The current lineup of Limp Bizkit as of 2014 consists of: Fred Durst - Vocals, Wes Borland - backing vocals and guitar, Sam Rivers - backing vocals and bass guitar and John Otto on the drums. The band are currently signed to Cash Money Records, Flip and Interscope.
The band was formed whilst Fred Durst was in a string of unsuccessful bands. As young lad Fred Durst was a fan of breakdancing, hip hop and punk rock; an unusual combination some would say, but it was the basis upon which Limp Bizkit thrives upon. Fred got Sam Rivers to join by persuading him to leave the band he was in at the time they then also recruited John Otto who is the cousin of Sam Rivers. The band would later be joined by Wes Borland in 2004.
Limp Bizkit to date have released 6 studio albums and plan on releasing a 7th album in 2015 titled "Stampede of the Disco Elephants". Their first album "Three Dollar Bill Yall" was not very successful but this was turned around by their second album "significant Other" the album climbed to the number 1 position after it managed to sell 643,874 copies within its first week of going on sale.
Limp Bizkit won the Maximum Vision Award for their song "Nookie" They have also been nominated for 3 Grammy awards, 3 American Music Awards and successfully won Favorite Alternative Artist in 2002.
The group has sold over 130 million albums worldwide with minimal support from the radio or mainstream media. Its music has gone silver, gold, and platinum over 600 times. It has won Grammys, Brit Awards, and countless other accolades. Iron Maiden played over 2,500 live shows, which are still regarded as some of the best out there.
Iron Maiden’s hard-hitting sound practically defined the genre of heavy metal and inspired bands like KISS, Metallica, and Avenged Sevenfold. Combine that with the band’s intelligent lyrics on topics like history, mythology, war, society, and literature, and it’s easy to understand why its appeal hasn’t faded.
Iron Maiden formed on Christmas Day of 1975. Bassist Steve Harris put together a short-lived original lineup, with only Harris and guitarist Dave Murray remaining in the band to the present day. By 1978, the rockers found vocalist Paul Di’Anno, whose raspy voice fit the group beautifully. Finding the right people occupied the group throughout the rest of the ’70s, and was a challenge for much of the band’s career, but it was by no means stagnant during this time.
Iron Maiden’s self-titled debut album dropped in 1980. It landed at number four on the UK Albums Chart and was lauded by journalists around the world. Iron Maiden included fan favorites like “Transylvania,” “Phantom of the Opera,” and “Running Free.” The group’s headline tour of the UK gained it devoted fans, as did its stints opening for Judas Priest and Kiss on tours. Its show at the Reading Festival in the UK 1980 drew 40,000 fans.
The band released Killers, its second studio album, in 1981. With better production and songs like “Murders in the Rue Morgue,” this album inspired decades of speed metal to come. Iron Maiden’s success launched a world tour that took it to the United States for the first time.
1981 saw the dismissal of Paul Di’Anno due to drug use and his replacement by Bruce Dickinson, who remains the lead singer today. Over the next ten years, the band’s eight subsequent albums like The Number of the Beast (1982), Piece of Mind (1983), and Seventh Son of a Seventh Son (1988) are living testaments to the prolific creativity and work ethic of the group.
By the end of the ’80s, Iron Maiden was arguably the best metal band in history. Its live shows had progressed to unprecedented grandeur, with a 100,000-watt sound system and highly-innovative light shows. It toured with groups like Anthrax and headlined events like Roskilde Festival in Denmark.
Bruce Dickinson departed from the band on August 28, 1993, playing a final farewell concert to mark the occasion. It wasn’t until the turn of the millennium that he rejoined. The band’s next album, Brave New World, was a return-to-form with progressive elements and complex melodic work. Brave New World charted around the world and re-established Iron Maiden’s place at the top of the metal world.
The band continued releasing cutting-edge albums in the 2000s and 2010s, from 2002’s Rock in Rio to Senjutsu in 2021. The intervening decades have seen the band tour the globe extensively and take its infamous live shows to even greater heights. From stadiums to outdoor festivals and beyond, Iron Maiden is uniquely able to captivate tens of millions of fans, elevating its art to new levels while pushing the boundaries of what metal is and can be.
