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Hailing from England, Culture Club consists of frontman/vocalist Boy George, bassist Mikey Craig, guitarist/keyboardist Roy Hay, and drummer Jon Moss. The group were a smashing success in their homeland, but perhaps had an even stronger impact in the United States. The group had 10 singles that made it in to the US Top 40s chart and were considered emblematic of 80s pop in the states. This notion was only crystalized through the incessant exposure they received through MTV. Their video “It’s a Miracle was nominated for two “MTV Video Music Awards”.
The band not only experienced incredible commercial recognition they were highly acclaimed in the critical circles as well . In 1984 the group won Best New Artist at the Grammys, the Brit Award for Best British Group and they picked up Best British Single for “Karma Chameleon”.
Before the formation of Culture Club, Boy George would regularly attend the Blitz Club (a venue frequented by glam rock band Bow Wow Wow). Boy George would sometimes accompany Bow Wow Wow under the moniker Lieutenant Lush. Once this stint ended he formed a band of his own called the Culture Club. The group’s name derived from the idiosyncratic and disparate cultural status of each member. Boy George is an Irish transvestite, Craig is black, Hay is an Anglo-Saxon, and Moss is of Jewish descent. However the band’s diversity proved to be one of their biggest assets. They melded calypso, disco, balladry, reggae and synth-pop into a cohesive and entirely captivating sound. Virgin Records saw the groups potential and became the band’s distributor in the UK while Epic Records handled their album releases in the United States.
“Do You Want to Hurt Me” became the band’s first major hit driving up to the very top of the UK and US charts. It juxtaposed dirge like balladry with uptempo reggae dub and was an undeniably original and accessible piece of music. This hit was soon followed by two additional chart climbing singles “Time (Clock of the Heart) and “I’ll Tumble 4 Ya”. These 3 singles made Culture Club the first group since the Beatles to have 3 Top Ten hits in America from a debut album.
The band followed up their debut with an equally popular sophomore release “Colour by Numbers”. It reached number 1 on the UK charts and Number 2 on the US Charts. The album contained “Karma Chameleon” the group’s biggest hit to date as well as one of the most definitive pop songs of the 80s. The album has been recognized as one of the best albums of the 80s by Rolling Stone magazine and has also been included in the book “10001 Albums You Must Hear Before You Die”.
The band saw a decrease in popularity after the release of their 1984 album “Waking Up with the House on Fire”. While this album houses excellent material its commercial and critical success was pale in comparison to the massive impact their first two albums made. Culture Club’s popularity continued to dwindle as the members experienced internal problems within the band and extreme tension place on them from the record label. Their 1986 release “From Luxury to Heartache” proved to be the band’s last album before calling it quits; however, the group did reunite and put out the album “Don’t Mind If I Do” 13 years later. The group has continued to record and tour since this formation, but have done so inconsistently. The band still continues to be a massive influence on up and coming musicians and have inspired highly inventive and likeminded artists such as Antony Hegarty of Antony & The Johnsons.
Frontman Martin Fry is the only permanent member of ABC, having never left the band since their formation in 1980; it’s also true that the band themselves have never officially disbanded over the course of their three-decade-plus career, which perhaps beggars belief given the undeniable fluctuation of the fortunes over the course of that time. They enjoyed their greatest success in the eighties - perhaps unsurprisingly, given the popularity of the new wave genre during that decade - and their 1982 debut album ‘The Lexicon of Love’ contains most of their early hits. ‘Tears Are Not Enough’ hit the top twenty in the UK, as did ‘Poison Arrow’, which would go on to feature in the eighties-set video game Grand Theft Auto: Vice City.
It was the 1985 record ‘How to Be a...Zillionaire’ was the group’s biggest success on the other side of the Atlantic, with the single ‘Be Near Me’ seeing ABC hit the top ten in the U.S. for the first time. Since 1990, the group has effectively only comprised Fry, but he continues to use the name to tour - he’s especially popular on the eighties nostalgia circuit - as well as record new material, with ‘Traffic’ released in 2008.
Back in 2002, Culture Club's Royal Albert Hall performance for the 20th Anniversary Reunion Concert was something really special to experience. Their triple platinum 10 million copy selling second album 'Colour by Numbers' is the album, like most other fans I'm sure, that really got me into their music.
The music is something that I grew up with and loved, with the early 90s pop vibe becoming a popular soundtrack to my life. I had high expectations for the reunion, and was extremely excited to finally get to see them live. When Boy George walked out on stage, I was pleased to see that they had kept the essence of their dress sense and costume, and looked very similar to the pop stars of 20 years ago, if somewhat aged.
The energy that they brought was youthful, and at points it was easy to forget that their glory days had passed. Some of the vocals were a little shaky, but I must say, 'Do you really want to hurt me' was fantastic with the entire venue singing along and getting really involved. The band really encouraged this, holding out microphones and giving us gaps in the melody to fill in.
Everyone at the concert appeared to be thoroughly enjoying the show. After the band initially disbanded, many people felt disappointed that they hadn't seen the infamous act, and now that there is a chance to revisit the 80s and early 90s with their next reunion tour, I really think that it is a once in a lifetime opportunity that probably won't arise again. You may hear negative reviews about their vocals, but I thought that they did remarkably well, and sounded extremely similar to the tracks from yesteryear. The performance was outstanding, and I don't believe that one member of that audience went home disappointed that night.
There’s probably no single genre of music that represents the eighties quite as accurately, or as obviously, as new wave; it genuinely is synonymous with the decade, and among its genuine success stories were ABC, who formed in Sheffield back in 1980, right in time for the sound’s explosion. Their debut album The Lexicon of Love was a huge success on both sides of the Atlantic, topping the charts in the UK and making the top twenty-five over in the U.S., and spawned a slew of hits that were not only successes in terms of sales and radio play at the time, but continue to stand up as classics of the genre today, especially their signature song ‘Poison Arrow’. Although singer Martin Fry now remains the sole original member - he tours with a new backing group for the most part, with David Palmer only briefly rejoining him as part of VH1’s Bands Reunited programme in 2004 - the ABC name continues to be used for both live shows and new material, with Fry still proving himself both an engaging frontman and a fine singer, too. They regularly line up alongside other eighties acts like T’Pau and Rick Astley, so there’s plenty of opportunity for a multi-faceted blast of nostalgia where their shows are concerned, too.