Estadísticas
Biografía
Rising from the ashes of their former band Toxic Parents, Claudio Sanchez (lead vocals) and Travis Stevers (rhythm guitar) experimented with a host of genres influenced by the likes of: Led Zeppelin, Misfits, Pink Floyd, At The Drive-In and Iron Maiden. Originally known as Shabutie, the band released their debut EP “Plan to Take Over the World” in 1999 through Wisteria Records and followed later that year with “The Penelope EP”.
With the new millennia came new direction encapsulated in the release of their third EP “Delirium Trigger” (2000) with many of the tracks based on science fiction comic series Sanchez had been penning, initially known as “The Bag.On.Line Adventures” and later became “The Amory Wars”. It would be these works which would evoke a recurring theme which would inspire future material for the band starting with the name change to Coheed and Cambria after the two main characters.
Having signed with Equal Vision Records, the band went on to release their debut full length album “The Second Stage Turbine Blade” in 2002, taking its concept from the comic series. Later in the year the band connected with a man who take their career to unprecedented heights, Blaze James who would become their manager. Spending the next few years relentlessly touring playing alongside: Linkin Park, The Used, Slipknot, AFI and Trivium unleashed them into the public as they saw their fanbase known as Children of the Fence (another comic reference) increase tenfold.
It was the release of their second album “In Keeping Secrets of Silent Earth: 3” in 2003 which really got the ball rolling. Certifying platinum in the US, it caught the attention of Columbia Records and in 2005 they signed a multi-album deal. Five top 10 albums later, line-up changes, a fine selection of festival appearances across the globe, Coheed and Cambria continue pushing genre divides while remaining true to the very essence of what they’ve created.
Críticas en vivo
Enigmatic as they might appear, there is plenty to explore in Coheed and Cambria's eclectic catalog of albums with their multi-faceted and diverse delivery. Following a central sci-fi concept, the lyrics tell a broad and interesting story that is just as captivating as the incredible musicianship which exhibits a strong progressive-rock influence, yet can most certainly tone the complexity down at points in favor of more straight-forward rock anthems. The technicality blends so well with a fair amount of accessibility, which makes the best of both of those worlds. With a story so complex and seemingly neverending, Coheed and Cambria manage to suck you into their fictional world comfortably, easily, and very hastily. Their music shines in every aspect, demonstrating an ample amount of creativity that is well-balanced with technical proficiency. However, the fantasy that their lyrics depict is shown full-force with their live show, where you are one with this alternate universe. Everything fictional about their music feels so undeniably real in the presence of the four prog-rockers as they pummel you with an onslaught of flashy solos and riffs, complex drum patterns, and singer Claudio Sanchez's strong vocal delivery that hypnotizes an audience at their show even more than a listener of their albums. The atmosphere becomes so strong as they take hold of the stage and it becomes illuminated with their intense and fitting light show, which ends up becoming a part of the music itself. It goes beyond being a "rock show" and in turn becomes a beautiful and spectacular event.
With their music being almost as intriguing as their choice in hairstyle, Coheed and Cambria are an interesting and involving live act to view. Although a lot of their albums are conceptual and the music feels as though it must be played together, the band inventively merge songs from their entire discography to deliver a live show that is assured to please all members of the audience.
Having formed twenty years ago, the band has an expert understanding of the progressive rock genre and plays their music at an exceptional level. There is never a note out of place or a sound issue on the likes of complex, spanning 'A Favor House Atlantic'. The music is developed and expanded for the live performance and seems even larger than that found on the recorded albums. The audience watch in awe as Travis Stever manipulates his guitar to create momentous sounds.
The band although entranced in their own private world do pause to thank the crowds frequently and enjoy the cheers after singles such as 'Blood Red Summer'. The largest reaction of the night is saved for a gargantuan rendition of 'Here We Are Juggernaut' which leaves the crowd in a stunned sense of wonder.
