Für Fans von: Indie & Alternative, Elektronisch, und Jazz.
genre_page_link
Named after a New Order fan club “Epsom Mad Funkers”, EMF formed in 1989 later securing a record deal with EMI/Parlophone after only four live shows. Comprised of frontman James Atkin, guitar and keyboard player Ian Dench, keyboard and synth player Derry Brownson, drummer Mark Decloedt, DJ Milf, guitarist Tim Stephens, and bassist Stevey Marsh, all EMF’s members were well known in the Gloucester music scene prior to forming the group. Dubbed as mixing the Madchester style of music with indie dance, EMF issued their debut single “Unbelievable”, which found instant commercial success. Topping the charts in a host of countries, including the U.S. and the UK, the single samples U.S. comedian Andrew Dice Clay and was produced by Ralph Jezzard.
The band’s full-length “Schubert Dip” subsequently earned its release in 1991 where it peaked at No. 3 on the UK Albums Chart. Dubbed somewhat of a disappointment, the album received mixed reviews, yet spawned the singles “I Believe”, “Children”, and “Lies”. A year later the EP “Unexplained” hit the shelves, followed the same year by EMF’s second studio album “Stigma”. Led by the single “It’s You” the record proved another disappointment and was followed by contributing “Unbelievable (The Hovering Feet Mix)” to the 1992 Red Hot Organisation’s dance compilation “Red Hot + Dance”.
EMF’s 1995 album “Cha Cha Cha” came and went without turning many heads despite the singles “Perfect Day” and “Bleeding You Dry”. A cover of the Monkees song “I’m a Believer” saw the group return to the chart with the single peaking at No. 3 on the UK Singles Chart. Following the release of the single “Afro King” EMF announced they were splitting up however continued to play music individually. In 2001 the group returned to release the compilation “Epsom Mad Funkers: The Best of EMF”, spawning two un-charting singles “Incredible” and “Let’s Go”.
Rob Birch and Nick Hallam started a label called Gee Street with money that they found from leaving their London flat. The managed to catch the attention of 4th & Broadway and recorded the debut album “33-45-78” with DJ Cesare. “Elevate My Mind” gained the reputation of being the first British hip-hop single to reach the R&B Chart. They added many credits to their CV, supporting the Happy Mondays on a US tour, and started to build their name in the UK Indie Dance scene. They released an album called “Supernatural” in 1990, and on the back of it, managed to do remix work for U2, Queen Latifah and Monie Love to name a couple.
Their mainstream single “Connect” which reached number 2 on the UK Singles Chart earned the band a BRIT Award for Best group and Best Album, and following this success they established a publishing firm and signed Finley Quaye.
Stereo MCs managed to build up their reputation as remixers simultaneously when they released a version of “Music” by Madonna in 2000, and then the following year, embarked on a tour opening for Jane’s Addiction. In December 2008, the band supported Madness at the O2 Arena in London. The band still have a sterling reputation as producers under their name Ultimatum.
A great performance let down a wee bit by a poorer set list. For me the two initial EP's need to be played in their entirety and if we're really lucky twice!!.8/10
If for nothing else, the electro rock outfit EMF would be notable for the fact that they managed to achieve a huge hit single on both sides of the Atlantic - ‘Unbelievable’ topped the charts in the United States, and came in at number three in the UK - but even more interesting is that, technically speaking, the Gloucestershire outfit can also lay claim to having the song that is responsible for the most profanity ever broadcast on radio. During the chorus on ‘Unbelievable’, a constant shout of “what the f*ck was that?” can be heard in the background, and due to the unclear nature of the words uttered, it was never edited out - despite the fact that the CD booklet confirmed that those were indeed the words involved.
Just the fact that a band so open about the drug culture that inspired them could be such a success was incredible in itself (EMF apparently stood for, Ecstasy, Motherf*cker, From Us to You), and after fizzling out in the mid-nineties, they’ve continued to sporadically reform since to play shows to their still-existing cult fanbase; they certainly characterise that Madchester-style sound that was the staple of clubs around the country in the early nineties, so it’s little wonder there’s a nostalgia market for them to exploit.
There aren't enough good things I can about the Stereo MCs concert I attended a few weeks ago. I've been a fan of theirs forever, growing up listening to their alternative take on hip-hop and electronica, but have missed them the few times they've come to my area.
I think the favorite song for everyone was their old hit Connected. Even though it's from the early 90s, everyone still loves this song, myself included. I knew the beat as soon as it started! I couldn't stop from singing along and dancing around. They also did some newer songs that I'm not very familiar with. They all sounded awesome though. I danced along and didn't care! It was a really fun time from a band I've been wanting to see for a very long time.
The energy stayed high all night, and by the end of the night, I was thoroughly worn out. In a good way though! Their music really keeps you moving the whole time. I hope it's not years before they come around my way again. It was such a good time that I would love to do it again soon. At least I have some awesome pictures to remember the night by. All in all, a spectacular time!