At the dawn of the ‘90s, when the most popular hip-hop was neck-deep in intimidating street tales, New Yorkers De La Soul offered an alternate take, striving for peace and harmony with creative rhyme styles on their critically acclaimed debut 3 Feet High and Rising. Prince Paul’s heavily sample-based production style and inventive skits remain massively influential, even as hip-hop aesthetics have shifted from the jazz, soul, and classic R&B sounds he drew from. The group continued to evolve, leaving behind the flowery aesthetic that mistakenly branded them as “hippies” for a darker tone on records like De La Soul is Dead and Buhloone Mindstate. Though this current lineup is without Trugoy the Dove—who passed in 2023—the group has experienced a resurgence of interest with new 2025 release Cabin in the Sky. They’re joined by Bronx legend Pete Rock, producer and occasional MC best known for his collaborations with CL Smooth (“They Reminisce Over You (T.R.O.Y.)”) and his production work on classic albums by Nas, AZ, Rakim, and his cousin Heavy D. Widely considered one of the most renowned hip-hop producers of the ‘90s, his hazy, jazz-centric sample style is both distinctive and widely influential. His recent studio collaboration with Common, The Auditorium Vol. 1, earned him a GRAMMY nomination last year. Actor, comedian, and musician Hannibal Buress will open the evening with a DJ set.
Für Fans von: Hip-Hop, Elektronisch, und comedy.
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Made up of Posdnuos, Dave and Maseo, De La Soul’s debut album, “3 Feet High and Rising,” released on March 3rd, 1989 became a critical smash hit in the hip-hop genre. They became prominent members of the Native Tongues Posse along with A Tribe Called Quest, Black Sheep, Queen Latifah the Jungle Brothers and more. It was also the single “Me Myself and I” that became a huge hit, further cementing the group’s popularity. Unfortunately, the sixties pop group, The Turtles, sued De La Soul for using a sample from their 1969 hit “You Shows Me” for the interlude track “Transmitting Live from Mars”, despite them not even writing the original song. All of this aside, the album made it to #24 in the Billboard Music Charts. It has been dubbed as “One of the greatest albums ever made” by the NME, “The Sgt. Pepper of hip-hop” by the Village Voice. It was also #5 on the top 100 albums of the century, according to Spex.
Their following album, “De La Soul Is Dead”, was released on May 13th 1991. It is highly regarded in the hip-hop community as a classic. The album’s title is in reaction to the group being labelled hippies following its debut release. The album cover, a broken pot of daisies, signals the end of the D.A.I.S.Y age. It has been labelled as edgier than it’s first release. Despite not selling as many units as the previous album, it quickly became a cult classic. The Source magazine listed the album as one of their top 100 hip hop albums of all time, stating that “its true genius is rarely understood”.
Throughout their career, they evolved and transcended, stylistically and musically. There were moments on the album, “Buhloone Mindstate” that proved that the band had matured. “I Be Blowin” was a departure as the track was an instrumental featuring saxophone playing by Maceo Parker. “Breakadawn” featured a sample of Michael Jackson’s “I Can’t Help It” and Smokey Robinson’s “Quiet Storm”. Each album that they released, would gain the kind of critical reputation that would solidify its place as one of the most “influential albums” or “best hip-hop album”.
After a few years out, they made a comeback with their album “Plug 1 & Plug 2 Present…First Serve.” It was in collaboration with French DJ duo Chokolate and Khalid, released on April 2nd 2012.
The son of a part-time DJ, who spun records to members of the Wembley cricket club in The Bronx, Pete Rock met his future recording partner CL Smooth during high school. Rock’s initial excursion into the hip-hop community came when he became a recognised DJ on New York WBLS radio show alongside Marley Marl. Known for using double copies of every record, allowing him to cut up and mix every track, it wasn’t long before Pete Rock became a respected and popular DJ. With the success of his DJ career Rock moved on to producing in the early 1990s and in 1991 collaborated with CL Smooth on the EP “All Souled Out”. The EP was well-received by critics and fans alike and led to the subsequent release “Mecca and the Soul Brother”, which was regarded as one of the greatest hip-hop albums of all time.