Catch the band in concert — it’s an experience you’ll never forget.
Manson's first exposure to the music industry came whilst he was studying a journalism degree at Broward Community College in Florida, to gain experience he got a job working for 25th Parallel Magazine. He met several musicians including Nine Inch Nails, The Perfect and Trent Reznor who went on to inspire his own musical stylings in the future. Manson began to make music with guitarist Scott Putesky under the name Marilyn Manson & The Spooky Kids, they later shortened it to just Marilyn Manson and continued to create demos and play small gigs.
In 1993, the band won the attention of Trent Reznor who agreed to release their first album on his label 'Portrait Of An American Family', it was not a commercial success at the time but has now sold over 600,000 copies in the US. This album gained the band a cult following when they toured it around the States. The follow up EP Smells Like Children and their first MTV hit in the form of a cover of Eurythmics 'Sweet Dreams (Are Made Of This)' increased their fan base dramatically ahead of their second album release. 'Antichrist Superstar' has sold over seven million copies worldwide to date and became the turning point in the band's career, the combination of Manson as an eccentric frontman and the warped lyrics found in their discography turned their live shows into a cult phenomena which toured all over the world.
Manson has also worked within the film industry, making his debut in 1997 'Lost Highway' that was directed by David Lynch and has had minor roles in a number of films during his career. He is known as a controversial figure in the mainstream media due to his gothic appearance and demonic lyrics which are said to have a negative effect on his young listeners.
The band Payable On Death was formed in 1992 by Marcos Curiel and Wuv Bernard, who are originally from San Diego. In the early stages the duo were just jamming and didn't currently have a vocalist. Sonny Sandoval was invited to join by his cousin Bernard after he turned to Christianity following the fatal death of his mother. After the edition of bass player Gabe Portillo, the original line up was in place and they continued from there as P.O.D. The band have a variety of influencers such as Santana, Bob Marley, Metallica, U2, Pantera, Bad Brains and Faith No More. This helps to explain the way their sound tends to cross genres including alternative rock, reggae and latin.
In 1994 they released their debut album 'Snuff the Punk' through Rescue Records. They didn't achieve chart success with their first few albums yet their reputation quickly spread through the States, the band were famously offered a $100,000 recording contract which Sonny turned down as he believed that “God has a bigger plan for P.O.D".
The 2001 album 'Satellite' was their first appearance on the US and UK charts, charting at #6 and #16 respectively. They also topped the US Christian charts and appeared on numerous others around the world. Their next four albums all topped the US Christian chart, whilst three peaked within the top ten on the US Billboard Chart. However their success in the UK could be described as a one hit wonder, with 'Satellite' remaining the only charting album.
Mastodon is an American metal band formed in Atlanta, Georgia, U.S. in the year 2000. Their music is categorized as sludge metal or progressive metal.
The band is comprised of drummer Brann Dailor, guitarist Bill Kelliher, bassist Troy Sanders and Guitarist Hinds. The foursome met at a High on Fire concert and formed Mastodon after getting along right away. After recording a demo in 2000, Mastodon was signed to Relapse Records in 2001. They released their debut album “Remission” in 2002 and the sophomore album “Leviathan” followed in 2004.
Mastodon’s “Leviathan” is a concept album, whose theme revolves around the novel “Moby Dick” by Herman Melville. The album received honorable mentions in UK music magazines “Kerrang!” and “Terrorizer.” Mastodon’s work also gained popularity in the video gaming industry. Songs off of “Remission” appeared in video game “Tony Hawk’s Underground,” the single “Iron Tusk” from “Leviathan” was featured in “Tony Hawk’s American Wasteland,” and the single “Blood and Thunder” appeared in “Guitar Hero: Metallica” and “Need for Speed: Most Wanted.”
In 2006 Mastodon ended their contract with Relapse Records and signed with Warner Bros. Music. The third album “Blood Mountain” boosted Mastodon to commercial success. The album reached No.9 on music magazine Rolling Stone’s best albums of 2006 and they performed the single “Colony of Birchmen” with Josh Homme of Queens of the Stone Age at the MTV Music Video Awards in 2007. Mastodon was also nominated for their performance of the same single at the 2007 Grammy awards. “Colony of Birchmen” also debuted on video game “Rock Band 2” and “Blood Mountain” single “Sleeping Giant” was made popular on video game “Guitar Hero III: Legends of Rock.”
