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Para fans de Indie y Alternativa, Rock, Hip-Hop, y Pop.
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Ride formed in Oxford, England in 1988 and consisted of members Andy Bell, Laurence Colbert, Mark Gardener, and Steve Queralt. Before the group’s formation Bell and Garderner were involved in musical theatre at Cheney School in Oxford, but eventually went on to study art and design at North Oxfordshire located in Banbury. They met fellow student Colbert there and recruited him to be the band’s drummer. Queralt (who was in the reggae/pop band the Spiderbacks with Bell) became the group’s bassist. The members shared a love for 60s psychedelic rock bands like the Velvet Underground, Pink Floyd and the Byrds as well as 80s noise-pop acts such as Spaceman 3 and Sonic Youth; however, Ride reportedly owes it’s existence to The Smiths (one of their performances was a life-altering experience for Bell).
Ride recorded their first demo in 1988, which consisted of the songs “Chelsea Girls” and “Drive Blind”. Jim Reid, the lead singer of the Jesus & Mary Chain heard the demo and impressed by the group’s sound past it on to his manager Alan McGee. Less than a year later McGee signed the band to Creation Records. Ride proved to be one of the labels most promising acts. Within 9 months the band had recorded and released 3 EPs “Ride”, “Play”, and “Fall” all which entered the UK Top 75.
On 15 October 1990, Ride released their studio debut “Nowhere”. The album included all of tracks on their “Fall” EP as well as an additional 4 newly recorded songs. It was a commercial and critical landmark for the group, going silver in the UK and rising to No. 11 on the charts. The album has been recognized as an essential record of the shoegaze genre (a label the band often rejects) and likewise one of the greatest albums of the 90s. One of the album’s songs “Vapour Trail” has left a strong impression on popular culture as well. It appeared at No.145 on Pitchfork’s Top 200 Tracks and was also mentioned in the book “Perks of Being a Wallflower”.
Due to the hype created from their studio debut, fans were eager to hear a new recording form the band. Ride answered their audience’s demand with their 1991 EP “Today Forever”. As “Nowhere” established the group as noise-rock heroes “Today Forever” acted as an erasure for that title and saw the group headed towards a more pop oriented direction. Despite the change in sound the EP did well commercially and critically and was followed by a near-instantly sold out tour of Japan.
The band toured excessively around this time and the strain it placed on the members started to show; however, they returned with another ecstatically reviewed and commercially accepted album “Going Blank Again”. This was followed by more touring, this time alongside the brit-pop group the Charlatans.
Around the time of the recording of their 3rd album “Carnival of Light” the band was self-reportedly delving into extreme indulgence and treated their music on a secondary level. Inevitably the album received harsh reactions from both critics and the band themselves. Their next album “Tarantula” did not do much better. The band was starting to implode at this point, stemmed largely by disagreements between Bell and Gardner. The writing on the album was split between the 2 musicians, with Bell accounting for most of the material. The album struggled on the charts and was dismissed by critics, eventually being dropped by its label within 1 week of sales.
Roughly 6 years after the band’s demise they appeared in a Sonic Youth documentary and played a 20 minute jam session for the film, which was later released in 2002 as “Coming up for Air”. In November of 2014 the band announced that they would be reuniting and released a string of tour dates including gigs in Glasgow, Manchester, Paris, Amsterdam, Barcelona, and New York.
Led by the creative prowess of vocalist Dave Faulkner, who alongside drummer James Baker played in the punk outfit the Victims, the Hoodoo Gurus lineup was completed by guitarists Roddy Radalj and Kimble Rendall. Drawing influences from across American pop culture, Hoodoo Gurus combined three guitars playing punk, rock, and garage instrumentation with pop melodies. The band’s debut single, “Leilani”, was released on Phantom Records in 1982 and paved for the way for their first performance on the kids’ TV program “Simon Townsend’s Wonder World”. Shorty after the performance members Rendall and Radalj parted way and were replaced by Clyde Bramley and Brad Shepherd, respectively.
