Their name is derived from the 1947 unsolved murder of Elizabeth Short, often referred to as Black Dahlia, one of the most prolific crimes of the 20th century. This seems to match the melodic death metal that the boys create which is inspired by groups such as Judas Priest, At the Gates, Darkane, Metallica, Darkthrone, Morbid Angel, The Haunted and Iron Maiden. The quintet met in 2000 and cemented the line up of TBDM by January 2001. The group released their demo 'What a Horrible Night to Have a Curse' along with a four-track EP, 'A Cold-Blooded Epitaph', the latter of which the group released on Lovelost Records. After playing high profile slots at the likes of Milwaukee Metal Fest, The Black Dahlia Murder signed to Metal Blade Records in 2003.
It took the band a while to gain the commercial recognition to match the cult following they were receiving whilst touring around the States. Their debut album 'Unhallowed' which was engineered by the Walls of Jericho's Mike Hasty failed to chart in the US. However the follow-up 'Miasma' made it into the Billboard top 200 and sat at #5 on the US indie charts which was a huge improvement and was met positively by critics.
The next release 'Nocturnal' broke into the US top 100 which was a huge success for the death metal group, they announced they would be touring the US with Cannibal Corpse to promote their new album Nocturnal and celebrate the 25th anniversary of Metal Blade Records, they invited fellow record mates The Red Chord, Aeon, The Absence, and Goatwhore along too. The next three releases all continued the successes of this release, with the 2011 LP 'Ritual' remaining the bands highest peak at #31 in the US. Despite several line up changes, the band's sound has remained a solid constant and they have toured tirelessly, playing prolific events including Hevy Festival, Vans' Warped Tour and Mayhem Festival.
The Black Dahlia Murder, a death metal five-piece from Michigan, have been going for about 13 years now, undergoing a few personnel changes along the way. Not being a person who follows the death metal scene too closely, some friends of mine who are more knowledgeable in the subject mentioned to me that TBDM got a lot of flack from the more purist metalheads round about the time they were starting out, and were dismissed as simply following the current trends. Watching their show at Bloodstock, Derbyshire, a few years back, was really refreshing (I say this as an outsider to the death metal scene). A topless Trevor Strnad bounds around the stage, sweating, showing his pasty, portly and tattooed torso, yelling out encouragement to the crowd before ripping into ‘I Will Return’ with his scorched-earth growl, which made my hairs stand on end. Shannon Lucas, the then drummer, is a machine - he almost sounds programmed, but there’s a blistering intensity to his playing, as well as actually being quite melodic and supportive of the onslaught of riffs played by Ryan Knight and Brian Eschbach. The crowd moshed like crazy. Very intense, very liberating, it made me glad to see the metal scene is alive and well.