Concert in your area for Rock, Folk & Blues, Country, Funk & Soul, and Indie & Alt.
The current line up of the Dropkicks Murphys as of 2014 consists of: Ken Casey - bass guitar, lead vocals, Matt Kelly - drums, bodhran and vocals, Al Barr - lead vocals, James Lynch - guitar and vocals, Tim Brennan - tin whistle, accordion, mandolin, bouzouki, keyboard, piano, vocals, and lead guitar, Jeff DaRosa - banjo, bouzouki, mandolin, guitar, keyboard, piano, harmonica, tin whistle and vocals.
The band went platinum with their song "I'm shipping up to Boston". This is one of the bands trademark song and has seen them reach great success.
In 2007 the band signed with Warner Bros. Records. After previously being signed to Hellcat Records while they were constantly touring.
The band has many influences such as: AC/DC, Stiff Little Fingers, Swinging Utters, The Ramones, The Clash and Sex Pistols, The Pogues and The Dubliners.
As of 2014 the Dropkick Murphys have released 8 albums, their most recent album "Signed and Sealed in Blood" gained positive reviews, Allmusic gave it 4 out of 5 stars. This album matched the score of their earlier album "The Meanest of Times" which contained "The State of Massachusetts" which has been named one of the 100 most played songs on U.S. modern rock radio in October 2007.
Kevin Roosevelt Moore was born on 3 October 1951 in South Los Angeles, California and had an early appreciation for music, becoming a well-established guitarist by early adolescence. Throughout the 1970s and 1980s he played as backup for various bands, as well as started to record music with violinist Papa John Creach through an R&B group. It was Creach who hired him to play on four of his albums giving Keb’ Mo’ his first gold album.
In 1980 he made his first release with “Rainmaker” with the help of Chocolate City Records, and then was further immersed into blues music by becoming a part of the band, Whodunit. Keb’ Mo’ followed up with “Rainmaker” with a self-titled album in 1994 on Okeh Records. In 1996 he released “Just Like You” which earned him his first Grammy Award. He then became involved in the German rocker Peter Maffay’s music collective project called Begegnungen (Encounter). In 1998 Keb’ Mo’ released his next album entitled “Slow Down” followed shortly in 2000 by “The Door.” He even released a children’s album in 2000 entitled “Big Wide Grin” which featured many of the childhood songs that Mo’ grew up with, followed by a television appearance on the popular children’s television show, “Sesame Street.” The next album he released, “Keep It Simple” in 2004 earned him another Grammy Award, followed by “Suitecase” in 2006. He went on to release his first live album in 2009.
Chesney's beginnings in music are traced to Christmas in 1986 when he was gifted his first guitar and began teaching himself to play. Chesney's musical career took a slight side step as he decided to pursue a degree in advertising at East Tennessee State University in Johnson City, where he was a member of the ETSU Bluegrass Program and the Lambda Chi Alpha fraternity. In 1989, Chesney recorded his first self-released demo album at the Classic Recording Studio in Bristol, Virginia. He managed to sell 1,000 copies while performing on the local scene in Johnson City and used the money from album sales to help buy a new guitar. After graduation, he headed to Nashville and performed at several local clubs. He became the resident performer at The Turf, a honky tonk bar in the city's historic district.
Chesney's first album, In My Wildest Dreams, was released on the independent Capricorn Records label in April 1994 which was a moderate to mediocre release in the US Country charts, however later that year Capricorn Records closed their country department and moved to Atlanta so Chesney's career had a slight false start. His first major chart success came in the form of 'Me And You' which broke the US country top 10 and spawned three hit singles. This was merely the beginning for Kenny, his following releases all managed to sell extremely well, 14 of his 15 releases are certified gold or higher to date. From 1998, when 'She's Got It All' topped the US country charts, Kenny went on to score another sixteen US Country number ones and made substantial chart positioning on the Billboard charts too, with the 2009 single 'Out Last Night' breaking the top twenty.
Chesney's most recent charity work includes working with the V Foundation, founded by North Carolina State Wolfpack basketball coach Jim Valvano to help to find a cure for cancer. He is one of the most consistently successful country performers in the States and has sold over thirty million albums to date.
