One of Britain’s best-known and, indeed, best-loved house DJs, Cox actually began his career in hardcore and rave in the eighties, where he commanded crowds at iconic clubs that included Heaven in London and The Hacienda in Manchester. His charisma and personality guaranteed him several radio jobs during his nineties heyday, including on Radio 1 - where had a monthly residency - as well as on Kiss FM. He’s released four solo albums to date - 1996’s ‘At the End of the Cliche’, 1999’s ‘Phuture 2000’, 2005’s ‘Second Sign’ and, in 2011, ‘All Roads Lead to the Dancefloor’. He’s put out a slew of single over the course of his career, too, but he’s best known for his live work.
His main focus these days are his two record labels, Intec Records and 23rd Century Records, but he continues to perform live; he curates a night at Manchester superclub the Warehouse Project on an annual basis, and also has his own stage at Ultra Music Festival in Miami, Florida, Electric Daisy Carnival in New York, and the world’s biggest dance festival, Tomorrowland in Belgium. The free reign he's given over the curation of a stage at these huge festivals tells you everything you need to know about his revered status in the dance world.
Carl Cox has been on the DJ scene for many years, starting his journey in the industry as a hardcore rave DJ. This section of his career saw him performing regularly at popular nightclubs, for BBC radio in a regular slot, and being hired out for prestigious events. Cox achieved enough success to form his own record label and continue producing his own music along side.
I was lucky enough to catch Cox at Ibiza DJing one of the main parties, and it really was the best DJ set I’ve ever seen. It really makes you appreciate the skill and talent needed to mix and perform live when you witness it first hand. He played through tonnes of mixes of his own, and also mixed up some covers and collaborations from other big artists. He played an adapted version of Dirty Bass, and everyone went mad, dancing and jumping around, jamming along to the incredible mix. He’s got a great stage presence and vibe when he’s performing, and his banter between and over the top of tracks kept everyone entertained and cheering for the music. I don’t think we stopped dancing from beginning to end, and the house music with catch hooks begged us to stay on our feet. If you want a good dance, Carl Cox is the DJ for you!
BLOND:ISH, are the brainchild of these wild Canadians from Montreal. This pair of DJ’s have made waves on an international level already building up a following, consequently securing their place in the electronic dance music scene, which they have been a big part of for the last six years plus. Anstascia and Vivie-Ann perform so well this evening, engaging the audience in their music with their confident stage presence. Everything about them is rather provocative, but of course they encourage audiences of all walks of life, from countries such as the UK, Germany, Mexico and Brasil. The back and forth that this pair have is entertaining to watch, as they launch into some of their biggest singles to date such as “Lonely Days”, “Birds Eat Birds” and of course this set would not be complete with out what is arguably their biggest song to date, “ Wunderkammer” which is accompanied by strobe lights and confetti canons, ending this party in style.
Joseph Capriati first began to approach the world of DJing in 1998 at just the age of 11, with the passion for house and hip hop. From 1999 to 2004, he performs in some clubs in south Italy and plays with various international DJ’s growing musically until he found the genre of music that changed his sound forever: techno.
Not content with simply DJing, shortly after this discovery Joseph turned his hand to producing and self taught himself a number of music programmes. Later on he becomes a resident DJ of the new “underground” club from his city, “Disco Seven” where he performs with some best DJ’s of techno scene. This organic rise through the ranks has meant that Capriati's live show has gained him a huge reputation on the techno scene, his skills in mixing are surpassable and his mixture of original music and remixes keeps crowds dancing into the night.
He played a packed set at last year's TomorrowLand festival in Belgium, wowing crowds with cult favourites such as 'Fratello' all set to mind bubbling visual displays. Any fans of techno and dance need to get tickets for the upcoming US tour or his London date with Scuba and Joris Voorn.