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Born in Philadelphia, Pennsylvania, US, Patricia Holte-Edwards developed her vocal talents whilst being part of the church choir, with her vocal talents recognised at an early age. Together with friends Nonah Hendryx, Sarah Dash and Cindy Birdsong, they formed the vocal group the BlueBelles, later shortened to the LaBelles. The group went on to have a career full of top ten hits, most notably the pioneering disco number, “Lady Marmalade,” which reached number one on the Billboard Carts, sending the group into wide critical acclaim, becoming the first African American vocal group to be on the front cover of Rolling Stone magazine in 1975. Following differences with their musical direction, the LaBelles split in 1977, with Patti LaBelle embarking upon a solo career shortly after.
LaBelle went on to have great success as a solo artist, releasing ecords frequently throughout her forty-year career. As a solo artist, she got her first number one hit with the Michael McDonald duet “On My Own” (1986), with her album “Winner in You,” released that same year, peaking at number one on the Billboard album charts. The song went on to sell over a million copies and be certified Platinum. In 1992, she won a Grammy Award for Best R&B Vocal Performance for her 1991 album “Burnin’.” The album featured three top ten hits and sold half a million copies.
As well as being a recording artist, LaBelle has also featured in a number of stage productions, performing in “Your Arms Too Sort to Box with God,” and in later years as Fela Kuti’s mother in the award winning musical “Fela.”
Patti LaBelle has been hugely influential to a number of artists following her work with the LaBelles and as a solo artist. She has helped spur the rise of Disco in America, with the hit songs “Lady Marmalade” and “Messin’ with My Mind.” She has inspired a whole generation of soul singers, with the likes of Christina Aguilera, Donna Summer, Mariah Carey and Whitney Houston.
Like a host of other R&B groups to have originally found success around the middle of the twentieth century – the likes of The Four Tops, The Ink Spots and The Temptations all spring to mind – The O’Jayss are now a bona fide R&B institution and continue to perform today, and unlike some of those aforementioned contemporaries, two of the original members – Eddie Levert and Walter Williams – remain with the group today. That kind of longevity is impressive in itself – it means that they’ve been going for longer than The Rolling Stones. But it’s the energy and vigour that the trio – currently completed by Eric Grant – continue to pour into their frequent tours that’s really striking.
With hits like ‘Love Train’, ‘Back Stabbers’, ‘I Love Music’ ‘Use ta Be My Girl’ and ‘Livin’ for the Weekend’ having made a genuine impact worldwide in their seventies heyday, it’s little wonder that The O’Jays can count themselves amongst the revered inductees to the Rock and Roll Hall of Fame, as well as the recipients of a BET Lifetime Achievement Award. That’s not to mention, either, the renaissance they enjoyed in the early noughties, when their classic track ‘For the Love of Money’ was used as the theme to NBC’s global smash television show ‘The Apprentice’.
Patti LaBelle represents a fairly rare thing in the past fifty years of the music industry; an R&B and soul singer with huge commercial success, but who wasn’t signed to Motown. Instead, LaBelle’s musical journey - which began well over half a decade ago now - saw her release through the likes of Epic and hometown label Philadelphia International, and still managed to become one of the genre’s biggest-selling artists; worldwide, she’s sold over fifty million records. On the awards front, too, her work both with Labelle the group - who released the iconic ‘Lady Marmalade’ in the early seventies - and as a solo performer has afforded her a healthy raft of gongs, with a star on the Hollywood Walk of Fame and induction into the Grammy Hall of Fame proving that they don’t call her “the godmother of soul” for nothing. In more recent years, LaBelle has continued to perform live, even if she hasn’t made a record since 2004. Earlier this year, she joined fellow legend Aretha Franklin at the White House to perform for Michelle Obama, and left nobody in any doubt that her formidable vocal talent remains untouched. She hasn’t toured the UK for a while, but certainly still has the ability; fans should keep their fingers crossed for now.
In case you were ever looking for any proof that Motown didn’t have a complete monopoly over the greatest vocal groups of the sixties and seventies, The O’Jays are it. They were never involved with that legendary label - instead releasing via Minit and MCA over the years - but were certainly titans of their genre all the same, becoming a household name in the early seventies, first with ‘Back Stabbers’ and then their legendary chart topper ‘Love Train’. Accordingly, they were inducted into the Rock and Roll Hall of Fame in 2005, although not before they’d become part of the Vocal equivalent a year earlier. The group still sporadically play live today, with original lead vocalist Eddie Levert still a part of the lineup alongside Walter Williams and Eric Grant. Whilst they don’t tour quite as prodigiously as some of their contemporaries - The Four Tops and The Drifters spring to mind - they still show up for special occasions, such as receiving the BET Lifetime Achievement award in 2009; backed by a full live band, the trio rolled back the years to deliver the likes of ‘For the Love of Money’ and ‘Use ta Be My Girl’ in disarmingly energetic fashion; they remain treasures of the genre - and younger than some of their peers, too - so look out for potential UK dates in the future.