Para fãs de: Hip-Hop, Eletrônico, e Funk & Soul.
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Paul Wall is proof that being a street team member can pay off and then some. A hip-hop obsessive from an early age, his entry into the music business as a whole came when he was 14 years old and he started doing promotional work for Michael "5000" Watts' record label, Swishahouse. As he approached the end of his teenage years he began rapping himself, regularly collaborating with Chamillionaire and recording any raps that he came up with. At the end of 1999, he convinced Watts to let him and Chamillionaire rap on his radio show, and the resulting freestyle was so good that it essentially made both of their careers.
Their freestyle appeared on one of Watts’ mixtapes, entitled “Choppin Em Up Part 2”, and both rappers were formally signed to Swishahouse for future releases. However, after Slim Thug left the label Wall and Chamillionaire both left with him and they formed their own duo called The Color Changin’ Click. They began releasing their own line of massively acclaimed mixtapes and they eventually inked a record deal with Paid In Full Records, who released their debut album “Get Ya Mind Correct” in 2002. The duo split soon after this but both would go on to have massively succesful solo careers, with Wall’s solo success coming in 2005 with the release of his debut album “The People’s Champ”.
The album debuted at number one on the Billboard charts, knocking Kanye West’s “Late Registration” off the top spot at the same time. Its lead single “Sittin’ Sidewayz” was also a slow-burning hit, stalling at number 93 on the Billboard Hot 100 but was eventually certified Gold. He was the featured collaborator on Nelly’s 2005 number one hit “Grillz”, however, and ever since then he’s been one of the most beloved names in southern hip-hop. While he might not have achieved the success of some of his peers he’s still massively acclaimed by all who know him, and can blow the roof of any venue he plays in to boot. To this day, he comes highly recommended.
Though Copeland was born in Florida he moved to Texas by the time he reached 4th grade. Throughout his childhood he moved between Houston and Boston, but after his high school graduation he stabilized in the Houston area. Copeland started to experiment with marijuana in the 7th grade. His love for the herb only grew over the years and as he developed as a rapper he often rotated in themes related to this subject matter. Copeland was also fascinated with the breakdancing subculture as a teenager, joining several dance crews; however, it was not long until hip-hop consumed his entire interest.
Immediately following his high school graduation Copeland formed the hip-hop collective Odd Squad, with blind rapper/record producer Rob Quest. Jugg Mugg later joined the line up and in 1994 they released their debut album “Fadanuf Fa Erybody!!” Though the album was not a commercial success and has been out of print for many years it has nevertheless developed a strong cult following and has been declared by Scarface to be the label’s best release. After the demise of Odd Squad Copeland joined the group Facemob alongside Scarface. The group experienced a fair amount of success, having their debut album “The Other Side of the Law” reach No. 51 on the Billboard 200. The band put out their 2nd and final album “Silence” in 2002; however, by this time Copeland was already releasing solo material under the moniker Devin the Dude.
He released “The Dude” in 1998 and “Just Tryin’ ta Live” in 2002. Also around this time he frequently appeared as a guest rapper on songs by his label mates Scarface and the Geto Boys, as well as high profile acts like De La Soul, Dr. Dre, and Gucci Mane.
Copeland went on to release 2004’s “To tha X-Treme” and 2007’s “Waitin’ to Inhale” through the label “Rap-A-Lot”. The latter release peaked to No. 30 on the US Charts and No. 9 on the R&B charts. The next Devin the Dude release, “Landing Gear” came out in 2008 and was the first album in his career not to be released through Rap-A-Lot. Copeland put out two studio albums in 2012 “Suite 420” and “Gotta Be Me”. He followed these two releases with his 8th studio album “One For the Road”. This recording saw release in October 2013 and was issued through Coughee Brothaz Music.
He’s probably not by any means the closest thing that hip hop has to a household name, either in his native United States or anywhere else for that matter, but that’s not to say that Slim Thug - or Stayve Jerome Thomas, to give him his full name - hasn’t met with some serious success in his career; back in 2005, he dropped his debut album Already Platinum, and whilst the titular prophecy did not ultimately end up coming true - instead, Thug will have a gold disc hanging on his wall at home - the album did enter the U.S. albums chart at an entirely respectable number two, helped in no small part by the collaborations that Thug had been part of on the charts to that point, especially Mike Jones’ ‘Still Tippin’ in late 2004. Since releasing Already Platinum, Thug has made three more solo records, with the latest, Boss Life, dropping late last year. He’s perhaps better known, though, as a member of Boss Hogg Outlaws, with whom he’s served up four full-length albums and toured extensively; Thug’s signature energy and aggressive flow are a huge part of Outlaws’ live shows, and he continues to hit the road with them sporadically today, especially in their native U.S.
Probably Paul Wall’s single most prominent piece of mainstream exposure to date came via Kanye West’s now-classic Late Registration joint ‘Drive Slow’, and in many ways, that’s fitting; Wall’s style of flow and general approach to his rhymes is laid-back, restrained and well measured. It’s actually in stark contrast to his appearance; with his diamond-studded grills adorning his teeth and baggy clothing, he looks more like some kind of millionaire skater kid than a rapper, but that’s just one of the contradictions that makes Wall’s music so intriguing; his deep, casual delivery is one of the most arresting in rap’s recent history. He’s continued to write and record over the past decade, remaining a favourite with the critics, even if his commercial performance hasn’t matched up to that. Last year’s #Checkseason saw Wall debut a dramatic new look, having lost 100lb since 2010; his signature style remains, though. It’s the same when he performs live; he doesn’t bring the same kind of flashy behaviour that so many of his peers do, but he’s so subtly arresting as a performer, it doesn’t matter - he’s one of the most underrated rappers on the live circuit today, with fans waiting with bated breath for a UK return.
Watching a DJ who is multi-talented and can perform self written lyrics, play multiple instruments, and DJ is something very rare. The performance that DJ Quik gave was one like I’d never seen before. He opened the set behind decks, and blasted out a couple of remixes, and some of his own mixes, before moving downstage to the mictophone setup.
He picked up the microphone and opened his vocal set with Pitch In on a Party, which had everyone singing along and dancing straight away. The band behind him were tight, and playing his complex riffs with ease and skill. He played several tracks form both The Book of David, and The Midnight Life, which went down really well. In a live performance, it’s easier to discern the lyrics that the artist is singing, especially being as close as I was to the front. For me, this made the concert even more exciting, enabling me to engage with Quik’s material more easily.
The talent that he showcased was incredible, switching from complicated rhythmic vocals, to the synth , and keys, and occasionally revisiting the turn tables. He was also great at getting the audience going and enthusiastic. He was encouraging everyone to sing along, and even held the microphone out occasionally. It was an epic evening, and I’d love to see him again.
Anybody with an interest in hip hop will know the stage name Devin The Dude. Texan musician Devin Copeland has been active on the circuit since the early 90s and is known for his characteristic rapping style. He has never achieved huge amounts of commerciality yet whenever he rolls into town, any hip hop fan will make sure they have a ticket as he always promise one hell of a show.
Stepping on to stage with an ever changing ensemble of accompanying performers, instrumentalists and apparently friends too who have the best seat in the building. With the likes of Dr. Dre and Snoop Dogg as named collaborators, the crowd are definitely waiting for an all star appearance yet unfortunately that is not be tonight. Even without one of his famous companions, Devin has no issues in whipping his audience into excited frenzy as he saunters confidently from side to side of stage whilst spitting lyrics in his own unique manner. Closing on 'Somebody's Gotta Do It' to get the whole room jumping along, he leaves in time with his vast entourage.