Guster was formed in 1991 when the members met each other at a freshman orientation at Tufts University in Boston. A year after their formation they booked their first gig as Gus, later independently releasing their first album entitled “Parachute.” Shortly after, they renamed the band to Guster due to another artist who already took the name Gus.
In 1996 Guster again independently recorded and released their second album entitled “Goldfly,” which was later re-released when they signed with Sire Records in 1998. A year later they released a third studio album with the title “Lost And Gone Forever” followed by television appearances such as on the Late Show with David Letterman. After the release of their fourth studio album, they also released a live album/DVD from their performances in Portland, Maine.
Led off by the single, “Manifest” Guster released a fith studio album in June 2006. Later that same year the band won the Album of the Year award at the Boston Music Awards. Continuing their string of success they released “Easy Wonderful” in October 2010, and before setting out on tour, it was announced that Joe Pisapia would be touring with k.d Lang and would be replaced by Luke Reynolds. By 2014 they worked on and released an album entitled “Easy Wonderful” which was released on their independent label, Ocho Mule label.
With a haunting, whispered vocal style reminiscent of Elliot Smith and folk learnings of John Fahey and Nick Drake, Iron & Wine makes timeless indie-folk music that soothes the soul.
Born in Chapin, South Carolina, US, Samuel Beam initially studied art at the Virginia Commonwealth University before moving on to become a professor of film and cinematography at the University of Miami, Florida. Iron & Wine first gained attention from the music industry after the broth roof Band of Horses singer, Ben Bridwell, gave a demo to the editor of Yeti Magazine, which attracted the attention of record label Sub Pop, who then went on to propose a deal to Beam.
His first album was released on Sub Pop in 2002, "The Creek Drank the Cradle," produced by Beam at his him recording studio. His second, 2004's "Our Endless numbered Days" was a more polished affair and brought Beam to wider attention from critics and the public. His music went on to be featured on several movie and television soundtracks, including "In Good Company" and "Garden State." Beam's five studio albums have garnered greater chart success, with his 2011 release "Kiss Each Other Clean" okaying at number six in the US.
Beam is a multi-instrumentalist, playing a variety of stringed instruments to accompany his vocals, from banjos to slide guitar. His musical style has developed throughout his career, featuring more ornate arrangements and incorporating new influences, such as traditional Mexican music and jazz, as seen in his collaboration with Calexico on the 2005 EP, "In the Reins" and 2007's "The Shepherd's Dog," which went on to be voted one of the top ten albums in 2007 by Paste Magazine.
Formerly of the avant-rock band The Slip, brothers Andrew and Brad’s music career began in Boston, Massachusetts, U.S., and in 2004 during a show in Montreal a fire broke out, which led to chance meeting of a resident Montréaler. Sealing a bond between the brothers and Montréal, the pair soon made the move and became neighbours with harpist Sarah Page and met multi-instrumentalist Andres Vial, who completed The Barr Brothers quartet.
The band’s eponymously-title debut album arrived in late 2011 by Secret City Records and introduced the public to the band’s harmony-driven vocals, illustrious strings and musical ambition. The album was led by single “Beggar In the Morning”, debuted on Paste Magazine, and due to the positive reviews led to a series of high-profile appearances. These included performing at the 2011 Osheaga Festival, an appearance on the Late Show with David Letterman in early 2012, the headlining artist on the main stage Scène TD de la Place des Festivals at the Montreal Jazz Festival and a show at Pickathon, the music festival in Happy Valley, Oregon, U.S.
In 2014 The Barr Brothers released their sophomore album “Sleeping Operator” which had an initial 40 songs whittled down to 13. With contributions from Arcade Fire’s Richard Reed Parry, Patrick Watson’s band and various members of the Luyas, the album introduces African and blues inflences. Spawning the songs “Half Crazy”, “Love Ain’t Enough” and “The Bear at the Window” The Barr Brothers go from strength to strength.
Although Guster started playing underground shows during the early years of the band, they soon found themselves breaking into the musical mainstream playing to huge audiences that were dying to hear them live.
Guster is able to get rich atmospheric sounds live with crisp, pristine acoustic guitars shimmering over their ornate soundscape. The band’s main songwriters, Ryan Miller and Adam Gardner, have excellent dynamics on stage with Adam usually singing the chorus in a deeper vocal range and Ryan singing a harmony in a higher pitch to create a rich sound. Their vocal harmonies are also interesting because Ryan and Adam are often singing different lyrics when they are harmonizing. The band’s drummer, Brian Rosenworcel, also has a unique style of performance often playing with his bare hands and using different drums than a usual drum kit such as bongos. Brian’s drumming style was so unique and entrancing that his fans have labeled him as the “Thundergod”.
The band wants the environment of their performance to be very open and friendly so they do not enforce any restrictions on live taping and allow the audience to freely record their live performances if they want. The band also follows unique traditions during their live performances such as letting the drummer sing obscure cover songs for the encore. During their performance of “Airport Song” the audience has a tradition of throwing ping-pong balls onto the stage after the end of the song. Guster is also known for performing hilarious antics on stage as well as maintaining a close relationship with their audience. Guster is well loved by their fan base and have impressed numerous of respectable musicians that they have toured with such as Rufus Wainwright, Ben Folds, and Pete Yorn. You never know what to expect at a Guster performance. You could hear a cover of the Cheers theme song or you might see the band dancing with KFC buckets on their heads (all things which the band has done), but you can definitely expect to be in awe of their immense talents and their catchy music.
There was a time during which if I were playing the Spotify radio based on my stared tracks and I forwarded it to the next song, it would always play an Iron and Wine song. This was completely and totally amazing because Iron and Wine was, is, and will continue to be one of the best acts out there.
I'm sure almost everyone has probably heard their version of Such Great Heights from the Garden State soundtrack, and that's definitely not a bad thing, but there's so many more great songs, like Cinder and Smoke and On Your Wings.
Here's the thing, Iron and Wine are simultaneously melancholy and hopeful. There's just enough silver lining on each wrist-slittingly good song to keep the tears at bay and help you believe tomorrow will be a better day. And on each hopeful, dare I say happy, song there's enough sadness there to remind you that even when things are good, life is no paradise. Music like this keeps you grounded.
Also, Samuel Beam can play guitar and sing, so he's got that going for him.
The Barr Brothers are signed to the Canadian label Secret City Records home to the likes of Owen Pallet and Miracle Fortress and rightfully so. The band is unsurprisingly made up of Andrew and Brad Barr of Montréal and a handful of other members including the undeniably endearing harpist Sarah Page. But what The Barr Brother produce sounds planted, like it has been carefully watered, tended and grown without pesticides, it’s been cared for, painstakingly crafted with love and culminated in this very moment. Due to this craftsmanship it’s no surprise to see the band tour with the likes of Jackson Browne and The War on Drugs.
The magic of the band is the plucking and picking of the harp and guitar, and how the drum keeps everything together and builds the power of the song up to new heights and if anything were removed the songs would somehow lose this magic and it would be a real shame. The band is so technically brilliant and connected you get the impression they would play the same way in front of 10 people as they would 10,000 people. Although the ambience of the small room and relatively few people made me feel taken care of, like they were singing and playing just for me and the elaborate ambience-creating sounds would be lost on larger audiences but none of their spirit, they have enough spirit and creativity to last a life time.