The Offspring
zebrahead
Anastasia Kobesh & Ruslan Saberov
Wed, Jul 8, 2026 at Le Radiant Bellevue
Caluire-et-Cuire, France!
Concert in your area for Rock, Metal, Indie & Alt, and Funk & Soul.
Featuring Dexter Holland (lead vocals, rhythm guitar), Kevin "Noodles" Wasserman (lead guitar), Greg K (bass) and Pete Parada (drums), the beginnings of the band started in 1984, coming together under the moniker, Manic Subsidal. In 1986, they changed their name to The Offspring, A string of independent releases followed, with the band slowly gaining a footing in the West Coast punk scene.
Their self-titled debut appeared in 1989 to moderate success. Yet with their second record, "Ignition," The Offspring became underground favorites, finding fans of their relentless, power chord-driven punk. By 1994, fortunes were abut to change dramatically for The Offspring, with the release of their third album, "Smash." Despite being released on an independent label, "Smash" became a hit of the same name, propelling the band to stardom overnight, selling over four million records. Taking their cues from Nirvana and their quiet/loud dynamics, The Offspring found a string of singles make their way to chart success, with "Self-Esteem" and "Come Out And Play" gaining significant airplay.
Despite major labels knocking at the door, The Offspring decided to stay at the small independent, Epitaph, touring extensively thereafter across the US. After two years, the band caved and decided to join major label Columbia Records, a move that caused controversy amongst punk fans, garnering accusations of selling out. Regardless, their third album, "Ixnay on the Hombre," arrived in February 1997, a record that whilst maintaining positive critical acclaim, it failed to reach the same heights of success as "Smash."
In 1998, "Americana" attempted to regain the band's momentum, finding a hit with the pop-punk single, "Pretty Fly (for a white guy)," returning the quartet to mainstream success. "Conspiracy of One" was to be their next release, a record they threatened to offer as a free download online but their record company denied them this desire, with the record receiving a conventional release in 2000.
Three years later, The Offspring had recorded a new album of material, with "Splinter" offering a return to form. Subsequently, they embarked on international tours during which they found legions of fans across several continents. In 2005, a Greatest Hits was released, featuring new music in the single, "Can't Repeat." Their relentless touring schedule may have set new music releases back, but in 2008, they returned with "Rise and Fall, Rage and Grace," displaying a hotly anticipated return to form. Still hard at work over twenty years into their career, "Days Go By" was released in 2012 displaying a more mature sound for their fans.
Zebrahead formed in 1996 in La Habra, California and originally consisted of Greg Bergdorf (guitars), Ed Udhus (drums), Ben Osmundson (bass), and Justin Mauriello (rhythm guitar/vocals). The members were all self-professed fans of punk acts like Green Day, Fugazi, and Descendents, but instead of making an appeal to ska like many of their contemporaries they sought inspiration in rap music. There decision to go in this direction prompted them to hirer 2nd vocalist/rapper, Ali Tabatabaee.
On 21 April 1998 the group put out a 26 minute self-titled demo through the label, Doctor Dream. This release showed much potential and landed them a record contract with major label Columbia records. Some of the tracks on the demo earned considerable public recognition as they filtered through various movies like David Spade’s “Lost and Found” and video games such as “Tony Hawk’s Pro Skater 3”.
Zebrahead’s mainstream studio debut “Waste of Mind” came out a little later that year and featured the two singles “Get Back” and “The Real Me”, the former of the two is credited as being the only Zebrahead single to chart on the US Billboard. “Playmate of the Year” followed in 2000 and the EP “Stupid Fat Americans” was released just a year later exclusively to the Japan market.
The band’s success continued to grow in Japan with their next studio album release “MFZB”. The album departed from the group’s saturated funk sound and embraced a more traditional punk style. It was certified gold in Japan and also peaked at no. 9 on the Japan Album Charts. Additionally the group supported the release with several appearances in Japan, one being at the Summer Sonic Festival.