Born in Memphis, Tennessee, US, to father Johnny Cash and his first wife, Vivian Liberto, Cash joined her father’s road show after graduating high school early-1970s, moving from laundry duty to becoming a backup singer and occasional soloist. She made her recording debut in 1974 on Johnny Cash’s “The Junkie and the Juicehead Minus Me,” featuring on the song, “Broken Freedom Song.” However, it was another four years before Rosanne decided to seriously pursue a career in music.
In 1978, Cash signed with Columbia Records, releasing her American debut, “Right or Wrong” in 1979, featuring three Top 25 hits. Her breakthrough came in 1981, “Seven Year Ache,” which brought Cash three number one singles in the country charts, with the title track also crossing over into the Top 30 of the mainstream Billboard pop charts. Cash took a stylistic turn in 1985, moving towards a country-pop sound with “Rhythm & Romance,” which gained praise from country and pop fans alike. Her next critical and commercial success came with 1987’s “King Record Shop,” featuring four number one singles, with Cash being named ‘Top Singles Artist’ by Billboard in 1988.
By the end of the decade, Cash released the retrospective album, “Hits 1979-1989,” summarising her ten years of success as a solo artist. The following decade, amidst personal upheaval following her divorce, Cash continued to release albums, taking a more introspective style of song writing. Cash moved away from the country pop of the past to a more mature, folk sound, displaying her musical diversity in albums such as 1993’s “The Wheel.”
It was another ten years before Cash would release her next full-length studio album, 2003’s “Rules of Travel.” Cash continued to record music until 2007, when she was diagnosed with Chiari malformation, with Cash taking a break from music in order to undergo treatment and recovery from her condition. She had overcome her illness by late-2008, returning to the studio in 2009 with “The List,” a collection of recordings of songs that her father had considered to be the 100 most essential American songs. Cash then set up the ‘Johnny Cash Music Festival’ in 2011, as a tribute to her father. She then returned to the studio, developing new original material, which culminated in 2014’s “The River & The Thread.”
From a very young age, Troy Andrews has experienced very good fate when it comes to his musicianship. He was a member of the Stooges Brass Band during his teenage years before being chosen as a member of Lenny Kravitz's horn section. This opportunity took the musician around the world, sharing bills with incredible artists such as Aerosmith. Whilst in the summer of 2006, Andrews went to London and began working with producer Bob Ezrin and U2 at Abbey Road Studios. Due to these connections, Andrews was invited to perform with U2 and Green Day during the re-opening of the New Orleans Superdome.
In 2007 he appeared on the album 'Goin' Home: A Tribute to Fats Domino' and that year Offbeat named Andrews their Performer of the Year. After accumulating a number of successes whilst releasing his own solo material, Troy then released 'Backatown' in 2010 and it debuted atop the US Contemporary Jazz Chart and held the position for nine consecutive weeks. He toured extensively worldwide with Orleans Avenue after the release and appeared on prolific US shows including Conan, Late Show with David Letterman, The Tonight Show with Jay Leno.
The next album 'For True' featured appearances from tour mates and associated musicians from over the years including Rebirth Brass Band, Jeff Beck, Warren Haynes and a return from Lenny Kravitz. His latest album 'Say That to Say This' was released in 2013 on the Verve Forecast Records label.
As a child, Hockett was heavily influenced by gospel music at church and the R&B music industry, which her father worked in. Mr. Hockett was a promoter for soulful artists like Prince and K-Ci & JoJo. Living in the vicinity of blues and country capitals of the world Memphis and Nashville, Tennessee Hockett was also exposed to folk and country music.
Valerie June was inspired to move to Memphis in 2000, where she performed as one half of the duo Bella Sun with her now ex-husband. Coming out of an unsuccessful marriage, Hockett decided to start her independent career in music making what she calls “organic moonshine roots music.” Her muses are artists from the 1920s and 1930s including Mississippi John Hurt, Elizabeth Cotton, The Carter Family, and Alan Lomax. Valerie June ambitiously self-produced two EPs “The Way of the Weeping Willow” in 2006 and “Mountain of Rose Quartz” released in 2008. The former was recorded in an old 1800s farmhouse owned by a friend and the latter at Ardent Studios in Memphis .