The album “Crack the Skye” was released in March 2009 and focuses on the themes of wormholes, Stephen Hawking’s theories, and out-of-body experiences. Scott Kelly from the band Neurosis guest features on the singles “Crack the Skye,” “Aqua Dementia,” and “Crystal Skull.” Drummer Dailor provides the vocals for the single “Oblivion.” The album was promoted on American show “Late Night with Jimmy Fallon” and on the European leg of the Metallica tour “World Magnetic Tour” in 2009. Artist Paul Romano provides the artwork for the album covers and backdrops for Mastodon. Mastodon cites metal bands like Neurosis and Melvins and 1970’s artist Thin Lizzy as their musical inspiration.
Trivium began with a talent show at the Lake Brantley High School in Altamonte Springs, Florida. Way back in the year 2000, one of its acts was a fourteen year old guitar player by the name of Matt Heafy, whose performance of Metallica’s “No Leaf Clover” caught the eye of Trivium’s very first singer Brad Lewter. Impressed, the vocalist asked him to try out and soon after, Heafy was an official member of the band.
The band started gigging soon afterwards and after some time, Lewter left the band, allowing Heafy to take over lead vocal duties as well as playing rhythm guitar. It was with this set up that Trivium went into the studio and recorded their debut album “Ember To Inferno”, releasing it in October 2003. The album was enough to tour with Machine Head off the back of it, who in turn, introduced them to the folks at iconic metal label Roadrunner Records.
It was their second record however, that made the band what they are today. Released on Roadrunner in March 2005, “Ascendancy” wasn’t a hit immediately but thanks to positive critical reception, word of mouth and an utterly astonishing set at the 2005 Download Festival, it went on to make their name on the world stage. Over 100,000 copies sold in the U.K alone later, it became one of the decade’s touchstone metal albums.
Since then, they have remained near the top of the metal world as one of the century’s first true success stories. The likes of "Like Light to the Flies", "Pull Harder on the Strings of Your Martyr" and "A Gunshot to the Head of Trepidation" are new metal standards that thousands of garage bands practise to this day. There really is no higher compliment than that when it comes to rock and roll. No true metal head can go wrong with a Trivium gig, highly recommended.
Formed in New York in the early 80’s, the band picked a name that they deemed ‘sufficiently evil’ sounding and immediately began to draw notoriety from its rowdy live performances.
After signing with heavy metal powerhouse Megaforce Records, things were looking good for the band however they struggled to a find a line-up that worked. With a debut album in the bag they eventually settled with Joey Belladonna as the frontman.
They began to release albums like ‘Spreading The Disease’ and ‘Among the Living’ which is widely considered the band’s breakthrough record and is often cited as a fan favorite. During this time they toured with big names such as Living Color and Metallica and were on the tour that saw the untimely demise of Metalica’s much beloved bassist Cliff Burton.
In the early 90’s the band embarked on an unlikely partnership that turned out to be one of their best moves. After collaborating successfully with Rap group Public Enemy on their track ‘Bring The Noise’, the group embarked on a US tour with the group and the meeting of Thrash and Hip Hop turned out be a successful pairing.
The band has continued to tour and release albums under a variety of line ups and have come to be respected and worshiped amongst metal fans. In 2010 the band headlined the UK’s Sonisphere Festival as part of the big four event and the reaction from hundreds of thousands of people was the ultimate sign of respect.
Though the band did not put out their debut album until 2005 they began recording as early as 1999. Sabaton’s recording sessions took place in The Abyss studio where noteworthy doom metal bands like Children of Bodom, Overkill and, Dispatched have recorded. The band’s recordings attracted a couple of record labels, one of them being the Italian label, Underground Symphony. This label issued the band’s first commercially distributed album, which was the 1999-2000 compilation, “Fist for Fight”. The album was largely seen as a promotional tool as it was released with the intent to get people excited about the band’s upcoming albums.