Not long after the Zebrahead finished their tour through Japan lead singer Mauriello left to form a new rock group called Darling Thieves. Former Jank 1000 frontman Matty Lewis filled in for Mauriello and proved to be a good fit for the band.
The group’s 1st album with Matty Lewis “Broadcast to the World” came out on 22 February 2006 and received glowing reviews and drew comparisons to Rancid and the Clash. In 2008 Zebrahead released both the EP “Not the New Album” and their 7th studio album “Phoenix”.
Their proceeding release “Panty Raid” centered around the concept of covering girl groups. The band had briefly dabbled with this idea on the “Waste of MFZB” album on which they covered the Spice Girl’s “Wannabe”. “Panty Raid” featured covers ranging from Cyndi Lauper, Destiny’s Child, and No Doubt.
2011 saw the release of “Get Nice!” while 2013 saw the release of “Call Your Friends”, which was the band’s 1st album not to feature lead guitarist, Greg Bergdorf. 2015 welcomed Zebrahead’s “Greatest Hits? Volume 1” as well as “The Early Year - Revisited”, which is a collection of re-recorded material written between 1998 - 2003.
The Offspring are a pop-punk band best known for a string of hits in the 90’s that you probably heard in at least one movie soundtrack or TV show, such as “Why Don’t You Get a Job?” and “Pretty Fly for a White Guy”.
They are known for their humorous, sardonic songs and their commercial success, as they are one of the most successful pop-punk bands of all time. They might not have the credibility of more underground punk bands, but their live show is undeniably a fun and energetic experience for even the most jaded punk fan.
They tend to draw a younger crowd, consisting of a good mix of people in their 20’s and 30’s nostalgic for the good old days of the 90’s, as well as younger people who are just discovering the band. The band has been around for quite some time, especially in a genre where bands sometimes only last a year or two, so they demonstrate a streamlined, workman-like approach that can only come with many years of practice and dedication, but they also never lose touch with their somewhat juvenile sense of humor.
There is a large amount of audience interaction, even when the band is playing larger festivals, with lots of stage-diving, singing along, etc. Anyone who grew up in the 90’s or is a fan of 90’s culture should see The Offspring, if only for the nostalgia.
Seeing Zebrahead live is a whirlwind of excitement, energy and enthusiasm. This band has a great punk rock style that is effortless but at the same time you can tell that they truly care about their craft. Their set is fast-paced and they're well versed in getting a crowd pumped up.
While attending the show, it is impossible to avoid getting caught up in the energy that the band puts out and it makes the show all that more enjoyable. Zebrahead at Rock n Heim was an all-out party with massive crowds at the outdoor venue and even some particularly loyal fans dressed up in a head-to-toe zebra costume. The band's laissez-faire attitude about having a cohesive appearance only adds to the punk rock mentality; some of the members word sleeveless shirts while others had collared shirts and skinny ties a la Green Day.
They opened the show with "Hell Yeah" a speedy song that was perfect for getting the crowd amped. Next was "Call Your Friends" another super fast party anthem that engaged the audience and got them chanting along before leading back into the chorus that had everyone jumping and dancing along. If you're looking for a fun, insanely energetic punk rock show, you can't go wrong with seeing Zebrahead, a band that turns ADD into an artform.
A musical project of two friends. From ballads to punk rock. This side-project is the result of a creative union between Anastasia Kobesh, vocalist of the band “Michael Circle” and Ruslan Saberov, drummer of the band “C8”. Their collaboration started in the beginning of 2024. Anastasii asked for help in recording “One Day”, conceived as a melodic ballad. However, a shared passion for punk rock made adjustments. The song underwent significant changes, acquiring an energetic and driving character. The successful collaboration on “One Day” inspired Anastasia and Ruslan to record an entire album. This project demonstrates how spontaneous ideas and common musical tastes can lead to unexpected and exciting results.