Para fãs de: Metal.
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Before their official formation in 1991, Kamelot or Camelot as they were known contributed to the heavy metal cassette entitled “Tampa Bay’s Metal Mercenaries: The Invasion” in which the band recorded the song “Breaking the Silence”. It wasn’t however until 1994 when Kamelot signed with Noise Records and a year later upon the release of their debut album “Eternity” (1995) that the band had their first taste of success.
The band released “Dominion” in 1997 and with new members Casey Grillo on drums and Roy Khan on vocals, the album “Siege Perilous” in 1998. It was followed by their first tour, which included various parts of Europe, before returning to the studio to record their fourth LP “The Fourth Legacy” in 1999.
Their fifth album “Karma” (2001) was their first to make the charts in any country and represented more of a shift into the mainstream. The albums “Epica” in 2003, “The Black Halo” in 2005, and “Ghost Opera” in 2007 were popular in notable heavy metal countries including Germany, Finland and Japan but wan’t until 2010’s “Poetry for the Poisoned” that they had across the board chart success. “Poetry for the Poisoned” featured the singles “The Great Pandemonium”, “Hunter’s Season” and “Thespian Drama” and attempted to explore a more diverse set of topics. Following all of their albums Kamelot were extensive tourers with shows across North America, Europe and parts of Asia, with their live show garnering popular support.
With new vocalist Tommy Karevik, Kamelot released their tenth full-length album “Silverthorn” on October 24, 2012 through Edel Music, it charted on the U.S. Billboard 200 at No. 74 and features guest vocals from Elize Ryd and Alissa White-Gluz.
You can hear what sounds like epic tribal music – I say tribal music, purely just because I’m hearing the sounds of plainchant, mixed with drums that sounds like they are being absolutely walloped.
As members start to walk out on stage, there is a big level of hysteria amongst this audience as you start to see hands up in the air sporting the horns, ready to rock. As the band finally walk out on stage, there is a count in on a huge open hi hat and the riffs commence, as do the circle pits, which from up the hill slightly in this festival is quite a spectacle. Kamelot launch into “Rule the World”, which has the audience singing along in the chorus as loud as they can. They have a habit of composing rather catch choruses. One of the things that really impresses me is how big the orchestral sounds are, making is sound like there is the Philharmonic orchestra behind them. A very interesting sound indeed.
Lannistaar
Generell zum Anfang tolle Show der Headliner, auch der second Act Morlas Memoria konnte überzeugen, nur der 1. Act Proxillan war etwas gewöhnungs bedürftig. Schade das der GIG auf einem Sonntag lag, zwar an einem Brückentagswochenende aber die Besucherzahlen waren trotzdem nicht so toll. Aber trotzdem haben die Acts alles gegeben und das hat man gemerkt. Tolle Show und gerne wieder.
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