Sabaton’s first official LP was supposed to be their 2002 recorded album “[[]]”; however, it was shelved for 2 years and eventually discarded. The band finally put out their second album and first commercially released LP entitled “Primo Victoria”. The band signed on with the label Black Lodge for this release and would go on to put out their next album “Attero Dominatus” through this label. At this time the group recruited keyboardist Daniel Myhr for the band. This allowed the group’s previous keyboardist/singer, Joakin Broden, to take full reign over vocals.
In 2007 Sabaton released “Metalizer”, which was an accumulation of their early demo recordings and their previously unearthed debut album. The band’s follow up record was based on the book “The Art of War” by the Chinese military leader Sun Tzu. The group was increasingly getting more recognition and by 2009 they were playing festivals such as Atlanta’s ProgPowerUSA and Bloodstock ’09 in Derby. They also toured throughout Europe during this time, which included a 18 show stint in the UK supporting DragonForce. The band’s next album “Coat of Arms” came out on 2 October 2010 and peaked at No. 2 on the Swedish Albums Chart. It’s lyrics were heavily inspired by World War II and its closing track “Metal Ripper” was an instrumental piece paying tribute to a long list of the band’s musical influences.
The band experienced a crucial line-up change in 2012, with four members leaving, making singer Broden and bass player Sundström the only remaining members. The newly comprised band released “Carolus Rex” in 2012 and went on a large scale North American tour in the Spring of 2014.
Shortly afterwards Sabaton put out their commercially successful album “Heroes”, which debuted at No.1 on the Swedish Album Charts. The group has built a substantive reputation for themselves in the metal community, particularly one in their homeland in which they host their own festival. In addition to touring extensively around the globe the band also has an annual cruise called ‘Sabaton Cruise’ that embarks every November.
Influenced by the emerging Californian thrash metal scene, Testament was originally formed of vocalist Steve Souza, guitarists Eric Peterson and Derrick Ramirez, bassist Greg Christian, and drummer Louie Clemente in 1983. However, only with the arrival of lead guitarist Alex Skolnick did the group rise above their peers, creating a polished melodic thrash metal sound. The band’s debut album “The Legacy” released in 1987 brought them instant success within thrash circles and led to immediate comparisons being drawn with Metallica. U.S. and European tours alongside Anthrax did wonders for the group’s exposure and led to the band second studio album “The New Order” in 1988.
The band’s third full-length album “Practice What You Preach” left the antiquated themes of the occult and gothic behind and focused on modern day politics and corruption. It became the band’s most popular album and resulted in noticeable airplay from MTV. 1990’s “Souls of Black” was released to fairly average reviews but sold well, despite having to compete with the growing grunge movement famed by the likes of Nirvana.
Testament’s fourth full-length became their best selling, a marked a return to a more traditional metal sound, it peaked at No. 55 on the Billboard 100 and featured the single “Return to Serenity”. After the release the band began to fade from mainstream view, and were unable to change with the times necessary for continued large-scale appeal. As a result this period was marked by constant line-up changes, with Eric Peterson remaining the only original member, and a disappointing string of albums including “Low” in 1994, “Demonic” in 1997, “The Gathering” in 1999, and “The Formation of Damnation” in 2008.
Despite this, the band has managed to retain an active and loyal following within the metal underground, who continue to see Testament perform live regularly. The band’s tenth studio album arrived in 2012 entitled “Dark Roots of Earth” and subsequently the live album “Dark Roots of Thrash” in 2013.
Originally formed of high school friends, vocalist Lauri Ylönen, bassist Eero Heinonen, guitarist Pauli Rantasalmi, and Jarno Lahti, the band’s debut gig was at heir school’s pre-Christmas party in 1994. The year after drummer Jarno left the group and was replaced by Janne Heiskanen and Rasmus released their debut EP “1st” in December. Featuring the singles “Funky Jam”, “Myself”, and “Frog” the release sold over 1,000 copies in the space of a few weeks, and 1,000s more upon its rerelease by their new label Warner Music Finland.
