as a trio, and started again from scratch, playing the kind of fraternities and house parties that they’d made their name doing. By the early 90’s, the band had learned enough about the music industry to up sticks to Los Angeles, California and form their own label, Swell Records.
With their own label and their new stomping ground in the City of Angels, the band recorded their first nationally distributed album “Deluxe” and released it in 1993. The album was rapturously received and along with the bands celebrated live show, it got them their first record deal with Elektra Records in 1995. “Deluxe” was re-released the same year and it went platinum by that winter, thanks in no short part to the success of their debut single “Good” which reached the top spot of the Billboard Modern Rock Songs chart and stayed there for a whole month. After more hardship in seven years than some see in a lifetime, Better Than Ezra had arrived.
Bonnecaze left in 1996 to be replaced by Travis McNabb, and ever since then the band have been one of the most dependable rock acts around. Never seeing the mainstream success that “Deluxe” brought them again but continuing their run of critically acclaimed records with the likes of 1998’s “How Does Your Garden Grow” and 2014’s “All Together Now”, among many others. They still remain one of the most respected bands around, even having their song “Breathless” covered by the all-conquering Taylor Swift in 2010 as part of a charity telethon. They’re a band who has earned every scrap of goodwill they’ve got and are still at the top of their game. Highly recommended.
Formed by estranged childhood friends who serendipitously reunited at a pool hall in 1993, Tonic’s vocalist Emerson Hart and guitarist Jeff Russo later invited bassist Dan Rothchild and drummer Kevin Shepard to join their ranks. Initially wishing to perform under the moniker Radio Flyer, the band settled with the name Tonic before developing a proud reputation as a group of relentlessly gigging musicians. Tonic’s earliest output arrived in 1996 with the debut album “Lemon Parade”. Led by the singles “Open Up Your Eyes”, “If You Could Only See”, and “Soldier’s Daughter” the album spent 57 weeks on the Billboard 200, peaking at No. 28. Produced by Jack Joseph Puig, the album’s heavy, guitar driven sound would come to define Tonic’s sound on future albums.
Following the release bassist Rothchild was replaced by Dan Lavery and drummer Shepard began to reduce the role in the band. Throughout the late ‘90s Tonic contributed songs to the soundtracks of “Scream 2”, “Clay Pigeons” and “Gossip”, before releasing their sophomore album “Sugar” in 1999. Earning respectable reviews from the critical press “Sugar” peaked at No. 81 on the Billboard 200 aided by the singles “Knock Down Walls” and “You Wanted More”. The record marked the official departure of drummer Shepard with Peter Maloney taking over percussion responsibilities on the release. Following an intense period of touring Tonic returned to release “Head on Straight” in September 2002. The record earned two Grammy nominations for Best Performance by a Duo or Group with Vocal (for the single “Take Me As I Am”) and Best Rock Album.
A hiatus ensued from 2004 where Hart released the solo album “Cigarettes and Gasoline”, Russo joined the band Low Stars, and Lavery played on tour with The Fray. Following an announcement in 2008, Tonic played their reunion gig in Antioch, Illinois ahead of their greatest hits compilation “A Casual Affair: The Best of Tonic” in 2009. The band’s eponymous fourth studio album “Tonic” was issued by 429 Records in May 2010. Led by the single “Release Me” Tonic supported the album with heavy touring until the tail-end of 2011.
Words can barely describe the experience of a Foo Fighters concert. I've seen them again and again because to me, their shows are the epitome of a true Rock and Roll experience.
From the moment I walk into the stadium, I can feel the buzz and energy of the crowd as the anticipation of the beginning of the show is growing. And once the lights dim and the first chord of the first song (usually "Times Like These" or "All My Life") is played, the audience erupts and the show has begun. The Foos always put on such a loud and energetic performance, pulling the crowd into the show and causing a bit of a frenzy! They usually have an amazing light show that is timed to go amazingly with the music and it's that kind of detail that really pulls you into their performance – you might have to check if there's going to be strobe lighting before you go.
Dave Grohl is very fun and friendly with the crowd, taking the time to make jokes and have fun with those lucky enough to be on the front row (it's pretty hard to get that close though). If you go see them, you'll absolutely get your money's worth: the many times that I have seen the Foo Fighters they have always played a long set, close to 2 hours, which is awesome, as they have such a large catalog of music you're dying to hear. So by the end of the show, I always feel that I was able to hear all of my favorite songs!
