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Finding influence from the likes of Roxy Music and U2, Simple Minds formed out of the remnants of Glaswegian punk group, Johnny and the Self-Abusers, with guitarist Charlie Burchill and singer Jim Kerr joining forces with bassist Derek Frobes, drummer Brian McGee and keyboardist Mick McNeil in 1978. The band's initial releases moved between dense art-pop ("Life in a Day") to the experimental-leaning "Reel to Real Cacophony," to Euro-disco influenced "Empires and Dance." With "Sons and Fascination" and "Sister Feelings Call," they streamlined their sound into more accessible pop, before finding significant chart success with "New Gold Dream (81-82-83-84)."
However, it was with the 1985 hit single, "Don't You (Forget About Me)" that Simple Minds found international success. Despite its success, topping the American charts, Simple Minds decided not to feature the single on their next album, "Once Upon a Time," due to Kerr's dislike of the song's lyrics. The album was still a success, breaking into the US Top Ten and becoming certified Gold.
Simple Minds failed to build on the momentum of their last album, with the overtly political "Street Fighting Years' failing to meet its success. Personnel changes after the more straightforward "Real Life" threw the band's future into question yet Kerr and Burchill managed to persevere and breathe new life into the act. 1995's "Good News From The Next World" gained moderate airplay support, with a short North American tour shortly after yet they were unable to restore their previous energies.
Into the new millennium, Simple Minds had found a new enthusiasm of sorts, releasing the cover album, "Neon Lights," which covered the likes of Patti Smith, Neil Young and David Bowie. New material appeared a year later with "Cry," followed by "Our Secrets Are the Same" in 2003, which helped to reignite interest in the band. Several reissues and two more albums of new material, "Black and White" (2005) and "Graffiti Soul" (2009) maintained the band's relevance, prompting a global tour and festival appearances. 2014's "Big Music" found critical acclaim with their well-crafted pop, debuting at number 12 on the UK Albums Chart.
Having served six years in the army, reaching the rank of captain and embarking on a tour of duty during the Kosovo conflict, James Blunt turned away from his military career in order to pursue his first love, music. A decision which would lead to tremendous success, selling over 20 million albums and 17 million singles worldwide.
His debut album, "Back to Bedlam" (2004) brought Blunt's music into worldwide acclaim, selling over 11 million copies and topping the UK Album charts and reaching the number two spot in the US. It was the third single from the album that proved to be Blunt's breakout hit, with "You're Beautiful" spending six weeks at number one in the UK. Following this success, the album rose to number one in the UK Albums Chart, as well as topping the charts in 16 territories worldwide, eventually becoming the best selling album of the 2000s in the UK.
His brand of pop-folk has found similarities with Damien Rice and David Gray, yet perhaps with greater, more accessible pop sensibilities prevalent in his songs. Following "Back to Bedlam," Blunt has released three further albums, with his second, "All the Lost Souls" (2007) topping the charts in over 20 countries and his latest two, "Some Kind of Trouble" (2010) and "Moon Landing" (2013) receiving positive critical acclaim. During his career he has received a host of accolades, including five Grammy Award nominations, two Ivor Novello Awards, as well as 'Best New Act' at the Q and MTV music awards.
Blunt has been heavily involved in charitable activity throughout his career, raising funds for the MSF (Doctors Across Borders) as well as being the patron for UK charity Help For Heroes.
In 1999, having met at an audition for a boy band managed by Simon Cowell, Lee Ryan and Antony Costa kept in touch and a year later invited Duncan James to start a band. It wasn’t long before the trio impressed Daniel Glatman, who later became their manager, and invited Ryan’s flatmate Simon Webbe to complete the line up. The band signed a contract with Innocent Records and Blue’s output was put in reliable hands of numerous songwriting/production teams. Penned by Norwegian pop team Stargate, Blue’s debut single “All Rise” took the UK by storm and rose to No. 4 in the UK Singles chart in May 2001. The band’s subsequent single “If You Come Back” became Blue’s first No. 1 single and paved the way for their debut album “All Rise” issued in December 2001. The album, aided by the Christmas season, topped the UK Albums chart and went on to sell over 1.8 million copies.
