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Belle and Sebastian was founded by Stuart Murdoch and his friend Stuart David for Murdoch’s music class at Stow College. Murdoch had been dealing with chronic fatigue syndrome prior to attending college and wrote stories and music in his free time as a way to cope with the illness. Originally, Murdoch was assigned to record one demo for the class’s label Electric Honey. However their professor was so impressed that he allowed the group to record a full LP entitled “Tigermilk.” The original Belle and Sebastian consisted of guitarist Stevie Jackson, cellist Isobel Campbell, keyboard player Chris Geddes, and drummer Richard Colburn.
Jeepster Label released Belle and Sebastian second album called “If You’re Feeling Sinister” in November 1996. By this time, the group had a cult following. After Sarah Martin joined the group as a violinist, the group released a triad of EPs in 1997: “Dog on Wheels,” “The Lazy Line Jane Painter,” and “3…6..9…Seconds of Light.” The last EP made the Top 40’s chart in the UK.
Shortly after the debut of their next album “The Boy With the Arab Strip” in 1998, Belle and Sebastian was awarded “Best Newcomer” at the 1999 BRIT Awards. In the early 2000s the band toured internationally despite the news that founder Stuart David and cellist Isobel left the group.
Belle and Sebastian changed record labels to Rough trade in 2003. The change seemed to be a good move since the album “Dear Catastrophe Waitress” had a few songs chart in the UK, such as “Step Into My Office Baby” and “I’m a Cuckoo”.
The band continues to make music and have played at historic venues like the Hollywood Bowl in Los Angeles, US. Their music has been described as whimsical and has been compared to bands like The Smiths.
Named after the French football team AS Saint Etienne - rather than the city in which they’re based - you could certainly be forgiven for thinking that it was the latter that was actually the case, given what a European flavour there’s always been to Saint Etienne’s sound. Over the course of a career that has lasted close to twenty five years, at this point, the Croydon outfit have rewritten the rules of alternative dance, blending pop sounds with house affectations in order to make their own sonic lane. They’ve released eight studio albums to date and maintained a steady level of commercial success - two of their early nineties albums, 1993’s So Tough and 1994’s follow-up Tiger Bay cracked the top ten in the UK, at numbers seven and eight respectively on the albums chart - and their cult fanbase continues to pack out their gigs, both in the UK and on the continent.
They remain a flamboyant live proposition, too, with their standard rock band setup used in unorthodox ways - listen to their washed-out bass sounds, for instance - and Sarah Cracknell a genuinely enthralling frontwoman, with her energetic presence often balanced against her sultry, laid-back vocals; there’s nobody quite like Saint Etienne on the live circuit today.
Joeg_67
Belle & Sebastian have enjoyed one of the most musically fascinating evolutions of any rock and pop band in recent memory. Beginning as a gentle, multi-instrumental folk pop band in the 1990s, the band's shows could sometimes have an almost church-like atmosphere of quiet.
Over the past decade, however, the band has built on its own sound (without ever abandoning its roots), morphing over time into a vibrant, powerful, soulful, and downright playful group of performers.
The band, increasingly influenced by singer and songwriter Stuart Murdoch's creative genius, are heading back on the road this year for the first time in a few years, in advance of their latest record. While in concert they'll certainly take out the woodwinds and fiddles to perform audience favorites like “Stars Of Track And Field” and “Like Dylan In The Movies”, the real joy kicks in on newer material. Shot through with an almost Motown-like bounce, the audience is likely to be out of their seats and turning the show into a disarmingly sweet indie rock dance party.
At the center of it all in concert is Murdoch. In front of a band that can sometimes swell to as many as a dozen members, it seems sometimes as if he's leading an orchestra more than a pop group. Affable and funny, Stuart engages the audience in charmingly playful banter that that helps make even festival shows in front of tens of thousands feel like a rollicking Scottish house party.
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