By the time the show ends and I'm leaving the stadium, I'm completely exhausted, thrilled, pumped up and really happy about the experience. I generally don't have much of a voice left, from shouting and singing along – but even then, I'm already finding myself getting excited for the next time I get to see them play live!!! And then I hit the parking lot and there's the same energy among everyone leaving – it's a great shared feeling, but it's so clear that everyone had an amazing time!!
Foster the People say, “Call It What You Want,” and I call it magic.
Finding oneself buzzing and bouncing among the crowd at a Foster the People concert is like diving head first into the electric current the band is so skilled at conjuring through their vibrant and possessive tunes. Whether you’re standing two inches away from the stage at the bar downtown as Mark Foster croons into your ear, or shouting lyrics from two tiers high at the amphitheater in the city where the band just sold out every last seat, you are guaranteed to have the most personal and memorable experience. I’m not kidding... you’re going to be dreaming about this concert for weeks. You’ll be laying there, all snug in the cool tee you undoubtedly picked up from the merch table, the buds in your ear being as close as you can feel to their music since that unforgettable night. Air guitar can’t save you now.
Each one of these talented dudes pours every ounce of their being into the music. Their passion demands your attention and their sweet symphonies command your finest foot to tap. If you didn’t think playing a cowbell could be a spiritual experience, think again. Charming as they may be, your solo performances in your car as you sing along to the radio could use a hiatus. So do yourself a favor and grab tickets next time Foster the People hits your city. You’ll be a better person because of it.
Last year I managed to see QOTSA a whopping five times in very different settings. The smallest show I saw was in Rough Trade (East London - maybe 150 people) and the biggest I saw was at Wembley Arene (13,000 people). I also travelled from London to Berlin to see the play in an outside castle named Zitadelle Spandau. Why did I bother going to all these shows? Quite simply there is no better live band then Queens of the Stone Age. Every show is subtly different, yet every show is always spectacular, QOTSA don't do "off" nights. It's rare to find a band that's so well refined on record but yet is able to take that and expand on it and actually be better live. Songs are often jammed live and broken down to their bare elements before coming back to the song with a truckload of added enthusiasm, always absolutely 100% note perfect and spot on. QOTSA aren't afraid to play songs they haven't played in years, however you will always hear the staple songs from Songs For The Deaf and Rated R as well, they aren't ashamed or bored of their back catalogue like so many bands.
Every member of QOTSA is exceptionally talented at their instruments, such as Dean Fertita, who's other band The Dead Weather happens to include Jack White, or Troy Van Leeuwen who used to play in A Perfect Circle, or newest addition Jon Theodore who used to play drums in The Mars Volta. QOTSA are practically a supergroup in their own right. Part of the reason why QOTSA always sound so good live is down to their soundman, Hutch. Josh hasn't played a show without him since he was 18 years old, no matter what band he's been in (Kyuss, Them Crooked Vultures etc). Hutch knows QOTSA's sound probably better than the band themselves and has even appeared in promo photos with them. In an interview with Hutch I recall him saying soundcheck is all well and good but he know that QOTSA always come bolting out of the gates a hundred times harder for the actual performance, so he has to adapt that into his day to day sound desk work. He is effectively a band member behind the sound desk, not something every band has. Queens of the Stone Age know their audience and Josh is never afraid to interact and really put on a show without acting and pretence. There is something very genuine and pure about QOTSA which is hard to find in music these days and if you have the opportunity you should definitely explore it because if you miss it, you will well and truly miss it.
My friend is a Flaming Lips fan, but I was not so impressed. We went to a music festival together and for the sake of staying together I went with them to see them play.
My first impression from the strange people and decorations was, "oh great one of "these" bands." But once the opening song "The Fear," played I felt it really pierced into me. The rhythm vibrating through the speakers touched me mentally and physically. I felt the hum in my heart and the beat in my mind.
I could feel the same from everyone around me and suddenly we were all swaying in harmony as Michael used his bass to lull us into a rhythmic trance. When the song was over they picked up into a faster song and it was like I felt the urge to dance. The whole show played nicely together one song into the next.
When we went home that night I had to tell my friend how much I was impressed with them live. In comparison to their recordings I felt they were a band that had to be experienced live. It was a memorable time.
The end of June is a weekend all music lovers look forward to. The 'Glastonbury Experience' is available to all and sundry thanks to the benefits of modern technology. As a result of the BBC's blanket coverage of this iconic festival, I stumbled to work on Monday morning, bleary-eyed, already feeling pangs of nostalgia about my three days on the sofa with only a box of wine and a few tubes of Pringles for company. Despite the vast collection of live sets, along with a dizzying array of clips and studio performances, all delivering the thrills of Glastonbury without the need for wellies, my visit to The Ritz on Friday evening proved to be perhaps the most significant and certainly the most enjoyable music event of the weekend.