Like its predecessor Blue’s sophomore album “One Love” debuted the UK Albums chart at No. 1 spawning the singles “One Love”, “Sorry Seems to Be the Hardest Word” featuring Elton John, and “U Make Me Wanna”. The album cemented the group’s position in the sugary-pop world, however borrowed influences from rock, funk, R&B and soul. The band’s third full-length album “Guilty” appeared in 2003 and once again topped the UK Album Chart, however showed signs that the Blue bubble losing momentum. Led by the title track “Guilty” and subsequent “Signed, Sealed, Delivered, I’m Yours” featuring Stevie Wonder and Angie Stone, the album went on to sell over a million copies.
The greatest hits album “Best of Blue” hit the shelves towards the tail end of 2004, spawning the singles “Curtain Falls”, “Get Down on It”, and “Only Words I Know”. In 2005 the band announced a hiatus, allowing members to focus on their solo careers. Blue returned in 2009 with a performance at the Silverstone Classic festival in August and announced they would represent the UK at the 2011 Eurovision Song Contest with their single “I Can”. In 2012 the band embarked on a tour alongside A1 and Jeff Timmons entitled “Boybands: The Greatest Hits Tour.
With contributions from R&B singers Ne-Yo and Bruno Mars, Blue released their fourth studio album “Roulette” in April 2013. Led by their single “Hurt Loves”, the album charted at No. 13 in the UK Albums chart and No. 14 in Germany. In support of “Roulette” the band embarked on “The Roulette Tour”, Blue’s fourth headlining tour across the UK and Europe. Blue subsequently released the album “Colours” in March 2015, led by the single “King of the World”.
It might sound like I’m damning Cast with faint praise by saying they’re only the third most legendary rock band to come out of Liverpool, but that’s only because number one and two on that list are The Beatles and The La’s, respectively. I’m sure you’ll agree that it’s highly respectable to come second to them, and it’s still a feather in Cast frontman John Power’s cap all the same since he was the bass player in The La’s as well. In fact, if you listen to the last track on the only album that The La’s ever released, you’ll hear that the line that closes the album is “The change is Cast”. Power, a songwriter himself who was frustrated by Lee Mavers’ erratic nature and their lack of any new material since 1986, decided to leave the band in December 1991 and made that lyric a very prophetic statement indeed.
After leaving The La’s, Power shopped around looking for a band to play the songs that Mavers had vetoed while he was still in The La’s. He started playing some sundry acoustic shows, including one at a free festival in his home city of Liverpool, where he was spotted by another bass player who’d just split from a reasonably successful rock band, ex-Shack man Peter Wilkinson. Taken in by Power’s songs, the two of them met up and Wilkinson became the first addition to the newly formed Cast. They started gigging in the middle of 1992 with a multitude of different line ups, but it was going nowhere fast and he’d yet to extricate himself from the record contract he’d signed with Go! Disks while still in The La’s.
Power split up the first incarnation of the band in the summer of 1993 and managed to worm his way out of his contract. Newly free, he set up Cast again with Wilkinson still by his side, and by November 1993 he had recruited Keith O’Neil and Liam Tyson into the fold on the drums and guitar respectively. They started gigging together in January 1994 and it was clear to all who saw them that Power had finally gotten it right, Noel Gallagher himself would later describe the bands live show as a “religious experience”. In no time at all the band secured a tour support slot with Oasis, who were by then pretty much the hottest band in the country, and as a direct result of those shows they were approached by the head of A&R from Polydor Records, who couldn’t believe that they were unsigned.
Needless to say, they weren’t unsigned for long. They signed to Polydor on the 13th of December 1994, three years to the day that Power left The La’s. Cast spent the rest of the decade as one of the most acclaimed bands in Britpop, scoring three top ten albums in the forms of 1995’s debut album “All Change”, 1997’s “Mother Nature Calls” and 1999’s “Magic Hour”. They also scored ten top twenty singles between ’95 and ’99, their highest charting effort being 1996’s “Flying”, that peaked at number four on the charts. Unfortunately, they didn’t see in the new millennium so successfully, with 2001’s fourth album “Beetroot” tanking spectacularly and one month after its release, the band split.
