Born the daughter of Blue Peter presenter Janet Ellis and film producer and director Robin Bextor, Sophie’s earliest live performance came with the children's, “W11 Opera”, when she was 13. Ellis-Bextor subsequently made forays into indie music in 1997 by becoming Theaudience’s lead vocalist. Following the release of a debut, self-titled album, which spawned the singles “I Got the Wherewithal”, “If You Can’t Do It When You’re Young; When Can You Do It?”, and the No. 25 charting “I Know Enough (I Don’t Get Enough)”, the band were dropped by Mercury Records and Ellis-Bextor went solo.
Before releasing any original material, in 2000 the singer contributed vocals to the DJ Spiller instrumental track “Groovejet”, which subsequently topped the UK Singles Chart and earned regular rotation in clubs across the UK. A year later Ellis-Bextor issued her debut solo album “Read My Lips”. Rising to No. 2 on the UK Albums Chart, the record produced four Top 20 singles: Cher’s “Take Me Home”, the No. 2 “Murder on the Dancefloor”, “Get Over You / Move This Mountain”, and “Music Gets the Best of Me”. The record turned the singer into a national household name, however she also enjoyed success internationally with the album selling 2 million worldwide.
Following a supporting tour of the UK and Europe, Ellis-Bextor returned in 2003 to release her sophomore full-length “Shoot from the Hip”. Two tracks from the album were released as singles, “Mixed Up World” and “I Won’t Change You”, with the third and fourth being scrapped due to the singer giving birth to her first child. Debuting at No. 7 on the UK Albums Chart, Ellis-Bextor’s third studio album “Trip the Light Fantastic” was issued in May 2007. The disco-pop record, produced by Greg Kurstin, earned rave reviews and featured the likes of Fred Schneider, Richard Barone, Shelly Poole, and Cathy Dennis. In support of the record the singer toured opening for Geoge Michael and Take That, however had to cancel her own headlining tour.
In October 2008 Ellis-Bextor recorded a cover of Dolly Parton’s “Jolene”, which appeared on the soundtrack for the BBC2 sitcom “Beautiful People”. After which the singer contributed vocals to French DJ Junior Caldera’s track “Can’t Fight This Feeling” that later peaked in the French Top 20, and appeared on the Freemasons single “Heartbreak (Make Me a Dancer)”. In June 2011 Eliis-Bextor issued her fourth full-length “Make a Scene”, which was marked by more dance elements and influences than previous albums. Featuring collaborations with Calvin Harris, Richard X, Armin van Buuren, and Metronomy, the album was led by the single “Bittersweet”, and peaked at No. 33 on the UK Albums Chart.
Upon the announcement of a fifth studio album in May 2011, Ellis-Bextor began touring again, playing dates in Australia and Jakarta. Led by the single “Young Blood”, the album “Wanderlust” was released in January 2014, peaking at No. 4 on the UK Albums Chart. Representing her most ambitious album to date, “Wanderlust” incorporated folk, baroque and chamber pop elements and spawned the subsequent singles “Runaway Daydreamer” and “Love Is a Camera”.
Formed of longstanding childhood friends Roy Stride (vocals, guitar, keyboard), Greg Churchouse (bass, backing vocals), and Pete Ellard (drums, backing vocals), Stride and Churchouse began playing gigs together at the age of 15. During their time at university, the pair formed the band Cape, before playing shows as Scouting for Girls in a room above a pub in Harrow, London. Scouting for Girls significantly raised their local profile during this time, later utilising MySpace and Pulse Rated to appeal to a national audience.
After hearing the group’s demo CD featuring the single “Heartbeat”, Epic Records signed Scouting for Girls in 2007. Soon after inking the deal the band headed to East Sussex to record their debut. Prior to a full-length LP Scouting for Girls released the EP “It’s Not About You” in June 2007, which became the highest-charting limited edition EP in chart history. Subsequently released in September 2007, the group’s debut, self-titled album topped the UK Albums Chart for two weeks, selling close to a million copies. The record’s success was strongly aided by the radio-friendly singles “It’s Not About You”, “She’s so Lovely”, “Elvis Ain’t Dead”, and “Heartbeat”, all of which charted within the UK Top 20.