Composed of Faulkner, Baker, Bramley, and Shepherd, Hoodoo Gurus released their debut full-length album “Stoneage Romeos” in 1984. Spawning the singles “I Want You Back”, “In the Echo Chamber”, and “I Was a Kamikaze Pilot”, the record became an instant hit on American college radio, with the band becoming internationally recognisable. Following the release James Baker was fired from the group and replaced by Mark Kingsmill who played on the Hoodoo Gurus first U.S tour in 1984. The band’s second album, “Mars Needs Guitars!”, built on the success of their debut, epitomised by their smash hit single “Bittersweet”.
Following the release of Hoodoo Gurus’ third studio album “Blow Your Cool” in 1987, guitarist Bramley left the band, and was replaced by Divinyl Rick Grossman for 1989’s “Magnum Cum Louder”. The record spawned the radio singles “Come Anytime”, “Another World”, and “Baby Can Dance”, and paved the way for 1991’s full-length “Kinky”. Three years later the band issued their rockiest album to date “Crank”, followed by “Blue Cave” in 1996, after which Hoodoo Gurus disbanded. The compilation “Ampology” proved a worthy collection of the group’s output, however following a pseudo-reunion as the Persian Rugs, Hoodoo Gurus returned to embark on a successful Australian tour. The album “Mach Schau” arrived shortly after leading the group to sign with Sony Music Australia, and release their ninth studio album “Purity of Essence” in 2010.
New Model Army was first formed in 1980 by its lead singer Justin Sullivan, bassist Stuart Morrow and drummer Phil Tompkins. However, a few months laters Tompkins left the band and was replaced by Robert Charles Heaton. The band released their first album entitled “Vengeance” in 1984, and it went to number 1 on the UK Indie Chart. During the mid 80s the band ran into some trouble with visas to tour the United States, however once everything was cleared up, the band successfully played their shows in the United States.
They released their second album, “No Rest For The Wicked” in 1985 followed by constant touring. Between 1986 and 1998 they continued to put out five more albums. Additionally, some members came and went, and went off to play with other bands, such as Stuart Morrow playing with the band Loud, as well as sometimes touring as 'Justin Sullivan and Friends', which had a more acoustic set without some players. After a short tour at the end of 2004, the group returned to the studio to record their ninth studio album, “Carnival” which was subsequently released the following year. Additionally, their label, EMI, has released four remastered earlier albums. In 2014 they released “Between Wine and Blood” which features as both a studio album doubled with a live album.
Ocean Colour Scene may not move many records as they did at the stature of their 'Moseley Shoals' distinction in the 90s, however they demonstrated Glasgow's Barrowlands simply why they keep on offering out venues here and there the nation as one of the best live acts around.
Their current tour is a festival of the fifteenth year since the arrival of that collection. The mediating years have seen the band's broad claim blur sort of as their mix of 60's style Rhythm n' Blues and Folk Rock has tumbled from design, and the takeoff of Damon Minchella from bass obligations, supplanted by Dan Sealey and Andy Bennett on bass and cadence guitar individually, may have been seen by a few as indicating the demise chime for the one-time Britpop top picks.
Notwithstanding, the change to a five-piece appears to have revived the imaginative squeezes inside the gathering, as prove by a come back to structure with a year ago collection discharge 'Saturday', and in light of their Barrowlands execution on Friday night, it surely hasn't hurt their live sound.
In the opening a large portion of the show, the band tore through the tracklisting to their 1996 fantastic 'Moseley Shoals' collection from beginning to end, guitarist Steve Cradock indicating from the opening riff of 'The Riverboat Song' through to a storming solo on collection closer 'Escape' simply why he is a standout amongst the most regarded musical artists around right now.
Specific highlights were the swarm satisfying 'The Day We Caught The Train' and 'You've Got It Bad', which offered a drum solo from Oscar Harrison that shook the establishments of the old dance hall. In the middle of times, the more melancholic style of 'Covering Your Pockets' 'It's My Shadow' and 'The Downstream' showcased frontman Simon Fowler's flexibility as both a vocalist and a musician.