Power spent the rest of the decade playing solo, O’Neill became a tour manager, Wilkinson played with his old band Shack and Tyson joined Robert Plant’s Strange Sensations. However, the band reformed in June 2010, initially only for a tour to mark the 15th anniversary of “All Change”. By the time the tour had finished Power had written an entire album of Cast songs, which became the bands fifth album, 2012’s “Troubled Times”. Any fan of rock and roll would agree that it’s a pleasure to have one of the best bands of the 1990’s back in the fold, and playing some of the best gigs of their career to boot. For that reason, Cast come highly recommended.
Normally, if one was to hear about a band fronted by an ex-school teacher and named after a Steely Dan song, the understandable reactions would be to instinctively write off that band as utterly insufferable before one has ever heard any of their music. However, to write off Deacon Blue would be a grave error indeed, no matter what the circumstances of their formation might be. Said ex-school teacher is the band's singer and Dundee, Scotland native Ricky Ross, who put the band together after moving from to Glasgow to pursue a solo career in music. After his debut album “So Long Ago” failed to make the earth move, he put the band together in 1985, and by 1987 the band had released their debut album “Raintown” on Columbia Records.
The next seven years of the band's career were incredibly kind to them, with several hit singles on both the UK and Ireland's singles charts, along with four critically and commercially successful albums to their name. Their second effort, 1989's “When The World Knows Your Name” was especially huge, topping the album charts and sending five of its singles into the top 30 of the singles chart, including a top ten hit in the form of its lead single “Real Gone Kid”. The band capped off the campaign for that album by headlining “The Big Day”, a free concert at Glasgow Green where the band played to an estimated quarter of a million people.
The band were on top of the world, and gaining momentum at an astonishing rate until 1994, when the band's drummer Dougie Vipond left the band to pursue a career in television. The band split amicably soon afterwards, but would reform five years later for a reunion concert in 1999, and then release a new album in the form of the same year's “Walking Back Home”. The band remain active to this day, releasing hugely acclaimed albums to a devoted following of fans both old and new. For staying relevant and exciting thirty years after forming, Deacon Blue come highly recommended.
I had to see Simple Minds in concert just because their song "Don't You Forget About Me" from "The Breakfast Club" was such a pivotal point in my young life. I heard that song as a child, and bought their albums throughout the years listening hard for the next lesson that I needed to learn from them.
I enjoyed their brand of 80s music just because it wasn't the typical bubble gum pop type stuff that was out at the time. Their music was more timeless, like a progressive rock that could stand along side Tears for Fears and Depeche Mode. The concert was something I will be forever grateful for having the opportunity to attend. The audience had a fair representation for all walks of life and all ages. The music was well appreciated by everyone in attendance and there as much dancing and singing to accompany the performance. While some of their music may have a moody feel, the overall emotion the audience got was enjoyment and happiness.
The music of Simple Minds has a purity to it that allows for some of the derogatory subjects that they address in their songs. Hopefully Simple Minds will continue to inspire future generations.
The first thing about any Level 42 concert you will remember is the loud and exciting intro, each tour it changes and is always a variation of the Thunderbirds theme, the band arrive on stage with Mark Kings Bass guitar shining its lights into the audience.
Now, be prepared for some banging Brit Funk Pop musical majesty. The setlist these days is a mixture of their well known chart hits, some 80s album tracks and some very early stuff, there is usually a surprise in the middle of the concert – last time it was an accoustic set, in 2014 we can expect some new stuff from the Sirens album also.
Usually with fantastic graphics, a L42 concert never leaves you short-changed with fantastic tight musicianship from the band, Mike Lindups keyboard skills are as good as any i have heard, Pete Ray Biggin is shaping up to become a world class drummer, with Kings Brother Nathan on lead guitar and sax man Sean Freeman, the band give value for money and always get the venue up on their feet dancing and applauding. Also Mark's humorous interludes make you feel welcome and comfortable.
They usually tour every other October, the next one in 2014, and play medium sized venues 2-4000 seaters, also regulars at The Albert Hall, The IndigO2, and summer festivals all over Europe. Go see em, you won't be disappointed.
Blunt by name, not so Blunt by nature.