In support of the record, Scouting for Girls embarked on an extensive UK tour, including a host of sold-out shows, and ending with two sold-out nights at London’s Hammersmith Apollo. In 2008 the band performed shows in Europe, Japan, and Australia, before heading to the U.S. to play the year’s SXSW Festival and New York’s CMJ Festival.
The band released their sophomore album “Everybody Wants To Be On TV” in April 2010, led by the No. 1 single “This Ain’t a Love Song”. The singles “Famous”, “Don’t Want To Leave You”, and “Take a Chance On Us” were subsequently release, following which the band undertook a full UK tour in April. Scouting for Girls’ third full-length “The Light Between Us” arrived in August 2012. Spawning the singles “Summertime in the City”, “Rains in La”, “Without You”, “The Light Between Us”, and “Snakes and Ladders”, the record peaked at No. 10 on the UK Albums Chart.
McFly have been one of the most successful bands of this age, and it's easy to understand why. Watching them live is one of the most interesting performances you will see in your life. My experience at one of their concerts consisted of mainly food talk, including them creating a theme tune for one of the burger vans at the stadium. Expect the unexpected! Even though they have released many albums, they are still amazingly talented, recently impressing everyone with one of their newer songs 'Love Is Easy.' Following the theme of love, check out the YouTube video of the wedding speech made by one of the boys, it is truly inspired and heart warming. It is set to one of their own songs 'All About You'. Some may say they have past their best, I think the exact opposite. Not only are the constantly improving their shows to make them even bigger and even better, they are still surprising fans. One the most recent excitements was the McBusted tour (a collaboration of McFly and Busted). Looking for a good McFly song to get you started? Try my original favourite 'Star Girl' or for something slightly less well known go for 'Broccoli.' Either way, you'll regret not listening to them. The only thing you'll regret more than that is not having tickets for their concert.
Oozing confidence – presumably bolstered since placing fourth on Strictly Come Dancing and the reception to well-received recent LP, Wanderlust - Sophie Ellis-Bextor is the success story you never saw coming. After wowing the charts and general public with pop gems in the early/mid 2000s, she faded into a befuddling obscurity; she never stopped dropping sounds, but the spotlight had dimmed. However, now in 2014, she's riding a resurgence, with mammoth sets at festivals across Europe (Glastonbury and T In The Park to name but a few).
Obviously, there are her vintage hits like the ubiquitous neo-disco belter “Murder On The Dancefloor”, and her guest spot with Spiller on “Groovejet (If This Ain't Love)”, but the London-born singer-songwriter also covers Moloko's “Sing It Back”, Cher's “Take Me Home”, Modjo's “Lady (Hear Me Tonight)” and Freemasons' “Heartbreak (Make Me A Dancer)” pretty regularly during live shows. That's not to say her sets are a medley of ageing pop numbers; she whips cuts from her back catalogue out for the most part, and her folk/ballad-centric recent material goes down especially well. Performing with live strings, blazing lights, and live funk strummers, she proves that she's still able to impress and deliver a ridiculously entertaining show.
After winning the title of Best British Breakthrough of 2009 at the Brit Awards, Scouting For Girls made their mark in the indie rock charts with their second album Everybody Wants to be on TV. Whilst I have always enjoyed their music, it wasn't until I saw them live, initially as a support act, that I really became a true fan. I knew the music, but not inside out, but it materialised that that didn't matter at all. Their performance was full of enthusiasm, fun, and life, and I found myself singing and dancing along regardless of my knowledge of their material.
After becoming enthused by their live show, I booked tickets to see them headline, and was not disappointed. The entire set was a theatrical performance with fantastic lighting, great sound and acoustics. The band worked together blending their harmonies, whilst maintaining their intense dancing and performances.
The vibe was absolutely fantastic, even people who seemed unsure initially, seemed to be their biggest fans by the end of the show - that just seems to be the effect that they have on you! I'd really advise that you take the opportunity to see them (in a standing venue - because you'll want to dance!) before you miss your chance.