Saw them at the Metro Theatre in Sydney for their first Australian show of the Color Before The Sun tour. Needless to say the music was fantastic! The band seemed happy and calm as they rocked the show. As an audience member I felt engaged by the band, with Claudio gesturing for everyone to sing along, especially early on during IKSSE3 to get everyone excited and involved. I felt a sense of community with other fans and the atmosphere of the show was good. My favourite moments were Claudio getting the whole audience to sing lines like "Man your own jackhammer!" and "Raise your hands high!" complete with bright lights being shone on us, and when they ended the show with Welcome Home and Claudio didn't even have to sing much of it - the band just smiled as the audience roared the lyrics in unison. Coheed really gives the audience a sense of appreciation and you can see why they have such a strong and committed fanbase. I will definitely see them again!
I hadn't heard any of The Story So Far, and very little of Taking Back Sunday's Music...they were both decent, probably would have been better had I known any of their songs.
Coheed blew the motherfucking doors off! I love that they are no bullshit. They come out, rock out with basically no stops (i.e. no thank you and pandering after every song) and then get off the stage. Claudio's vocals are as good (if not better) live than they are on the albums, they relish having the crowd into the music, cutting out playing instruments/singing periodically and letting the crowd belt out a bar or two on their own.
They are absolutely one of the best live bands that I have seen...which is why when a friend asked me if I wanted to go to the show, I immediately said yes, as I needed to see them again. Was not disappointed in the slightest.
10/10 - Will absolutely go see them again.
It was certainly a good performance, with every member keeping energy high. I'm always impressed with Travis being able to hit those complex guitar lines exactly like they sound on album.
There was a solid mix of old and new, including the two new songs available to hear online. Starting with 'In Keeping' and 'Devil in Jersey'.
But all that said, it was cold and raining. Non-stop rain, and the ground was turning to mush. I don't think I could go to another Outer Harbor concert without getting ticket insurance. I love Coheed, but that cold was brutal. We actually left before Modest Mouse and Rise Against, it was just too cold.
I've seen Coheed and Cambria 8 times and their shows never fail to amaze. They've continued to get better and better when it comes to crowd involvement and the insensitivity level is always through the roof. Whether you're a die-hard fan or a new listener, they cover some of their 'greats' as well as some newer music. Catching a 'neverender' tour is definitely recommended. Their 'neverender' tours consist of covering one of their albums from start to finish with a separate set that will cover hits from other albums of theirs.
Honestly, it seemed like they were having an off night. I've seen them before twice now and those other instances were flawless performances.
It seemed like there were many mistakes, and they were not very cohesive tempo-wise. And there were lots of lyrics skipped made some of the songs feel disjointed. To cap it all off they did not play an encore even when everyone was chanting wanting them to stick around. They just ended the set with "Welcome Home". It was a bit of a let-down.... Still had fun
My first show ever!! Im 15 and i was probably the only underage one there. I went with my 2 sisters and their boyfriends (soon to be husbands). The first opening act was ok and a little too metal. But Thank You scientist was an amazing band!! The violinist killed it! Coheed was also spectacular performers. The show was fun and filled with headbanging and moshpits. The crowd loved it. My first show ever was amazing!! Im definitely gonna start going to more concerts!
It was fantastic, as my first Coheed and Cambria concert this was amazing. The opening band Astronoid was incredible, The contortionist were very unique and different and man, getting to see Coheed Live was such an experience. The crowd was so energetic, the song list was perfect, and just being there was such a blessing. I cannot wait for them to come to Orlando again or a surrounding area so I can experience this again!
Coheed is always great; the music, their stage presence were as good as ever. Sadly, their set was very short. It seemed like Taking Back Sunday played longer. When you're not a fan of the undercard bands, it's hard not to feel a little disappointed when the headliner doesn't play a longer set. Probably dumb downtown noise ordinances were responsible for the hard out, but why not start the show earlier if that's an issue?