Grammy winning star Kacey Musgraves has recently played with such country luminaries as Willie Nelson and Alison Krauss and flew into the UK on the back of an immensely successful US arena tour with Katy Perry, visiting some of the most iconic venues in the States over some forty six dates. Needless to say, this musician is a real star of the genre and the diverse crowd tonight waited eagerly in a hot and sweaty venue, desperate to extend a proper North West welcome to this Texan singer-songwriter and talented multi-instrumentalist.
Before we were able to do this, the crowd were treated to a rousing set from John and Jacob. Hailing from Birmingham, Alabama, the boys have recently become ensconced in to the ubiquitous Nashville scene. Significantly, leading song from their most recent eponymous EP was picked up by the mini-series bearing the great city's name. You can not underestimate the influence this programme is having on the genre at the moment. The duo certainly pressed all the right buttons required of a support act. Emerging on stage, they initially appeared to be dwarfed by the venue, but these friendly, energetic and immensely talented performers quickly grew into their surroundings, filling the hall with their brand of industrious, acoustic folk-pop, which at times possesses a distinctly dark edge. Their short set climaxed with an immensely satisfying performance of their 'Nashville' hit 'Be My Girl', which had the crowd and particularly the young female gathering, who spent the set screaming and bouncing throughout, clamouring for more. This won't be the last time we see these guys on our shores. However, next time it would be nice if they arrived accompanied by their full band, adding just a bit more grit to compliment the abundant tunes and energy. When Kacey Musgraves ascends the steps to the stage a hush spreads amongst the crowd. This is surely a sign of reverence. The crowd is a sell out. They're here to see a superstar and appear starstruck as she picks up her guitar surrounded by neon cacti and counts her mariachi styled band in for first track, 'High Time'. 'Silver Lining' quickly follows and the audiences familiarity with the track sees the show come alive. This song opens the hugely successful long player, 'Same Trailer Different Park' and provides a worthy reminder of what makes this frank twenty-five year old so brilliant, as she sings the wonderfully evocative first line, "woke up on the wrong side of rock bottom". The album hasn't sold north of 450,000 units and been awarded a Grammy for Best Country Album in 2013 for nothing and her audience have responded to her honesty as well as an awareness of themes that you or I can relate to.
The 2012 album provides the basis for the show, but Kacey Musgraves is such a confident performer, and one completely aware of her roots that a handful of covers also compliment the set to striking effect. The first of these preempts the weekend to come; 'Here You Come Again' was originally recorded by Dolly Parton in 1977 and Glastonbury punters would hear it a few days later, but Kacey's fans are rewarded with an extremely accomplished rendition, perfectly complimenting the original's energy. The following clutch of songs provide enthralling evidence of her veracious approach to the genre she has quickly become a darling of. 'Miss You' sounds like a straight forward country ballad, but the themes are darker than expected and the story doesn't seem to end well. This is quickly followed by the particularly cool barroom rocker 'Blowin' Smoke', which fellow Grammy winner Sheryl Crow would be proud of. Indeed, the whole show has an incredibly engaging pace and rhythm about it, refusing to be pigeonholed by the country genre she is associated with. Her cover of TLC's 'No Scrubs' is a case in point, and Musgraves' more cynical delivery adds to the fun of the track. The second half of the show maintains the imagination of the first, even introducing an element of reggae to proceedings in the country put down 'Step Off'.
As we head through the bottom stretch of the twenty song set, it becomes even more apparent how well-judged this performance actually is. The crowd brandish wonderfully inventive home-made flashing signs and t shirts demonstrating the affection held for this artist and her appreciation of these efforts in return does not seem fake, and we're treated to a delightful four-song encore full of fun and surprises. The first track is a debut airing of new song 'Cup of Tea', which lyrically contains all the component parts her audience are familiar with, but delivered solo enhances the fragility of the song's evocative imagery. Kacey then disappears to be replaced by her band in new suits emblazoned with flashing LED lights. Kacey emerges moments later in cowboy boots, also adorned with flashing lights and she launches in to an incredibly energetic performance of Nancy Sinatra's 'These Boots were Made for Walking', followed by signature track 'Follow Your Arrow'. If ever two songs captured the spirit and attitude of a performer at her peak it is these two tracks. Enraptured, the crowd do not want the show to end, but Kacey subtly manages to do so in style as she sings glorious farewell track 'Happy Trails', A cappella style before disappearing off stage, flashing boots and all.