The duo then became the first act to sign with Elektra Records, managed by Eddie F of Heavy D and The Boyz, and Pete Rock proved himself as one of the three “Untouchables” producers alongside Eddie F and Nevelle Hodge. In addition to releasing his own material, Pete Rock produced for some of the most respected names in hip hop including Run-DMC, Nas, Jeru the Damaja, Public Enemy, and The Notorious B.I.G. Like its predecessor, Rock and CL Smooth’s follow-up “The Main Ingredient” earned critical acclaim from the musical press and a ever-growing fan base. After the release however the duo split and Rock went on to form the group INI in 1995, with the talents of Grap Luva, Rob-O and I Love H.I.M. The group’s debut was the 12” classic “Fakin’ Jax”, followed by the full length “Center of Attention”, which remained unreleased until 2003.
Pete Rock’s solo ambitions were realised in 1998 with the release of his debut full-length “Soul Survivor”. The rapper was subsequently dropped by the label Loud Records, however after signing with Rapster/BBE released “Petestrumentals” a collection of largely unreleased beats and instrumentals. In 2004 Rock released the follow-up to “Soul Survivor” entitled “Soul Survivor II”, which featured guest contributions from RZA, Talib Kweli and CL Smooth. The album marked the beginning of a relationship with Wu-Tang Clan, and in 2006 Rock produced three tracks for Ghostface’s “Fishscale” album. Rock’s next solo album “NY’s Finest” was issued in early 2008, earning favourable reviews and featuring the likes of Kool & The Gang, Redman, and Raekwon, followed by “Monumentals”, which appeared in April 2011 in collaboration with the rap group Smif-N-Wessun.
De La Soul seem to be in perpetual touring motion; whether it’s anniversary tours for their classic 3 Feet High and Rising LP, hip hop super tours like the Science of Speech festival of a few years back, or large-scale outdoor festivals, they seem to have a set to suit any surroundings. Most recently, an extensive European tour culminated in a hit-packed performance on the Pyramid stage at Glastonbury, with Maseo, Dave and Posdnuos backed by a an extensive live band, with plenty of percussion and a brass section - the latter, anybody would tell you, is essential to the De La sound. They also reminded the crowd just how deep their back catalogue runs; 3 Feet High classics like ‘Me Myself and I’, ‘Eye Know’ and ‘The Magic Number’ were of course present and correct, but a run through the Grammy-winning Gorillaz track ‘Feel Good Inc.’, on which they featured, was barely distinguishable from the original, proving that it was De La, rather than Damon Albarn, that were at the heart of that hit, with Maseo even reproducing his signature maniacal laugh on the track. The trio are back in the UK in August for a slew of club shows; currently in the live form of their lives, you’d be ill-advised to miss them.
The legendary beat maker extraordinaire that is Pete Rock gave us a great DJ set when I saw him perform. Although there were no live MCs, the show reminded every hip hop mad audience member of the artistry that goes into hip hop production. He lead us through a sonic landscape that saw us journey from classic 80s R&B right through to more contemporary hip hop. A Tribe Called Quest and Gangstarr featured heavily in his set - something that wasn’t too much of a surprise to listeners aware of his involvement with the production of a lot of those artists’ material. There was a lot of 90s style hip hop featured throughout the show in general, and the audience loved it! If you love hip hop, vinyl, and/or jazz and R&B, go see this guy! He dropped a few of his own remixes and laced it all together with his great vinyl mixing and matching skills. All in all, the show was a crate-digger’s dream!
Astute. Intelligent. Crass. Reasonable. And a good guy.
Loved Tony mixing the beats in with his show.
I'd see him again, next week, and again the month after that. Great live show!