Gregory Porter was born in Los Angeles and was raised in Bakersfield, California, where his mother was a minister. A 1989 graduate of Highland High School, his path was originally leading to a career in sports after Porter gained an athletic scholarship to San Diego State University. However after incurring a shoulder injury during his junior year of high school, his football career was not to be.
Porter instead began recording music influenced by his adoration for blues, soul and gospel. His debut album 'Water' was released in 2010 via Motéma Music and gained the singer/songwriter a nomination for Best Jazz Vocal album at the 53rd Annual Grammy Awards. During this time Porter was performing as part of the original Broadway cast of 'It Ain't Nothin' But the Blues'. The second album 'Be Good' was released in 2012 and following his notoriety from critics, it achieved moderate chart success across Europe. Once again critics adored Porter's blues/jazz sound and he picked up his second Grammy nomination, this time for Best Traditional R&B Performance for the album's title track.
The third album 'Liquid Spirit' was released in 2013 after he signed a contract with Blue Note Records (Universal Music Group) and was produced by Brian Bacchus. It was a huge success worldwide, charting within the top 20 of the UK album charts, top 10 in Germany and The Netherlands and cracked the top 200 in the US. This album went on to win Gregory his first Grammy Award for Best Jazz Vocal Album supporting the theory 'third time lucky'.
I like jazz, particularly vocal jazz, but don't often get the chance to see it live. When Gregory Porter came to The Miller Center for the Arts in Reading, PA, reasonably close to where I live, some friends and I got together and decided to go see him live.
Gregory Porter has a fantastic, smooth voice, perfect for singing jazz music, and performs with a very large instrumental group so seeing him in concert is almost like seeing a symphony orchestra perform. His music is soulful, yet sedate, harmonic and relaxing.
He has, of course, the traditional jazz instrumentation like the piano, brass instruments and saxophone, but his addition of other instruments like flutes, guitars, violins and a variety of percussion give his music a fuller, more complex sound and at least for me, the vocals help to keep me engaged and punctuate the music so I notice the subtle differences in each verse, the voices of the different instruments rising up at different times throughout the song, all creating a wonderful performance well worth your time in going in person.
I would gladly take the opportunity to see Gregory Porter again in concert, and he is well deserving of the Grammy he won for best jazz vocal album.
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