The Rasmus’ debut album “Peep” was released by Warner Music Finland in 1996 led by the singles “1st”, “2nd”, and “3rd”, which were essentially small EPs. The group subsequently won the EMMA (Finnish Grammy equivalent) for Best Newcomer in 1996. The Rasmus’ sophomore album “Playboys” hit the shelves in August 1997 and has since been certified gold in Finland aided by the singles “Blue”, “Kola”, and “Playboys”. Unlike their debut, the album boasted a host of additional musicians, which resulted in a cross-genre appeal with influences from rapcore and funk.
In 1998 the band’s third album “Hell of a Tester” arrived marking a change from funk to classic rock. Once again the record went gold, supported by the single “Liquid” which charted within the Top 40 on MTV Nordic and won the Single of the Year and Video of the Year at the Finish Music Video Awards. Following the release Janne Heiskanen left the group to settle in India, and the Rasmus founded their own record label named Dynasty Association. In an attempt to appeal to an audience outside of Finland, The Rasmus signed with Playground Music and released their fourth full-length “Into” in October 2001. The internationally-released album topped the Finnish Album Chart and spawned the popular singles “F-F-F-Falling”, “Chill”, “Madness”, and “Heartbreaker/Days”.
The Rasmus subsequently released the best-of album “Hell of a Compilation” ahead of their fifth full-length “Dead Letters” in March 2003. “Dead Letters” proved to be the band international breakthrough aided by the radio-friendly “In the Shadows”. Like its predecessor the record adopted a dark, moody, and melancholic tone, however far surpassed its success. The album topped the album charts in Finland, Austria, Switzerland, and Germany, and spawned the subsequent singles “In My Life”, “First Day of My Life”, “Funeral Song”, and “Guilty”. The band went on to win the Best Nordic Act award at the 2003 MTV Europe Music Awards, and Five EMMA awards. The platinum-selling full-length “Hide from the Sun” arrived in 2005, followed by “Black Roses” in 2008, and the self-titled “The Rasmus” in 2012.
Vocalist Jacob Bannon and guitarist Kurt Ballou formed the group in Salem, Massachusetts, US in 1990. They shared a common interest in hardcore punk and heavy metal, sighting influences such as American Punk bands like Black Flag, Dischord alumni such as Minor Threat and Nation of Ulysses, an array of metal bands ranging from thrash lords Slayer to sludge rock originators Black Sabbath. The group even incorporated sounds from less obvious inspirations like The Cure and Depeche Mode. Despite the huge list of influences Converge manage to construct a sound entirely their own and have been cited a countless number of times as one of the defining factors of the metalcore genre as well as one of the most innovative bands to come out of the underground punk movement.
Converge started as a band whose sound was strongly rooted in hardcore punk and Slayer theme riffs. They were quick to hone their focus and by 1991 they were cutting demos on a 4-track recorder and playing live concerts. The group released a total of four demos before putting out their first feature length album “Halo in a Haystack”. This release came out in 1994 through the label Earthmaker and was funded by Jacob Bannon’s job as an assistant at a nursing home. The band put out the EP “Unloved and Weeded Out” and the compilation album “Caring and Killing” the following year. In 1996 they put out their sophomore release “Petitioning the Sky” through Ferret records. Although this record is often categorized as a feature length album, the band views this as a compilation album, considering many of the tracks were recorded at different times with a few of them being live recordings.
Converge switched labels for their next two feature lengths 1998’s “When Forever Comes” and 2001’s “Jane Doe” both released through Equal Vision. Though neither of the two albums managed to chart, they were regarded as classics of their genre and were met with instant critical acclaim. “Jane Doe” in particular was seen as a breakthrough in the band’s career launching them outside of their niche bubble into a larger cult following. The album artwork that lead singer Bannon designed for the album was met with unanimous praise and became somewhat of an iconic image for the band. This release was the first to feature the line up of the four sole members Jacob Bannon, Kurt Ballou, Nate Newton, and Ben Koller. This line up has continued to persist throughout the band’s following recordings. Around this time the band played nearly 600 gigs, building a strong reputation for themselves in the punk community worldwide.
