Before the formation of Three Dog Night, the band’s three singers, Danny Hutton, Chuck Negron, and Cory Wells, were in a band called Redwood and were making recordings with Brian Wilson of The Beach Boys. The band decided to change their name to Three Dog Night after hiring the backing musicians: Michael Allsup on guitar, Floyd Sneed on drums, Joe Schermie on bass, and Jimmy Greenspoon on keyboards.
Three Dog Night’s live performances were a success around the Los Angeles area and gained them the attention of the record label Dunhill, who signed them and released their debut self-titled album in 1968. The single “One” from the album was a great success and reached No. 5 on the US Billboard Hot 100 chart. Like most of their other albums their debut album consisted mostly of cover songs including their hit song “One”, which was written by Harry Nilsson.
The band was quick to release their second studio album “Suitable for Framing”, which came out in 1969. The album was a commercial success rising high on the Billboard charts and becoming certified gold. The band’s 1970 album “Naturally” was also a huge success producing two top ten hits: “Joy to the World” and “Liar”.
Three Dog Night was an incredibly hardworking band during their prime and from the year 1968 to the year 1976 they released at least an album per year. Each album they released was loaded with hits and reached to high levels on the charts. Some of the singles they released during this time included “Easy to be Hard”, “Mama Told Me (Not to Come)”, “Never Been To Spain”, “Your Song”, and “Black and White”. By 1976 Three Dog Night had released a multitude of hit singles, but they were showing signs of slowing things down, which resulted in the band breaking up after playing their final show at the Greek Theater in Los Angeles.
To the glee of fans, Three Dog Night reunited in 1981 and released an album titled “It’s a Jungle” in 1983. The album conveyed elements of the ska genre and appealed to the fad of new wave that was becoming popular at this time. In 2002 the band released the album “Three Dog Night With the London Symphony Orchestra”, which featured two new songs: “Sault Ste. Marie” and “Overground”.
Three Dog Night has already gained worldwide recognition as being a legendary pop group and the group was honored with being inducted into The Vocal Group Hall of Fame in 2000. As of 2014 the band consists of almost all original members, which include Cory Wells, Danny Hutton, Jimmy Greenspoon, and Michael Allsup. Bass guitarist Paul Kingery and drummer Pat Bautz have also joined the band’s lineup. Three Dog Night is still actively touring and have been known to play up to 80 gigs per year.
Originally comprised of frontman David Pack, bassist Joe Puerta, keyboard player Christopher North, and drummer Burleigh Drummond, Ambrosia’s earliest inspiration came from the melodic pop of The Beatles and The Beach Boys. The group was subsequently influenced by the vocal harmonies of Crosby, Stills, Nash & Young, before attending a King Crimson concert and having their musical perceptions altered greatly. Following a poorly performed audition at A&M Records, the group impressed Rubicon Management with a demo and later inked a deal with 20th Century Fox Records.
With major-label backing Ambrosia issued their eponymously-titled debut album in February 1975. Spawning the hits “Holdin’ On To Yesterday” and “Nice, Nice, Very Nice”, the latter a musical composition set to Kurt Vonnegut Jr.’s “Cat’s Cradle”, the album was subsequently nominated for the Grammy for Best Engineered Album. Produced by the extolled Alan Parsons, the group subsequently appeared on Parsons’ project album “Tales of Mystery and Imagination” in 1976. Despite its progressive nature and occasional inaccessibility, Ambrosia’s debut sold remarkably well and earned a host of favourable reviews.
Following a period of constant worldwide touring, the band returned to the studio with Alan Parsons to release their sophomore album “Somewhere I’ve Never Travelled” in September 1976. The album earned Ambrosia their second Grammy nomination and spawned the popular radio singles “Somewhere I’ve Never Travelled” and “Can’t Let A Woman”. With the success the record afforded the group, Ambrosia subsequently signed with Warner Bros. Records, later contributing the song “Magical Mystery Tour” to the musical Beatles documentary “All This and World War II”.
Taking a step back from the rich vocal arrangements and luscious orchestration, the band’s third full-length “Life Beyond L.A.” saw Ambrosia adopt R&B and jazz influences. The album spawned Ambrosia’s biggest hit to date “How Much I Feel”, reaching No. 3 on the Billboard Hot 100, with a number of other singles receiving regular radio airplay. Subsequent touring alongside Fleetwood Mac, Heart, and the Doobie Brothers did wonders for the group’s live reputation, however the release later marked the departure of keyboardist Christopher North.
In 1980 Ambrosia issued the full-length “One Eighty”, which produced two of the year’s biggest hits “Biggest Part of Me” and “You’re the Only Woman (You & I)”. Later securing three Grammy nominations, the album was toured internationally, notably with guitarist Cliff Woolley on the Japanese leg. Following the arrival of Bruce Hornsby with the departure of David Lewis, Ambrosia released their fifth full-length album “Road Island” in 1982. Despite the minor hit “How Can You Love Me” the album was a commercial disappointment and after which the group parted ways. The greatest hits compilation “Anthology” hit the shelves in 1997, three years later the group reformed with Doug Jackson permanently replacing Pack, for Ambrosia’s 30th anniversary tour.
Since I was not born or raised in the 70s, I am still very unfamiliar with a majority of the bands that became popular at the time. It was only by circumstance that I had the opportunity to see them live; an opportunity that was, to say the least, very interesting.
My parents decided to purchase tickets for a show that was supposed to be for just them, but because my mom got sick, my dad decided to take me instead. I was a bit reluctant, especially since I had no idea who Three Dog Night was, but the enthusiasm of my dad was enough for me to go along with it. My reluctance was again met when I found that I was probably the youngest audience member there, save for the other children that got dragged along as well. However, once the band started to play I was put at ease. It was really fun to see all the excitement and enthusiasm from the fans as they danced and sang along. Much of the love was returned to the audience by the band, who were totally loving what they were doing. Even in the tone of their voice as they addressed the crowd, it was obvious of how gracious they were for all the support and love given to them. Despite my ignorance of the band, it was a fun time spent with my dad and will be laced with good memories no matter what.
The venue that I saw Ambrosia in was intimate and dimly lit. Not the sort of venue that I was expecting for the soft rock band, but it had obviously been carefully thought out, as it was perfect for the acoustics and lighting setup that they had chosen.
Although the band first formed in 1970, had a reasonably lengthy hiatus, and reformed with a slightly different set up of band members, their sound is still fresh and exciting. Fans dislike change, and the whispers surrounding the frequent changes of singer since David Pack’s departure vary in sincerity, but each time I’ve heard Ambrosia, they seem to have it right with their set up.
The great thing about these guys, asides from their extreme talent and dedication to the performance, is their desire to please their audience. They often work chronologically through their back catalogue of tracks, playing the old hits, combined with some of their newer tracks, and they always throw in a great cover along the way to keep everyone engaged. The lighting is always fantastic too, completing the performance value wonderfully.
One thing I would say, if you are able to see them in a smaller venue, definitely take the chance, the whole event seems very special and more relatable in this atmosphere.