Concert in your area for Funk & Soul and R&B.
Find out more about .
Born on 25 September 1976, Roberson got his start in music with the release of his first single “The Moon” which was released in 1994 by Warner Brothers Records. The single originally had belonged on an album, but the album was never released. He completed his studies in Musical Theatre at Howard University in Washington DC. While still attending Howard University he performed in a number of musicals and plays, helping him land a songwriting deal with EMI Label. The deal allowed him to go on to collaborate with various Philadelphia-based artists such as Jill Scott, Musiq Soulchild and DJ Jazzy Jeff.
While continuing to collaborate with other artists like DJ Jazzy Jeff, Roberson found success with his songwriting. He also continued to release albums between 2003 and 2014 such as “The Appetizer” and “Music Fan First” with Blue Erro Soul. In fact, his 2013 release, “Music Fan First” reached number 89 on the US R&B charts. In 2006 Roberson released his first live album entitled “Erro LiveVol. DC.” Also in 2006 he appeared on DJ Spinna’s “Intergalactic Soul” LP. In 2014 he released two albums, “B-Sides, Features and Heartaches” and “The Box,” both of which made it on the US R&B chart.
A renegade spirit can come from anywhere, it seems. After all, Joe Strummer was a privately educated son of a diplomat for the crown itself, John Lennon grew up comfortably in a semi-detatched house and went to art school as well. Bear in mind that it would be profoundly stupid to suggest that their upbringing, something they’d have no control over whatsoever, tempers their revolutionary spirit and lessens their message. However, it isn’t half satisfying to see a politically charged artist who actually grew up in a politically charged environment.
Nowhere is this more apparent than in the upbringing of Goapele Mohlabane, the daughter of an exiled South African political activist father and a New York born Isreali activist mother who grew up in a South African exile community in Oakland, California.
Needless to say, her music is very much a product of those turbulent years. From the very beginning of her school career her parents encouraged her to be a part of her community. So by the time she was in elementary school she’d form and led a pre-teen peer-support group, and by high school she was dividing her time between various groups combating racism and sexism and singing in the Oakland Youth Choir.
She began writing and recording her own songs after completing her degree at the Berklee College of Music, and by 2001 had self-released her debut album “Closer”. This was a modest hit around the San Francisco Bay area where most of her live shows were also performed, and the 5000 copies it sold were enough to get noticed by Oakland based indie label Hieroglyphics Emporium.
Sensing that big things were afoot, Goapele formed her own independent label, Skyblaze Recordings, with her family and released an extended version of “Closer”, imaginatively titled “Even Closer” in conjunction with Hieroglyphics Emporium. The recognition this move gained her meant that by 2004, Columbia/SME Records picked up Skyblaze for worldwide distribution and suddenly, Goapele was a major label artist.
She’s since had a vast amount of critical acclaim for each of the four records she released after that and has kept up a reputation for being one of the most exciting and politically active singers in the business. To such an extent, that in 2006 she was honoured by the Ella Barker Center for Human Rights with its first ever Human Rights Cultural Hero Award. Such was the measure of her success that in the same year, she was also featured on the last ever episode of legendary music show Soul Train. Since then, she’s kept on keeping on, releasing albums and performing at rallies and demonstrations the world over, making her a global star in a very tangible way. She’s truly vital, and any true music fan should feel lucky to have her around. Highly recommended.
There’s something about Soul music that will make it eternally cool. It’s pretty much the most timeless music ever made, music that can be made four years or forty years ago and not only will the only difference between the two be in the sound quality, but neither of them would have sounded out of place at the time. This isn’t to say that it can’t or shouldn’t be brought forward though. Quite a few artists have attempted to modernize the genre but none of them have done it quite as well as Eric Roberson, who manages to integrate the modern and the retro aspects of his music so well that one can’t really tell which aspect is which. His live show is a perfect display of how well they are integrated, whether Roberson is playing with his full band or solo save for an electric guitar and his voice through a loop pedal. However, you don’t go to an Eric Roberson show to marvel at his songwriting (that’s what the records are for) you go to an Eric Roberson show to have a hell of a good time. The man’s charisma is infectious, his band is superb and his voice is never anything less than sublime. In a way, there’s rarely much of a “show” to it, never any hint of a divide between Roberson and the audience, this is what the man loves to do and the best part to him seems to be how he can share it with people far and wide. It would be churlish to deny him that, so find out when the next opportunity for you to see him is and head on down. You will not regret it!
Goapele makes my soul feel complete! I was lucky enough to see her last summer as a part of the One Music Festival and she was hands down, the best performance of the event!
I have followed Goapele since her "Closer" days and I have thoroughly enjoyed watching her transition from young goddess to womanly queen status. As she stepped on stage, fans were amazed to see that she had shaved her once long dreadlocks into a small, blonde afro which suited her beautiful face. Her spirit was so lively and she was so in tune with the crowd that she made the large festival feel like an intimate, closed set with only her closest friends listening to her effortlessly belt out melodic tunes.
The transition from her 2002 "Even Closer" album to the 2012 "Break of Dawn" album was seamless. I played and continue to play both albums, front to back, religiously. I cannot wait for the chance to see her perform live again!