Converge seemed to be on a role after the release of “Jane Doe”. They never lost touch with their favor from the critics and with each succeeding album they were able to chart commercially. The band later signed on to Epitaph Records and released their 2004 album “You Fail Me” through the label. They also put out their 2006 release “No Heroes”, their 2009 release “Axe to Fall”, and their 2012 release “All We Love We Leave Behind” through this label. The album “No Heroes” was one of their most commercially successful releases peaking at No. 1 on the US Heatseekers Chart and No. 151 on the US charts. Though “All We Love We Leave Behind” did not make it on the Heatseekers charts, it did make it to No. 70 on the US Billboard 200 Chart. The album also has the extremely high score of 88 on “metacritic”, indicating universal acclaim.
Formed whilst attending high school, Authority Zero came together in 1994, featuring Bill Marcks (guitars), Jerry Douglas (vocals, guitar) and Jason DeVore (vocals). They soon enlisted Jeremy Wood for bass duties, who had also taught Marcks and Douglas how to play guitar. As a talented bassist, his skills helped Authority Zero stand out from other punk acts, adding a sense of fluidity to the rhythm section. Jim Wilcox (drums) joined soon after, with the band beginning to play locally regularly.
Well-received early EPs and demos led the band to gain a contract with Lava Records, with whom they released their debut album, "A Passage In Time," in 2002. FInding hits with the singles "One More Minute" and "Over Seasons," the band established their presence on the punk rock scene, gaining high profile support slots with the likes of Sum 41, Everclear, Guttermouth and H2O.
In a short space of time, Authority Zero already had material for their second effort, releasing the distinctly latin-flavored "Andiamo" in 2004. Extensive touring followed before Authority Zero recorded an all-acoustic live album, "Rhythm and Booze," which appeared in 2006 on the Suburban Noize label. A support slot with Zebrahead helped gain new fans on tour, before returning with the more energetic "12:34," laying down some fast-paced punk.
In 2010, their fourth record found the band reaching the number five spot on the Billboard US Heatseekers chart, their highest position yet. Bassist Jeremy Wood unfortunately left the band in 2013, citing musical differences, shortly before Authority Zero unleashed their fifth outing, "The Tipping Point," again charting well.
You have to imagine that there’s nobody of a certain age who wouldn’t consider - privately or otherwise - the prospect of a Limp Bizkit live show to be anything other than riotously good fun. There’s few rock crowds in the world that wouldn’t go wild for Chocolate Starfish’s holy trinity - ‘Rollin’, ‘My Way’ and ‘Take a Look Around’ - but scratch the surface, and you come to realise that their canon is much stronger than you might remember; ‘My Generation’, ‘Nookie’ and anarchist anthem ‘Break Stuff’ are all setlist staples, too. Fred Durst, of course, remains one of the world’s most ridiculous men, but look at Bizkit’s festival form these past few years, and there’s no question he’s capable of holding even the hugest of crowds in the palm of his hand. Wes Borland’s appetite for frankly terrifying stage get-ups hasn’t faded, either, and there’s just the right amount of out-and-out silliness in the set - take that cover of George Michael’s ‘Faith’, for instance - to confirm that nobody in the band is taking themselves too seriously. Current indications are that material from newest record Gold Cobra is beginning to nudge its way into the fans’ affections; even if it had failed in that regard, though, the Jacksonville outfit would surely be happy with the sheer bedlam that their biggest hitters incite night after night.
Iron Maiden was my first concert ever and the experience was so amazing I've been hooked ever since! Their set list for the O2 in London was based on their previous 'Seventh Tour Of A Seventh Tour' in '88, which featured heavily songs from their 7th album, 'Seventh Son Of A Seventh Son' but also many of their greatest hits and most famous songs to really engage the audience. They sounded absolutely incredible and there was so much energy from Iron Maiden which was impressive especially due to the age of the band and the members.
Iron Maiden are famous for their breathtaking stage shows, and this show definitely did not disappoint. During the song, 'The Trooper' a towering Eddie appeared from under the stage dressed in the trooper's outfit, matching the outfit Bruce Dickinson had just changed into to perform this song. The authenticity and the detail of Eddie and the costumes were just outstanding and the crowds really reacted to all the pyrotechnics used throughout the show as well as reciting all of the lyrics to every single Iron Maiden song played. Everyone even shared a little giggle when Bruce tripped over while leaping across the steps at the back of the stage, recovering very smoothly by joining in with our laughter. The crowds had a huge age difference from what I saw but the reactions were all the same as they shared the common love for Iron Maiden. I truly believe the Iron Maiden are one of the best bands out there and the experience from their shows is like no other. Its an opportunity not to be missed.
