Join New York City hip-hop legends, entrepreneurs, financial visionaries, and industry leaders at Carnegie Hall’s fourth Power Network event, hosted by Ed Lover. Experience live performances by Ghostface Killah, Big Daddy Kane, DJ Jon Quick, DOE, and Igmar Thomas’ Revive Big Band. Hear a panel discussion in collaboration with ESSENCE Communications, featuring Beatrice Dixon (Honey Pot), Kay Malcolm (Oracle), and Arian Simone (Fearless Fund), moderated by Kirk McDonald, CEO of Sundial Media & Technology Group (parent company of ESSENCE). Explore AI and entrepreneurship with the “Queen of AI” Alicia Lyttle and discover the Vibranium Network—the world’s first social economic network built on the blockchain—in a presentation led by Derek Ferguson. And sit in on a frank conversation between John Hope Bryant (founder, chairman, and CEO of Operation HOPE | Bryant Group Ventures), Racquel Oden (HSBC), and the financial empowerment visionaries of Earn Your Leisure, Rashad Bilal and Troy Millings.
Para fãs de: Hip-Hop e Eletrônico.
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As well as being a solo artist, Ghostface is a key member of the hip hop collective, the Wu-Tang Clan. He found his fame and started his career in the successful hip hop group, which consisted of seven members. The members all went solo following the success of the group, although Ghostface continued to collaborate with a lot of his former group. Ghostface’s first solo EP did not come about until 1996, four years after he found fame in the Wu-Tang clan. The EP was entitled ‘Ironman’ and debuted at the number two spot on the Billboard 200 chart, a brilliant achievement. The album possessed a distinctive soul style that would continue to feature on many of Ghostface’s songs.
Ghostface Killah’s most critically acclaimed albums are his 2000 venture ‘Supreme Clientele’ and his 2006 album ‘Fishscale’. He is particularly well known for his distinctive musical style: he is praised for his loud, fast paced flow and his emotional free style rapping which often contains cryptic slang. He was honoured in 2006 by MTV when they placed him on their list of The Greatest MCs of All Time and again by the editors of About.com when he was placed on their list of the Top 50 MCs of Our Time.
While every rapper who’s ever spit is in effect an artist who writes lyrics there are more than a few rappers who truly earn the term “lyricist”. In the same way that Nick Cave are Leonard Cohen are famous for their making their lyrics true poetry while Luke Pritchard of The Kooks is most definitely not, some rappers transcend pop music and create a poetry of their own. Right up there with the legends is Big Daddy Kane, a man rated by everyone from Kool Moe Dee to The RZA as one of the greatest ever. To the extent that there’s a persistent rumour that Rakim, widely thought to be the greatest rapper of the eighties, turned down the chance to take on Kane in a rap battle.
Kane’s first appearance in the spotlight was as part of the Juice Crew, a hip-hop collective based in Queensbridge, New York City. The crew had already been together since 1983 when Kane and his mate Biz Markie (“the human beatbox”) joined three years later. However it wasn’t until 1987, that his solo career really started to take off. He signed to Cold Chillin’ Records and his first single “Raw”, was a big hit in the underground scene, the year after his first record came out, and “Long Live The Kane” remains one of the benchmark rap debuts to this day.
It was ecstatically received at the time and was a mild commercial success as well. In a time when rap was only just proving itself to be more than a fad that was a lot to hope for, but the best was yet to come. 1989 was the same year that Markie had his massive (and utterly hysterical) hit “Just A Friend”, and Kane went on to release “It’s A Big Daddy Thing” a record that might not have been quite as succesful at the time, but it’s still considered to be one of the greatest rap records of all time, so y’know, swings and roundabouts.
Since then, his work has given way to a generation of MCs enamoured with his work, and was even one of Jay-Z’s early patrons, taking him on tour in the early 90’s. It’s a testament to his influence that he was able to stop making records in 1998 and to this day his name is still spoken with respect and admiration. He can also still put on a show to remember and his records, even the ones released nearly three decades ago, hold up against anything released today. For that reason alone it’s a pleasure and a privilege to still have him around. Highly recommended.
Of all the members of the Wu-Tang Clan, Ghostface Killah has one of the most consistent records in terms of his solo output. Sure, you probably can’t quite put Ironman up there with GZA’s Liquid Swords or Raekwon’s Only Built 4 Cuban Linx..., but then again, Ghost has yet to make anything quite as bad as, say, Immobilarity either. Instead, he’s turned out fine record after fine record, including recent efforts like Apollo Kids and the thematically-complex Twelve Reasons to Die. As usual, he’s found himself spending this summer on the road in Europe, having just played a slew of UK club shows. He passed up the opportunity to preview new cuts from the forthcoming Supreme Clientele 2: Blue & Cream LP - or indeed anything from Wu-Block 2, the second instalment in his collaboration with Sheek Louch, who was in attendance - but did run through the classics, including ‘Daytona 500’ and ‘Winter Warz’ from his own back catalogue as well as Wu classics ‘Protect Ya Neck’ and ‘Can It Be All So Simple’. He threw a few of his bandmates’ choice cuts in, too - GZA’s ‘4th Chamber’ included - and invited audience members to join him onstage to fill in for Method Man and ODB. He probably doesn’t deliver the slickest stage show in hip hop, but whether that’s necessary when a true legend is playing intimate venues is highly questionable anyway.
Big Daddy Kane is one of the most inspirational Rap artist of my generation. I really think this man is responsible for breaking rap and making it popular amongst all kids and genres. One of my favorite songs by him is aint no half stepping. His lyrics and flows are so fluent and soulful makes you just want to put the song on heavy repeat.
He has such a huge body of artwork over the years it's almost insane. His performances are nearly perfected every time, the crowd goes absolutely crazy when this guy gets on stage. Back in the day when he first came out his stage appearances would be more with baggy pants and big gold roped chains, but as of recent performances I have seen him more modernize himself and act on as what's going on in hip hop these days.
He is one of the greatest rappers ever and will continue to have a timeless body of work. I wish I was alive when he was in his prime to see this guy perform and be around the wild energy when his songs were more popular I think it would have been a good rush, he's one of the best.