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Hammond was born on 28 August 1955 in Annotto Bay, saint Mary, Jamaica, the 9th of 10 children. His early musical influences were guided by his father who introduced him to soul and jazz artists like Sam Cooke and Otis Redding. Hammond later found ska and rocksteady music and cites influences like Alton Ellis, Peter Tosh, Curtis Mayfield, and the Uniques.
By 1972 he was ready to start his own music career. He spent the majority of his upstart competing in local talent competitions, which proved to pay off. In 1975 he was invited as Zap Pow’s lead singer, a group perhaps best known for their 1978 hit single “The System” which was issued through Aquarius Records. Hammond also pursued a solo project in parallel with his stint with Zap Pow and in 1976 he put out his 1st studio album “Soul Reggae”. This release came out through Water Lily and spawned the Jamaican hit “One Step Ahead”. Another hit single “I’m in Love” followed in 1978 and by 1979 he left Zap Pow to focus exclusively on his solo career. However he did diverge from his solo path to form a brief lived performance act known as Tuesday’s Children.
In 1985 Hammond founded a record label of his own called Harmony Records. Through this label he released the album “Make a Song”, which saw his sound embrace the budding dancehall style. This album featured the two hit singles “Groovy Little Thing” and “What One Dance Can Do”, both which peaked to the No.1 spot on the Jamaican Singles chart. These tracks were not only regionally lucrative, but also segued Hammond into international playing grounds.
This international success along with the fact that his house in Jamaica was burglarized prompted him to move to New York City. While in the States he recorded and released the album “Have A Nice Weekend”, which came out in 1988 through Charm records. A year later he released “Putting Up Resistance” through Tappa Records. It would be another three years until his follow up album “A Love Affair” saw release; however, this decade is often considered the highlight of his career. Hammond started off the decade with his biggest hit yet “Tempting to Touch” and proceeded them with two contending successors “Is This a Sign” and “Respect You Baby”. He poured out a string of album releases through the rest of the 90s: “Full Attention” (1993), “Sweetness (1993), “In Control” (1994), “Expression” (1995), “Love From a Distance” (1997), and “A Day in the Life” (1998).
Hammond’s impression on the reggae market refused to wane in the 2000s. His 14th studio album “Music Is Life”, included the three hit singles “They Gonna Talk”, “Rockaway”, and “Ain’t It Good To Know” and also featured the acclaimed pop star Wyclef Jean. His collaborative spree leaked over to his 2004 album, “Love Has No Boundaries”, which featured appearances by Buju Banton and Big Youth. Though Hammond continued to release solid album’s throughout the 2000s such as “Lifetime Guarantee”, “A Moment in Time” and “Just a Man” it was his release of “One Love, One Life”, which certified him as a legend of reggae lovers rock. This album shot to the very top of the Billboard Reggae Album charts and earned him a Grammy nomination in 2014.
David was born in the Waterhouse district of Kingston, Jamaica on 22 August 1973, and started his music career at an early age. In 1981 at the age of eight years he won the Tastee Talent contest and made the connections that brought him into the musician knows as Beenie Man. In 1983 he recorded his first single “Too Fancy” followed two years later by his debut album, “The Invincible Beenie Man: The Ten Year Old DJ Wonder.” Having to take a break from music to finish school, and gained momentum with his performance at the 1992 Reggae Sunsplash.
Throughout the 90s, Beenie Man gained a lot of popularity on the Jamaican charts, gaining the title of “Dancehall King.” He broke into the scene in the United States in 1997, with his hit single “Who Am I” which quickly reached Gold certified. The success led to a worldwide popularity; all the while he had remained a dominant artist on the Jamaican charts with seven of his singles on the lists. In 2002 he did a duet with Janet Jackson and in April 2008 he co-wrote and stared in the film “Kingston.” Teaming up with Eric Nicks and The Trackmasters, Beenie Man signed with Brookland Entertainment to record “The Legend Returns” which was released in 2009.
I had the opportunity to see Beres Hammond live at a small concert hall in the town that I live. I had a passing knowledge of his music and fan base, but decided to give him a try and see how I liked it. I did not walk away disappointed, he put on a complete and exciting show.
He played for about an hour and half and put on an amazing show. I can’t speak on his song selections because I don’t know the popularity of his songs, but everything he played, I liked. I do know that he played How Can We Ease the Pain, the only song I had any working knowledge of before the show. The crowd was very in to it as well. They did not drop their enthusiasm or let the vibe die until the end of the concert. Everyone was dancing around and singing along. I was an amazing environment to be in. One I won’t forget, that’s how much fun I had.
The stage wasn’t decorated; it was just Beres and his backing band with a few lights that went off every so often. It was mainly just a spotlight pointed on him throughout the show. I would definitely go see him live again.
Beenie Man, The Doctor, Ras Moses, The Girls Dem Sugar - whichever of Anthony Moses Davis’ many pseudonyms you’d like to refer to him by, it doesn’t really change the fact that, over the course of a career that’s lasted in excess of two decades, he has gained a reputation as the undisputed ‘king of dancehall’. The Kingston, Jamaica native is a legend of the reggae genre, having released no fewer than twenty studio albums and transcended the usual niche appeal of his style outside of its country of origin; in 2002, his album Tropical Storm went to number eighteen on the U.S. album charts proper, thanks in no small part to some high-profile collaborations with the likes of Sean Paul and Janet Jackson. Today, still only forty, Beenie Man remains a highly popular live performer, playing career spanning sets across America and Europe with a diverse, fully fleshed-out live band. He hasn’t played in the UK, though, since a 2005 show went ahead after controversy over alleged homophobic lyrics; it’s a blow to British reggae fans, as he’s one of the genre’s real titans, and they’ll no doubt be hoping that he can squeeze in some dates on these shores sooner rather than later.