The weekend was a glorious success for music but the wealth of digital content available to the armchair Glastonbury punter can't beat the live experience and on Friday night Kacey Musgraves knocked one out of the park!
Imagine standing 15 feet from the gloriously bearded Josh Tillman as he tells the crowd about how humanity has forgone the beautiful unicorn. He makes wisecracks about the crowd, who's clearly there to see the next act at the music festival, but they still eat it all up and fall in love with his soulful singing, with his sassy personality, with him. Then he kisses the unicorn. The crowd goes wild. That was Lollapalooza 2013. If that's Father John Misty at a music festival, I'd love to see what he can do when he has the place to himself. Josh Tillman, originally of Fleet Foxes fame, is constantly satirizing modern music in his live performances, but his music is still undeniably spectacular - as good if not better and more heartfelt than that of his albums. His performance style can get a little intense at times (for example, at Lolla, he wrapped his microphone cord around his body, singing "someone's gotta help me dig" on "Hollywood Forever Cemetery Sings." Several audience members were visibly shaken by his performance, as you could see from the baffled looks of their faces on the jumbo screen). Regardless of his occasionally overzealous tactics for crowd entertainment, or for his own, Father John Misty has an impressive stage presence, better than any act I've ever seen live. Tillman's constant witticism, blatant disregard for rules (drinking and having a smoke right on stage) and overall couldn't-care-less attitude make for an extraordinarily entertaining show, one that's certainly not to be missed by any fan of folk and fun.
Grace is a highly underrated quality for a rock band to possess. When compared to other, more universal assets like rawness, volume and ability it might seem a little forgettable, but a band playing to the absolute best of their ability and making it look as natural as breathing can be the genesis of some truly unforgettable moments of live music. Not one band that I’ve seen sums this sight up as well as Philadelphia indie rockers The War on Drugs, and when it comes to their sold out show at the Koko, Camden’s most ornate venue, most traditional phrases describing a well played gig seem too violent to sum it up. They didn’t “smash it”, they didn’t “blow the roof off”, they didn’t “destroy the place”, they were far better than that. Make no mistake, Adam Granduciel and co played up a storm, their psychedelia inflected country-rock filling every inch of this beautiful venue but the atmosphere was unlike any gig I’ve been to in a very long time. The crowd lost themselves in the music in a way that didn’t lead to mindless moshing and crowd-surfing, the 1400 people were enraptured, moved by the music, not to the music. It was an experience as beautiful as it was exciting and anyone with a passing interest in this life affirming lunacy we call Rock and Roll should seek it out as soon as possible.
Warring brothers. Whole songs nabbed from classic rock bands. Split up past their time… Stop me if you think you’ve heard this one before. As similar as this potted history is to some bunch of Britpop chancers from Manchester with a Lennon obsession I’m not actually talking about the Gallagher siblings. No. The brothers I’m talking about here go by the name of Nic and Chris Cester and they fronted one of the premier Australian bands of the 21st century, Jet. However, what does separate the Cesters from the Gallaghers is that they could always be counted on to put on a thumping good live show. For all their positive points, that wasn’t always the case with Oasis. For a band so in thrall to traditional rock and roll mythos it makes sense that there were never any gimmicks or flashy distractions. Just the four core members, a touring keyboard player and every single amp turned way past eleven. It goes without saying that their brand of punk infused Hard Rock went over like gangbusters live, hearing classic tracks like Cold Hard Bitch, She’s A Genius and the deathless Are You Gonna Be My girl in the setting that they were created to be heard in was a thrill that couldn’t be overstated. They may be no more but nothing is set in stone for the Cesters, and if they do make a comeback, then a Jet show is a must-see for anyone with a hankering for some honest to goodness Rock and Roll played fast, loud and with buckets of attitude.
I have heard of Lindsay Sterling only because I stumbled across one of her Youtube Videos a couple of years ago where she became widely popular and I was surprised at how much I enjoyed watching this beautiful woman play the violin.
Lindsay is known as the Hip Hop Violinist, but she can easily play just about any genre which is what makes her so talented, so be expected to hear some of your favorite songs in violin form. I wish I could find the words to describe seeing her live, it's another world and just simply amazing.
While she is on stage, she invites you to her world, the visuals of the performers mesmerize you as you watch and listen to her play. It's like being in a beautiful fairy would where everything is serene all the time. Everyone in the audience can do nothing but just sit back and enjoy the fun and when she starts to play Crystallize everyone gets so excited since this is one of the majority of her fans favorite. She is still currently on tour, so if you ever get the chance and she is playing at a venue near you, make it a must to attend. This is truly one experience you would enjoy from beginning to end.