Prism Bitch Olympia, The Crypt, 04 Apr 2025 – Songkick
Prism Bitch Concert Tickets - 2026 Tour Dates
Past concert

Prism Bitch

Friday 04 April 2025

Venue

The Crypt
421 4th Ave E, 98501, Olympia, WA, US

Additional details

Doors open: 19:00

CapCity Presents:

Prism Bitch + The Proffits + Melanie Radford
The Crypt
April 4th, 2025
6:30 PM Doors
7:30 PM Start
$11 Adv or $15 DOS
21+

Prism Bitch:
The Albuquerque quartet hop from robust riff-ery to sticky sweet hooks before dipping back into moments of distorted bliss and warm melodies. “We’re an aggressively friendly band,” smiles Teresa. “We cover a spectrum of topics. The music can be serious and existential or super fun—just like real life.” They quickly gained a reputation for exuberant performances and comedic/bizarre music videos. Prism B!tch made their introduction with 2016’s The Getaway LP before unleashing the self-titled Prism Bitch LP a year later. Inspired by everyone from The Pixies to Yeah Yeah Yeahs, Prism B!tch has crystallized an unpredictable and undeniable signature sound on their 2021 EP, Perla. Since 2021 they've toured all around the US and released 4 singles, (all very unique and none sounding like each other) Problem Child, Woman, Fear, City Nights.
A Prism B!tch show is a place to thrash away your worries and be born again in sweat and love; join us... #notacult.

The Proffits
https://www.facebook.com/profile.php?id=61564865152686&mibextid=ZbWKwL

Melanie Radford (Built to Spill, Blood Lemon):
As a professional bassist of multiple genres, Melanie Radford has performed and toured across the United States, Europe, Australia, and Brazil, most notably with the 90's indie rock band Built to Spill as well as her riff-heavy, alt-rock outfit Blood Lemon. While she became known as the bassist who brought infectious, head-banging energy to these bands, her solo work is a separate and distinctive energy altogether. Conceptualized while touring extensively and needing to find an undisturbed space for herself, Melanie began writing her solo material as a love letter to the bass guitar, rooted in drone, delicate minimalism, and textural field recordings that were collected in her travels.

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