After opening for the band Old Crow Medicine Show at Rhodes College, Valerie June did a collaborative EP with her fellow performers called “Valerie June and the Tennessee Express” in 2010. Hockett received quite a following after the album was put out as well as from her appearance on MTV’s online series “$5 Cover,” which gave exposure to underground musicians in the Memphis area.
As the next step to producing her debut album, Valerie June took matters into her own hands by creating a Kickstarter.com campaign with producer Craig Stuart which. Her efforts raised $15,000 in under two months. Hockett’s actions attracted the attention of producer Kevin Augunas, who helped her network with Dan Auerbach of the Black Keys. The two gentlemen helped Valerie June accomplish her goal by co-writing and producing her first album “Pushin’ Against a Stone” in June 2011. Her music maneuvers smoothly through the blues and gospel genres, with a touch of nostalgia and a lot of soul. Valerie June’s debut single “Workin’ Woman Blues” was the first song she played for the NPR Tiny Desk Concert series. Her album was released in the UK and Europe on 6 June 2013. Her song “You Can’t Be Told” also received significant airplay.
In 2012 Valerie June collaborated with Fugees producer John Forte on hip-hop blues single “Give Me Water.” In 2013 she supported Jake Bugg on his UK tour.
Although Bruce fills big stadiums when you are there it is as though he's addressing you personally.
He has the knack of making a direct connection and his lyrics reach into the heart. When he sings "you ain't a beauty, but hey you're alright," there's nothing cynical about it as it would sound from countless other performers.
He's simply a working man's poet and a legend of the first order.
Seeing The Dropkick Murphys live was a totally amazing experience in and of itself. The second I entered the show, I was greeted by the sights and sounds of good old celtic punk. Ken Casey's uplifting and majestic voice gladly welcomed me into a realm of sweet guitarwork and overall an insane time.
The concert was packed but everyone there had one goal, to listen and to enjoy the Dropkick Murphys's killer music. I must say, being in big mosh pit while Shipping up to Boston is playing was one of the most thrilling experiences of my life. Seeing this band live is highly recommended. You will not be dissapointed.
For over twenty years, Kevin Moore (aka Keb’ Mo’), has been keeping the spirit of delta blues alive, recalling the essence of early recordings by the likes of Charlie Patton and Muddy Waters. Yet Keb’ Mo’s blues does not simply rehash old Mississippi standards; it is a post-modern re-evaluation of these roots, reflecting and incorporating contemporary funk, soul and rock into his style. He hasn’t won three Grammys for no reason.
Performing at the annual Rawa Blues festival in 2013, Mo’ and his fellow journeyman travelled across America’s musical history with an eclectic hour- long set to an uproarious reception. The opening songs ‘Government Cheese’ and ‘More Than One Way Home’ presented a laid back blues-funk to which heads nodded as Mo’ riffed. ‘Muddy Water’ from his 1998 album of the same name was a highlight, paying tribute to Muddy Waters and the importance of the Mississippi river to the blues tradition.
The sound of Chicago Blues ran through most of the set as the audience gazed in awe as Mo’ ran up and down the fret board laying down his smooth melodies. In blues guitar, there are few artists who can match Keb’ Mo’s talent and authenticity to be found in his effortless playing. ‘The Door,’ a slow grooving blues, gave the band a chance to show off their vocal skills, as well as the talents of Irek Dudek on harmonica, during which Keb and Irek shared phrases, challenging each other to find tastier licks in response. Following this, Mo’ picked up his slide and resonator and performed the stripped-back ‘Am I wrong?’ and ‘She Just Wants to Dance’ which was simply classic delta blues, returning the audience to romanticised thoughts of those early troubadours travelling up and down the Mississippi, simply playing their guitar to whoever would turn out to listen. Keb’ Mo’ manages to avoid clichés and offers timeless blues that is effortlessly cool.
Kenny is such a great performer! I saw him at the beginning of last summer when he came with Eli young band, Kacey Musgraves, and Eric church. Being in an outdoor stadium, it provided an amazing sound experience and a wonderful view. He did an amazing job at making a setlist including songs from all of his albums, something that's hard to do with multiple albums like he does! It was upbeat and energetic the entire time. Towards the end of the show he brought out Kacey Musgraves to sing "you and tequila" and also brought out one of our Seahawks players!
