Ministry of Sound Classical, ministry of sound, Paul Oakenfold, Ellie Sax, Judge Jules, et Danny Rampling

The man might have begun DJing in the late seventies but his beginnings in the music industry proper were behind the scenes. His first major break was his job as an A&R man for Champion Records, a London based record label known for its soul and dance music.

He scouted his adopted home town of New York City, USA for talent and, unarguably, he found it. He didn’t just sign Salt-N-Pepa to the label; he also signed a little known duo called DJ Jazzy Jeff And The Fresh Prince. Yes, technically speaking we have this man to thank for Will Smith’s film career.

This would make a career in its own right but Oakenfold wasn’t done yet. In 1987 the success of a birthday party of his in Ibiza led him to create one of the first major acid house club nights in the UK, this was the time that he started being recognized for his ability as a DJ and in his downtime from the night, started putting together music of his own.

That spark of creativity became a fire in the late 80s and all of the 90s, where he was pretty much the UK’s biggest name in electronic music. His remixes for Happy Mondays were top five singles, he was invited to DJ at The Stone Roses’ legendary Spike Island concert and in 1990, he won a Brit award for his production on the Happy Mondays album “Pills ‘n’ Thrills ‘n’ Bellyaches”.

As the 90s continued, he played to 90’000 people at the 1995 Glastonbury Festival and his remix of the U2 song “Even Better Than The Real Thing” charted higher than the original in the UK, such was his popularity. Unlike many musicians popular in the 1990’s, however, he didn’t implode by the end of the decade.

2002 saw the release of his debut album “Bunkka”, it went on to sell one million copies world-wide and truly cemented him at the top of his game. Since then he’s done official remixes for everyone from Radiohead to Madonna, even stopping off in between to record his own version of the James Bond theme in 2002.

Oakenfold might just be the man who legitimised electronic music to the mainstream music world. And for that, he deserves the respect of any and every true music fan. He’s a legend, and he will be for a very long time.

...as a DJ, producer, promoter, A&R, radio presenter, taste-maker and, more recently, a music specialist lawyer.

Widley recognised for influencing an entire generation with residencies on both Kiss FM and BBC Radio 1, to this day the Judge continues to be on the playlists of millions with his weekly radio show The Global Warm Up, which notches up 750,000 downloads every week via his podcast and is broadcast on over 80 stations around the world.

As a pioneer of the club scene, his passion and persona behind the decks coupled with crowd connection and unrivalled track selection has earned Judge Jules a hardcore fanbase and unforgettable sets week-in week-out at the world’s most iconic clubs and festivals, including the UK’s Gatecrasher, Ministry of Sound, Global Gathering and Creamfields, as well as in countless overseas countries.

In 2019 Jules embarked on a brand-new project with his first live show accompanied by musicians. Judge Jules: Live sees Jules joined by a full 10-piece band, reimagining and reinventing a selection of poignant classic tracks from his career, delivered in intimate venues up and down the UK.

In the studio, Judge Jules has released over 200 tracks, including 15 UK top 40 national charts hits, with countless more gracing the upper reaches of the dance charts. In the last three years alone, he’s had over 12 releases on iconic labels like Coldharbour, Sirup, Armada and his own imprint, Judgement. As a respected taste-maker, he’s also mixed now-legendary compilations for Ministry of Sound, Universal and Warner Bros, racking up over 3 million sales between them. Compilations considered timeless snapshots of the scene.