Marilyn Manson still rocking cultness and creativity. Though Marilyn Manson's concerts seem best fitted for a small to medium size venue, he nonetheless continues to deliver the goods. I have seen him multiple times in multiple venues and sizes of such, from GA/standing room only in the lobby of another theatre, to midway back in a moderate-sized arena and in the pit almost as close as the stage itself at a summer festival. Theatricality continues to be a vital and integral part of any given set. Not only that, but with something always in the bag of tricks and a campy wardrobe, Manson is never the same man twice. Depending on the theme of the album he tours in support of, he rocks duds to pair with the music in question and also utilises matching stage props. Still, Manson sings a healthy cross section of songs old and new, always with a dark ambiance as is evident in the instrumentation. His backup band has included numerous members coming and going along the way such as Madonna Wayne Gacy aka Pogo on keyboards, drummer Ginger Fish and guitarist John 5, the latter two of whom have also worked with Rob Zombie, and Nine Inch Nails drummer Chris Vrenna. Regardless, Manson has always handpicked, toured and recorded with a truly star studded cast. Wailing, intricate guitar solos combine with electronics and thumping bass and drum beats, resulting in a satisfying performance!
A Day To Remember... What is there not to like about them. They are an amazing band and seeing them perform live is life changing. For one the hype of the crowd even before the performance gets you hyped up. Yeah we all know that they have the hard-core style of music so it's expected for the crowd to get intense. And Jeremy jumping around on stage, screaming his lyrics just adds to the hype and it's just an amazing experience. I saw them perform the spring fever tour a few years ago and hearing that first chord being played just changes the atmosphere so much. There are people moshing, jumping, crowd surfing, and singing and screaming the lyrics along with them and it's just the most exciting thing. When you're there you get the kind of adrenaline rush that you would get while riding the fastest roller coaster in the world. You see the crowd surfers (by the way there are about at least 30 people being carried at a time) and you just want to do it as well. So of course I did. I just asked these guys to lift me up and from there you feel weightless. You are on top of the world for about a few seconds. While being carried across the crowd you get a perfect view of the stage and that was also pretty mind blowing. As for the lead singer Jeremy, he creates such an energetic mood for the stage, the rest of the band, the crowd, and even the merchant guys are freaking out (but in a good way). He adores his fans and you can tell about how passionate he is toward us, and the band. He'll let you know how much he loves and appreciates the crowd and their reaction to his excitement. I just loved seeing them and being part of that crowd.
P.O.D.'s appeal as rock musicians and nu metal performers is such that many of their diehard fans don't even realise they are a Christian band. P.O.D., or Payable On Death have put enough craft into what they do to appeal to people from all walks of life, regardless of creed, from the disenfranchised youth to the fans faithful in every sense, for whom hits like 'Alive' take on a whole new meaning.
Wherever you stand on your beliefs and philosophy, P.O.D. may have something for you. With 8 albums released, 12 million records sold, major motion picture soundtrack deals and three grammy nominations under their bible belts, P.O.D.'s success demonstrates that they bring a whole nu dimension to nu metal. The live rock shows really rock. This band can get fans going crazy in the most exhilarating way. Expect a lot of jumping, chanting and intense rhyme-spitting, both on-stage and off. What may surprise people is that P.O.D. can also be seen live performing an acoustic set. The group play their back catalogue on an arrangement of acoustic guitars, bass and ethnic drums like cajon and bongos. The songs don't lose their energy or intensity, even when they bust out the occasional melodica solo. Instead they gain a cool and intense intimacy.
Whatever your tastes, P.O.D. provide a couple of different ways for you to experience their music. Go forth now in peace, to experience.
