Para fãs de: Indie & Alternativo, Rock, e Metal.
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As a city, Denver, Colorado, USA is known for producing musical acts that are somewhat down to earth. Bands like The Lumineers, and The Fray included.
In contrast to these bands, the quartet are about as alternative as you can get, even beginning their career as a backing band for burlesque shows before creating their own music. Their first album, “SuperMelodrama” was released by the band independently in 2000 and they were immediately noticed off the back of it, touring with the likes of Calexico and Flogging Molly as a result.
Their second album came in 2003, and “Una Volta” saw the band return to their roots somewhat in its promotion. The record was mainly promoted via a tour with burlesque sensation Dita Von Teese, and their music was shown to a wider audience the year after, when their song “How It Ends”, off their third album of the same name, was featured in the trailer for the Liev Schreiber film “Everything is Illuminated”.
In 2006, however, they were to have their first major worldwide exposure. While the band were off the road, they were asked by directors Jonathan Dayton and Valerie Faris to score their first film Little Miss Sunshine. The film became a phenomenon, one that led to the band being nominated for a Grammy for their work on the soundtrack.
Since then they’ve played stadium shows supporting Muse, scored another film in the form of 2009’s I Love You, Phillip Morris and released further studio albums. They remain one of the most thrillingly unpredictable bands of our time, and one whose next move will be just as exciting as the ones that came before it.
Almost like a US equivalent to Franz Ferdinand, DeVotchKa are known for adding the influence of gypsy punk and dark cabaret to their own brand of indie rock and this comes with an equally dark live performance. They have been working the circuit since the late 90s and a consistency in lineup paired with a dedication to the live circuit means you have a technically proficient band that cannot be surpassed regarding musical ability.
Quite a number of their tracks rely on complicated and lengthy instrumentals and these are great to see in a live setting as the audience cheer and shout along with the quartet as they retract into their musical zones in order to not miss a single note. With a large amount of albums to reach from tonight, the setlist is suitably varied yet there are clear highlights in the form of 'All the Sand in all the Sea' and a cover of 'Venus in Furs' by The Velvet Underground. This is a great band with a criminally underrated reputation who are definitely worth seeing if you get the opportunity.