Maxïmo Park Berlin Ingressos, ASTRA Kulturhaus, 20 Jun 2026

Venda iniciada há 3 meses

O evento acontecerá em 2 semanas

Programação

Local

ASTRA Kulturhaus

Revaler Str. 99, 10245, Berlin, Germany

www.astra-berlin.de/

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Informações adicionais

Nome da turnê: 30 Years of Karrera Klub Weekender

Preço: €63,00

Para fãs de: Rock, Indie & Alternativo, e Eletrônico.

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Maxïmo Park biografia

Maximo Park is a British alternative rock band from Newcastle, consisting of Paul Smith, Duncan Lloyd, Archis Tiku, Lukas Wooller, and Tom English.

Maximo Park was formed in 2001 by guitarist Duncan Lloyd who brought together Archis, Lukas and Tom. The band started out playing small venues, including In The City in Manchester, which showcases unsigned bands; however, in 2003 Duncan and Archis decided they wanted a frontman so that they could focus on song writing instead of vocals. They eventually recruited Paul Smith.

In March 2004 a friend of the band helped fund 300 copies of a single “Graffitti/ Going Missing” on 7’ vinyl. They followed up with another 7’ vinyl single entitled “The Coast Is Always Changing” and “The Night I Lost My Head,” and gigged around, catching the attention of Warp Records. By 2005 they recorded and released their first album, “A Certain Trigger,” which sold over 300,000 copies and was nominated for the Mercury Prize in 2005.

The following year they started to record their sophomore album entitled “Our Earthly Pleasures,” and was announced to be released on 2 April 2007. They also announced an upcoming tour with the same name as the album. Maximo Park released their third album, “Quicken The Heart” which was led off by the single “The Kids Are Sick Again,” in 2009. The band continued to put out albums and successfully tour, and in 2014 released “Too Much Information.”

Avaliações

Alt-rockers Maxïmo Park wrapped up their latest UK tour in their home base of Newcastle with the second of two shows at the O2 Academy. The band have been touring in support of their fifth studio album "Too Much Information" - a genuine candidate for ugliest album cover of the year, which is a shame because the album represents something of a return to form after 2012's disappointing "National Health" which was released in the darkest depths of the recession. The new album sees an increased reliance on beats and electronics but singer and writer Paul Smith remains a poetic, romantic lyricist and Duncan Lloyd a seriously underrated and melodic guitarist. The tour got off to something of a bad start with a couple of shows having to be rescheduled due to Smith requiring an emergency eye operation, but to his credit he soldiered on even though this meant that his stage presence wasn't quite as animated and acrobatic as normal. It also provided a rare case of a rock star wearing sunglasses on stage through necessity rather than affectation. Opening with a fine trio of songs - the catchy "Give, Get, Take" from the new album, "Our Velocity" and "Signal & Sign" - the band soon got into their rhythm, with Lukas Wooller pogoing around his keyboard while Smith in trademark trilby, shades and check-suit struck a series of camera pleasing poses and even demonstrated some sub-Peter Crouch style robotics for the crowd crushed against the barrier. Although the new material such as "Brain Cells", the terrific "Midnight On The Hill" and "Leave This Island" was greeted enthusiastically, it was the songs from the first two albums “Our Earthly Pleasures” and “A Certain Trigger” that got the adrenalin pumping quickest and the biggest crowd responses. Old favourites like "Graffiti", "Limassol", "Books From Boxes", "By The Monument" (always popular in Newcastle, where the Academy is only a few hundreds yard from said monument), "Girls Who Play Guitars" and a tremendous version of "Apply Some Pressure" received wild responses. Some of the better songs on “National Health” were also performed such as the title track and “The Undercurrents”. A few years ago I saw Maxïmo Park play to a packed crowd at Newcastle Arena - where they even flirted with lasers - and it seemed for a time that they might be lost to the bigger sheds which would have been a shame. Venues like the Academy are the perfect place for the band - Smith is a genuinely likeable frontman easily capable of whipping up a crowd of this size. The band relate to their audience well, and it would be a shame to see this relationship diluted in bigger arenas. “The Park” always a deliver a passionate performance and Saturday night’s tour finale was no exception.

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