US heavy metal titans Mastodon have managed a rare thing in this transitional era of modern metal: gaining mainstream, international exposure while remaining progressive and, most importantly, heavy. The first time I saw them was when they were touring their sludgy, riff-driven classic, Leviathan, in a little club in Devon. They felt and sounded like classic heavy metal, with the groove aspects of Pantera combined with experimental drum patterns and Rush-like guitar intricacies. ‘Blood And Thunder’ was and is one of the best live metal songs of the last two decades. Mastodon have since mellowed out, in a way, replacing the scream-heavy sludge metal with a more melodic prog-metal style. But what they’ve lost in sheer heaviness they’ve made up for with innovation. Albums Blood Mountain and the incredible Crack The Skye took them to new heights, especially the latter, which they played in full when they first toured it over here in the UK. However, their most recent two albums – The Hunter and Once More 'Round the Sun – have cemented their status as one of the world’s biggest, loudest and best heavy metal bands of this era.
The twin vocals of guitarist Brent Hinds and bassist Tory Sanders – two singers who have very different but complementary vocal styles – are certainly the focal point, but they wouldn’t be anywhere without the unique, relentlessly inventive drums of Brann Dailor. Incredible.
Before Trivium even walked onto the stage, haunting, dark ambient music drifted across the festival, creating a brooding atmosphere. The band walked out and were playing "Rain" within seconds.
The audience was overwhelmed with energy, thrashing everywhere, and overcome with passion. The guitar riffs were so heavy, it was actually kind of surprising. The best thing that Trivium is known for is their use of melody just as much as abrasiveness, and it creates a truly beautiful mix. When the band switches from heavy chugging to emotional, somber and ecstatic riffage, you cant help but want to start slamming your head, and letting out every built up tension you have. The audience was it's own experience.
Completely different from what you see at other shows, there are walls and walls of people flailing about everywhere, passionately yelling along with the singer. You better be prepared to be knocked on the head a few times(but don't worry. If you fall, someone will happily help you back up.).The music was beautiful, heavy, and loud. What was not to love? Every song has plenty of energy, and cool riffs. Seeing Trivium was a great experience, and I recommend them to anyone who loves heavy, passionate music.
Anthrax has made quite a comeback in these last couple of years. In 2010 they re-enlisted lead singer, Joey Belladonna, who contributed vocals on Anthrax’s breakthrough album, Among the Living, and in 2011 they released their first album in eight years entitled, Worship Music, which shows the band revisiting their intense thrash metal style that made them so renowned. Regardless to say, Anthrax is back on top of their game and their live performance is their greatest testament to their adept skills in captivating the audience with their high speed thrash metal.
Guitarist, Scott Ian, is a driving force behind the band prowling up and down the stage and jumping all over the place, all while playing face melting guitar riffs in the heaviest tones. Lead singer, Joey Belladonna is also quite captivating belting out his lyrics while rocking back and forth, signaling the rock salute. He is also known for performing stage antics, which was displayed when I saw them play a show at the Gwinnett Arena and he came out on stage in an Indian head-dress to play the song “Indians”.
The stage set-up is similar to what you might expect at a metal show. Amps are piled on stage with loud distorted thrash metal blaring out of them, a massive drum-kit containing two bass drums is elevated on a large platform, which the drummer ferociously pounds away at, and massive displays of metal art are plastered behind the band. The audiences are usually quite rowdy, as would be expected. They fiercely head-bang, yell out all the lyrics to the songs word for word, and start up mosh pits. When at an Anthrax concert you can most likely expect to get caught in a mosh pit all while listening to the band perform the song, “Caught in a Mosh”, but you can also expect to see one face-melting performance that is ensured to rock your socks off.
There is a chorus of metal hungry attendees engaged in conversation about the support acts this evening as the lights begin to fade out gradually, to the sounds of orchestral swells filling the speakers and of course this huge room. The audience’s response is that of a predominantly male cheer as if they’re about to go to battle.
On stage, appears a band from Sweden called Sabaton who kick off the evening with the sound of a very distorted guitar playing the opening bars of “No Bullets Fly” which is taken from their most recent album, “No Bullets Fly”. The reaction is a mixture of more battle cries with the movements of a circle pit beginning to take shape, sweeping people from the sidelines into it gradually getting bigger – all of which is completely encouraged by vocalist, Jaokim Broden.
Sabaton have a whole lot of material to get through this evening as they fill this set only with the very best material from their career that has, despite being fifteen years long, seen seven studio albums.