Kenny Chesney is an all around american country singer. His songs are exactly what you would expect. What I like the most about him is that his songs are genuine, but still catchy... no shallow songs here! You can always count on him for a solid all American album!
Nils Lofgren looks pretty good for 63. He’s still got these wacky sideburns, the kind that look like cutlasses, the tip of which are threatening to perforate the cheek about an inch from the corners of the mouth. And a kind of squished top hat, like Bono circa Joshua Tree. If he is 63, he doesn’t look a day of it.
He’s played with Bruce Springsteen’s E Street Band, as the replacement for Steven Van Zandt, who went on to claim immortality as Silvio Dante in The Sorpranos. He played on Tunnel of Love (1987) and rejoined along with Van Zandt for the reunion tours. He played on Sprinsteen’s High Hopes, which came out this year. He’s also done stuff with Neil Young and Crazy Horse, and features on Lou Reed’s The Bells (1979).
He’s also known for forming Grin and releasing an endless stream of solo albums. He’s a busy, busy man with his fingers in lots of pies. He’s rambling around the UK at the moment, showcasing some of his solo work and is well worth seeing.
A concert that I don’t think you can go to without getting goose bumps all over. Rosanne Cash’s beautiful soprano voice resonates through a crowd of any size. Cash is usually bundled into the genre of country music, however I think that her music draws on elements of folk, rock, and pop as well. Throughout the 80s she appeared several times in the top 100 Billboard Charts, and then seemed to disappear from the charts a little, however, I have followed her continuously ever since.
As a live performer, she is absolutely fantastic. Her vocals are as strong and tight as they are on the recordings, and if she is nervous, you could never tell from the control she has over her performance. It’s great to see and experience the live band backing her up first hand, and you can tell that they have worked together for years. Cash would give a nod, or a smile to the band, who knew exactly what to play when, which was so great to watch.
She played a lot of her older stuff, including some tracks off of Right or Wrong, and Somewhere in the Stars, but what I loved, was how she played The River & The Thread in its entirety, from beginning to end. Everyone there appeared to be great fans and knew the new album, and it was magical to be some of the first people to hear it live.
Shemekia Copeland is one of those incredibly sassy but musical artists, who can make any audience of made of people from all kinds of walks of life hang on her every word that she sings. “Ain’t Gonna Be Your Tattoo” has some fantastic satire before that makes the audience burst into laughter. She has the audience firmly in the palm of her hands waiting for her next move, before she’s even sang one notes. Of course, when she sings, she brings the house down with her brilliant use of her voice, which she knows exactly how to use as an instrument, hitting all of the blues notes and performing some ridonculous add libs as she goes. “Push I Need” is one of those songs that gets everyone in this vicinity dancing until the music stops, orchestrating the ultimate party atmosphere. It’s so wonderful to be a part of. I will definitely be making the trip to get the vinyl of the “Talking to Strangers” album in the near future!
Trombone Shorty and Orleans Avenue are a fantastic jazz and funk band from New Orleans, they incorporate elaborately-long rock-inspired riffs, the odd hip-hop beat and funky guitar strumming into the mix, but the star attraction is the trombone and the trumpet and rightly so. Trombone Short or Troy Andrews has been playing the trombone since he was six The bassist exuded an uncontainable amount of confidence, like it was child’s play to be hitting all those notes in that particular order. But it wasn’t child’s play, it looked difficult and sounded brilliant. And it was the same with the drummer and guitarist, they were all brilliant, playing complex rhythms and absolutely loving it, the drummer in particular didn’t lose his smile for the entire set, he was sourcing his energy from Trombone Shorty in the middle, as was I.
There was a really intense moment when Troy held a single note for an insane amount of time. Minutes. Literally minutes. Three minutes, four minutes he was holding this note for, something called circular breathing, he must have been breathing in through his nose because he kept puffing his cheeks out like in a cartoon and no one has that much breath, the audience went from being impressed to outright flabbergasted, it was remarkable. It was a lively, enjoyable and danceable occasion, and I’ll take every opportunity to catch them again.