Para fans de Metal, Rock, Electrónica, comedy, Indie y Alternativa, y Funk y Soul.
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Hatebreed started out by producing a three-song demo and selling it to local people in Bridgeport and New Haven, Connecticut, U.S., and was eventually released in 1995 on a split seven inch with fellow band New York’s Neglect. Consisting of Jamey Jasta on vocals, Lou Richards on guitar, Chris Beattie on bass, Sean Martin on guitar and Rigg Ross on drums, the band self-released the critically acclaimed EP “Under the Knife” in 1996 which has been re-released by all of Hatebreed’s subsequent labels.
The band’s aim was to identify what was important about hardcore music; the thrashing guitars, the screamed vocals, the huge, heavy drums and make that the soul of their sound. The band’s 1997 release “Satisfaction is the Death of Desire” did exactly that, released on then the most reliable hardcore label Victory Records, the album was the highest selling album the label had ever witnessed.
The influence of touring with mainstream metal bands Deftones, Entombed and Slayer was evident on Hatebreed’s following two albums “Perseverance” released in 2002 and 2003’s “The Rise of Brutality”. 2004 saw the band join Slayer, Slipknot and Mastodon on the Unholy Alliance tour of Europe and introduced the band to a wider audience. In 2004 the Hatebreed was nominated for the Grammy Award for Best Metal Performance, ultimately losing out to Motörhead.
Prior to the band’s 2006 full-length album “Supremacy” released on Roadrunner Records, Hatebreed performed at Download Festival in Donnington, UK, and Ozzfest with the likes of Disturbed and Avenged Sevenfold.
Guitarist Frank Novinec was added to the line-up in 2006 as well as Wayne Lozinak in 2008 and both played on the covers album “For the Lions” which dropped in May 2009 as well as the band’s self-titled album in September 2009. “The Divinity of Purpose” Hatebreed’s sixth studio album was released on January 25, 2013 and was another in long line of successes for the band, who have sold over 1.1 million records worldwide.
Scott Vogel is a punk rock singer who made his name on the New York hardcore scene fronting bands like Buried Alive and Sludgefest. Early 2002 saw him relocate from the east coast to the Los Angeles, California on the west coast, with the intention of fronting a hardcore band with a difference. He wanted to sing in a band that could bring back the fun and purity that he valued in the hardcore scene which he felt was sorely lacking in most major scenes. By April 2002 he had found that band, named them Terror, and issued their first demo tape. The tape was rapturously received and got them a record deal with Takeover Records, with whom they released a number of 7” singles during what little downtime they had from touring.
The name the band had made for themselves got them a record deal with Bridge 9 and soon afterwards, the band recorded their first E.P “Lowest Of The Low”. It was released in January 2003 and was an instant critical smash, leading to a European tour with the legendary Biohazard for their troubles. Ever since then, they’ve become one of the most beloved hardcore bands around, with a live show that’s equal parts fearsome and life affirming. They’ve even managed to turn their status as cult heroes into some commercial success, with their second album, 2006’s “Always The Hard Way”, selling 40’000 copies in total. They’re a band to believe in, without being all that serious to begin with. For that, they come highly recommended.
I saw Hatebreed live in concert, after never hearing or seeing anything about them, at a show with a friend of mine. They play heavier metal songs, which I am usually not a fan of, but this band turned me around on my thinking.
They had great beats and guitar riffs. Their songs have a faster beat than I’m used to. The lead singer spoke to the crowd a lot throughout the show and encouraged audience participation. I think this added to my enjoyment of the show, the lead singer never let up and kept the audience as part of the show for the entire show, it was great.
They opened with This Is Now, and played quite a few of their songs, such as A Call for Blood, To The Threshold, Empty Promises and Destroy Everything. They played for just over an hour and didn’t take any breaks during their set. The audience was really in to the show and there was moshing and dancing throughout the show. They played on a large stage that had a lot of lighting but they didn’t use it much.
I wasn’t a fan of the band before the show, but I definitely am now.
Vision of Disorder has been a band for over twenty years. They take to the stage tonight in front of a rowdy horde of punters, with their distorted riffs, complex drumbeats and steam train sized sound that always leaves this audience wanting more.
They were signed to Roadrunner Records in 1996, and released two studio albums under their name, but unfortunately their relationship with this label didn’t last, and they found themselves on Go Kart Records, all the while, maintaining their loyal following.
Tonight, with their uber-heavy sound, they take to the stage and trawl through songs such as “Set to Fail” and “Element”, which are some of their biggest tracks to date. The participation is fantastic, with people screaming along with fists in the air, enjoying this dark and obscure, riff heavy music. Vocalist, Tim Williams has got a terrifying scream on him, perfect for the genre of music, he even puts the microphone in various audience members faces for them to sing parts of the songs.
Lannistaar
Metal music is sometimes too intense for me, but after seeing the crossover band, Terror, perform live, I thoroughly enjoyed their performance, and have started listening to more music of the genre. Their performance is what really grabbed me, I love shows that involved the audience, and they were encouraging us in the audience to jump up on stage, and then run across and jump back off. We were relatively near to the front of the stage, so I jumped up on and it was so much fun! There was crowd surfing, and they even handed some people their microphones when they were up on stage to sing along.
As well as it being super interactive, all of the band members were super talented, and they played through One With The Underdogs in its entirety, and everyone was singing along from start to finish. The way that they write their music is reminiscent of traditional metal music from back in the day, and isn’t as heavy as modern Swedish metal music. The last track they played, Strike You Down, had their lead dinger, Scott Vogel laying on his back crowd surfing, singing whilst being carried around. It was the best gig I’ve ever been to – the atmosphere was insane!
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