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With a line-up of both singers and dancers Howard Hewett, Jody Watley, and Jeffrey Daniel, Shalamar were joined by producer Leon Sylvers III, and signed with Griffey’s SOLAR Records in 1979 . The same year the group had their debut smash hit with “Take That to the Bank”, which sold over a million copies in the U.S. The single paved the way for a string of subsequent hits in both the U.S. and the UK, including “The Second Time Around” later in 1979, “I Owe You One” in 1980, and “I Can Make You Feel Good” in 1982.
“There It Is”, “Friends” and “A Night to Remember” also became smash hits in 1982, the latter of which popularised the group in the UK for Daniel’s body-popping dancing skills, where he premiered the moonwalk for the first time on the TV show "Top of the Pops". After watching Shalamar on the TV show “Soul Train”, Michael Jackson became a fan of the groups and took his 12 year old sister Janet to see the band perform at Disneyland. In addition Daniel later helped choreograph the iconic moves in Jackson’s “Bad” and “Smooth Criminal” music videos.
The band released three albums with this line-up “Big Fun”, “Three for Love” and “Friends”, representing Shalamar’s golden age. With increasing tensions with Dick Griffey and Solar Records, Watley and Daniel departed the group, making way for Micki Free and Delisa Davis. The change marked a musical move into a more new wave/synth inspired sound, however the band soon found success again. In 1984 the single “Dancing in the Sheets” from the “Footloose” soundtrack saw the band reached the Billboard Top 20 again and “Don’t Get Stopped in Beverly Hills” from “Beverly Hills Cop” earned the band their only Grammy. Hewett left the group shortly after and was replaced by Sydney Justin, although the band quickly sank into obscurity.
In 1996 the original line-up returned alongside LL Cool J and Babyface with the single “This Is for the Lover in You”. The group subsequent played again on “Top of the Pops”, the trio’s first live performance since 1983. Since then with a line-up of Daniel, Hewett and Dick Griffey’s daughter Carolyn Griffey, Shalamar have regularly toured the UK, including as part of “The Ultimate Boogie Nights Disco Concert Series” in 2009.
Hailing from the Bronx, New York, US, Evelyn "Champagne" King came from a showbiz family, with her uncle being the actor and singer Avon Long and father, Erik King, a popular vocalist in New York City, US. King moved to Philadelphia, US, with her mother in her teens, with the pair getting jobs as cleaning women, whilst still sharing a passion for singing and music.
King was to gain her break into the musical world through a fortunate coincidence. King and her mother were working at Philadelphia International Records' studio, performing their cleaning duties, when producer T. Life overheard King singing from the washroom. Following this powerful voice, he found 16-year old King to be the source, quickly signing the young artist with a production deal and a contract with RCA.
WIth Life as producer, the pair got to work on her first recordings, with the result being "Dancin' Dancin' Dancin'." By 1977, they had enough material for an album, releasing "Smooth Talk" that same year. The single "Shame" was to be her career-launching single, gaining widespread airplay as well as breaking into the Top Ten of the R&B and Pop charts. The second single, "I Don't Know If It's Right" in 1978 found further success, selling Gold and reaching number seven in the R&B charts. The album went on to be a huge success, with this production partnership continuing for two more albums, "T. Life: Music Box" and "Call on Me."
In the early 1980s, King left Life for the producer Kashif, soon finding two number one hits with the singles, "I'm in Love" and "Love Come Down." Her albums continued to place highly in the charts, with 1982's "Get Loose" selling double-Platinum, garnering attention from EMI Records, who signed King in 1988. King worked with Leon F. Sylvers III on "Flirt" that same year, which reached number 20 in the R&B charts. "The Girl Next Door" followed in 1989 but failed to live up to the same commercial success.
In 1995, she signed with British label, Expansion, releasing "I'll Keep a Light On" which featured the musicians Larry Graham, Jeff Lorber and Paul Jackson Jr. King then took a long break from recording music, not returning to the studio until 2007, releasing "Open Book." Between these years a Greatest Hits album was released in 2001, celebrating King's musical efforts. Following her 2007 album, King released two singles since, with 2008's "The Dance" and 2011's "Everybody," featuring Miguel Migs.
For anybody interested in the disco, soul and funk Stateside movement of the 70s, you will know and more than likely love the name Shalamar. Although the musicians were fairly inactive throughout the entirety of the 90s, since 2001 Jeffrey Daniel and Howard Hewett reformed the group with help of vocalist Carolyn Griffey.
The best part of Shamalar's music is the feel good factor and the fact it is accessible to numerous generations. Regardless of your age, you cannot deny the boogie of 'The Second Time Around' and 'Take That to the Bank'. These timeless tracks ooze in retro goodness and the soul vocals sound as warm and inviting as ever. The three musicians all know how to get a party started and the setlist is a culmination of all these hits placed back to back so the pace never drops. Their biggest international hit 'A Night to Remember' has the whole room united in singalong and it is a fitting end to the celebration of Shalamar.
Disco sensation of the late 70s and early 80s Evelyn King is a respected figure in the worlds of R & B, neo-soul and disco. Now well into her 50s, Evelyn may recognise the era of disco is far behind yet she is also aware there is a large following for this music for those searching for nostalgia and those interested in the re-invigorated interest in the scene of the 70s and 80s. With prolific artists including Sister Sledge and Chaka Khan all breaking out, many overlook the sensational King yet if you see her perform live she is not as easily forgotten.
The vocal and stage presence are equally impressive as Evelyn slinks around the space in between her many musicians as she absorbs the good vibes at the same time as her crowd. Demonstrating why she was able to stand out in the first place, King shows off her soulful vocal that is retaining well as she is ageing. Understanding the importance of looking after your instrument, the likes of 'Love Come Down' and 'Shame' sound as perfect as when they were first released all those years ago and the audience offer suitably rapturous applause for this likeable leading lady.