James Blunt made the entire crowd shed a tear at his recent gig in Bath at The Forum. The singer/songwriter has been on the scene for over 10 years, yet still continues to wow all of whom spectate at his shows. Performing tracks from his recent album 'Moon Landing', as well as old classics which we all know and love, such as 'Wiseman', 'Goodbye My Lover' and 'You're Beautiful', Blunt reached out and engaged with the squadron which packed The Forum to see the former Army Captain.
Blunt has withstood plenty of criticism throughout the duration of his career, but when witnessing the pure beauty of his live performances, the soulful guitaring and singing, where each lyric has a meaning to Blunt, it's hard to imagine why. Albeit a small date within Blunt's career, after the performance he put in, you felt as if Bath was the biggest moment of his career yet. James Blunt is that kind of artist, an artist who appreciates where he is and an artist who appreciates all those who come out to see him, a real performer and a real person.
Like Five - or should that be 5ive? - before them, Blue proved to be one of those boy bands who enjoyed huge success within a relatively short-lived period of time; it’s incredible to think that their initial run actually only lasted five years, between 2000 and 2005, because they packed so much commercial triumph into that period; all three of their albums during that period went platinum multiple times, and they spawned a slew of number one singles, too; the R&B-tinged sound that the group aimed for set them apart from most of their contemporaries at the time, and tapped into the success of that genre whilst simultaneously exploiting the typical pop market. After splitting in 2005 to pursue other projects - Lee Ryan and Simon Webbe had briefly successful solo careers, whilst Antony Costa was best-known for being ridiculed on Never Mind the Buzzcocks, they made several aborted attempts to reform before ITV2’s The Big Reunion catapulted them back into the spotlight; they managed to route a tour of their own with a full live band late last year, and they’ll swap those intimate venues for an arena jaunt along with the likes of Five later this year, as part of their Big Reunion commitments.
It’s strange how Britpop pretty much threw up the entire spectrum of success stories over the course of its brief nineties heyday - Oasis, the titanic stadium-fillers, Blur, whose constant reinventions never harmed their commercial appeal, Pulp, the critical darlings, and then the likes of Cast, who you can probably chalk up as one of the genre’s examples of nearly men alongside the likes of The La’s. Funnily enough, the band were formed in 1992 after frontman John Power left The La’s, and despite the fact that Noel Gallagher offered a ringing endorsement - comparing their live show to a “religious experience” - they never did quite take off as perhaps they should’ve.
After a low-key split in 2001, though, they reformed in 2010, eventually putting out a new album, Troubled Times, but primarily with the intention of touring. They’ve now completed several circuits of their native UK, remaining faithful to the classics whilst slowly but surely increasing the number of new tracks with which the set is peppered; the gradually increasing size of the crowds, too, is testament to how well the comeback has been received. The opportunity to see for yourself presents itself this coming December, with a lengthy lap of the UK pencilled in.
Glasgow Scotland natives Deacon Blue have been doing their stadium anthemic rock since 1985, having released six studio albums to date. They’ve had their music feature on soundtracks and a number over TV advertisements over the years. They achieved their first top ten single with “Real Gone Kid” in 1988 when it peaked at number 8 in the chart. They open this evening with “Real Gone Kid”, there is delay on the guitars as the lights go from dark to light, illuminating the stage. The famous octave piano sounds at the start, and then the hit hats come in, setting the pace for the rest of the song. After a “two, three, four”, bellowed by front man Ricky Ross, the bouncing of the audience begins, followed by the chorus of joining in with that distinctive falsetto “Oooo” hook that repeats in the opening of this song. There is a huge sing along when it comes to songs such as “Fergus Sings the Blues” and “Chocolate Girl”. Their cover of Burt Bacharach and David Song’s “I’ll Never Fall in Love Again” is a surprising but intimate moment between Ross, his left hand woman and wife Lorraine McIntosh and the audience.
When they launch into “Fergus Sings the Blues”, they sing the chorus and the whole audience join in singing at the top of their lungs. Singer, Ross takes a step back from the microphone before starting the song to just take in the amazing audience reaction. The set, rightly so turned into a mutual appreciation society between the audience and the band.