While it was common in the day to lump Ride in with other members of the pre-Oasis Britpop scene like The Stone Roses or Slowdive, this Oxford quartet seemed happy to do their own thing. Embracing a less-immediate, more sprawling art rock sound that gave them more in common with 4AD bands, Ride were just as likely to kick into 15 minutes of swirling, psychedelic guitars as anything.
Seeing Ride live is to realize that guitarist Mark Gardener and bassist Andy Bell are not only gifted musicians, but also able to blend their voices in deceptively smooth harmonies. The band plays louder than one might expect from their airier sound on record, although for fans of shoegaze that's nothing unexpected. The best part of seeing Ride in concert is hearing how songs like “Seagull”, “Vapour Trail”, or especially “Leave Them All Behind” lend themselves to extended jams and sprawling, acid-drenched guitar workouts. In fact, at times they almost edge into the hippest prog rock ever played.
There's really no frills to how Ride present themselves on stage; the band makes it clear that their performance is all about the music. Don't expect drama, don't expect fog machines or pyrotechnics. When you're as great as Ride, the music and performance stands on its own merit.
Despite the strange name, Hoodoo Gurus surprised me by making me enjoy their music. I'm not a huge fan of rock bands but they managed to do it well. The group is from Australia and formed back in 1981. They first became well noticed around the 1980's with their three albums 'Mars Needs Guitars', 'Magnum Cum Louder' and 'Blow Your Cool', again some interesting names to say the least but I quite enjoyed listening to some of their songs. They were well known on the rock scene especially when they were inducted into the ARIA Hall of Fame in 2007, which stated that they were one of the most 'inventive, lyrically smart and exciting' bands from Australia. Quite a feat for any band, especially a rock band. I have a lot of admiration for this band and how they are not only imaginative with their lyrics but also with their live performances. The atmosphere they manage to create shows they have some real showmanship, they did it well with the insane guitar riffs, the coloured lighting, the adoring fans going wild, their enthusiasm that was infectious, which in turn made it impossible to stand still. The group has done a lot during their career and it was a pleasure to witness that in a live performance. I would recommend all rock fans to give them a listen.
Sweden is renowned for it’s successful rock bands, and The Wannadies are no exception. Although their band members have slightly changes over the years, they are consistent, and create solid music without fail.
Their music has evolved a fair amount over the years, stemming from Pixies and John Lennon influences, into their original Alternative Rock style of today. I have listened to their records over and over again, more times than I can probably count, so my expectations were high for their gig. I went in with an open mind, but was absolutely blown away. It’s one thing knowing the music inside out, but another thing entirely to experience it first hand.
Although they’ve had their ups and downs as far as album popularity goes, everyone has their favourite tracks, and it really seemed like they tried to cater for everyone. There were old and newer tracks, intertwined with covers, and some of their big hits. The band played flawlessly and won the audience over before they’d even finished their first song. If they keep touring and playing like that, I can’t see them having any problem at all in increasing their following. A really great show.
I don’t think there is anything I can say that will do New Model Army the kind justice they deserve but here goes. The post-punk/alternative band formed way back in 1980 by Justin Sullivan the singer and composer as well as bassist Stuart Morrow and drummer Phil Tompkins. Interestingly New Model Army derive their name from Oliver Cromwell’s English Revolutionary Army.
The wonderful charisma of Justin on stage and the warm and comforting northern accent he uses, he seems to build a rapport and a trust with the audience immediately, like we’re all in on something big, like on the verge of revolution. And his lyrics and views are as socially conscious as any, the band was refused entry in to the U.S. for apparently having no artistic merit, however their anti-U.S. imperialist views might have had something to do with it. But they sure stand up for what they believe, and songs like 51st State, which had everyone singing at the top of their lungs around has given the band a kind of cult status.
I could not wait to hear the song Vagabonds, yes it’s their most well known and arguably most popular but there’s a reason for that, it’s because its so unbelievably amazing, the violin makes me tingle every time in places I didn't know existed. I’d have loved to see them in their heyday but seeing them recently was still a awfully good decision.