Dustin Lynch moved to Nashville in 2003 in pursuit of a career in country music. He signed to Broken Bow Record in late 2011, and released his debut single “Cowboys and Angles” on January 16th 2012. It’s a mid-tempo song that gained a lot of critical acclaim, such as Billy Dukes of Taste of Country, who gave the song four out five, praising Lynch’s “sturdy voice” saying that the chorus “Showcases his natural talent”. It debuted at number 59 on the U.S Billboard Hot Country Songs chart for the week of January 21st 2012. It climbed to number 2 in October. His self-titled debut album, released on August 21st 2012, made it to the top spot of the Country charts. Later that year, “She Cranks My Tractor”, which was released on November 19th 2012, also charted, as did the third single from Lynch’s self-titled album, “Wild in your Smile” which made it to number 32 on the Country chart. Billy Dukes of Taste of Country gave the song three and a half stars, saying that “a lesser singer may have turned this song into a droll, cliché experience but “Wild in your Smile” pops with the help of some country-rock production”. He also said that “it sounds so easy for Lynch to sing with strength and conviction, and he’s showing the capability to navigate the subtleties that separate a good song from a great song”.
In early 2014, on March 31st, Lynch released his fourth single, “Where It’s At (Yep, Yep)”, which became his first number one on the Country Airplay chart in September 2014.
He received nominations for Single of the Year and Music Video of the Year at the American Country Awards 2012. He also received a CMT Music Award nomination for Breakthrough Video of the Year for “”Cowboys and Angels” in 2013.
Before Brooks and Dunn became the hit duo they are known as today, each musician got his start behind the scenes, writing songs for artists with the stature they dreamed of possessing and one day would eventually exceed. Brooks a native of Shreveport, Louisiana, got his start in the music industry playing varying venues in the state of Maine. He later moved to Nashville in 1979 and wrote several hit singles for big time acts such as John Conlee, Nitty Gritty Dirt Band, The Oak Ridge Boys, Nicolette Larson, and Keith Palmer.
Ronnie Dunn was born and raised in Coleman, Texas, which does not come to much of a surprise as the influence of Texan country swing pioneer Bob Willis permeates through his style. Dunn’s original intentions were to become a Baptist preacher; however, he had a mutual passion for music. The latter of the two got the better of him as his stints playing in bars eventually got him kicked out of Hardin-Simmons University and resultantly put his pursuits as an evangelist on hold. Dunn later moved to Nashville and caught the attention of Tim DuBois, an executive of Arista Nashville. DuBois concocted the idea of pairing Dunn with Brooks and after hearing their collaborative demo he was convinced that they should act as a duo.
Brooks & Dunn were an instant success. A year after their formation they released their debut single “Brand New Man”, which hit no.1 on the Hot Country Songs in June 1991. This track was featured on their 1st studio album (also entitled “Brand New Man” ) alongside four other hit singles “My Next Broken Heart”, “Neon Moon”, “Lost and Found”, and “Boot Scootin’ Boogie”. The album went to no. 3 on the US Billboard Top Country Albums charts, no. 10 on the US Billboard 200 and has since gone on to sell over 6 million copies. Their sophomore release “Hard Workin’ Man” matched the success of their triumphant debut. It peaked at no. 9 on the US Billboard Charts and included 5 singles that entered in the top 5 of the US Country Singles Chart.
The 90s proved to be a prolifically creative time for the duo. They spewed out hit after hit, releasing 2 country chart topping albums “Waitin’ on Sundown” and “Borderline”, which housed no.1 singles such as “She’s Not the Cheatin’ Kind”, “Little Miss Honky Tonk”, “You’re Gonna Miss Me When I’m Gone”, “My Maria”, and “A Man This Lonely”. Though the team were only four albums into their career a greatest hits compilation was more than warranted. In fact the hits were so profuse a 2nd greatest hits compilation arrived in 2004.
Brooks & Dunn exemplified they still held their charm with their 5th studio album “If You See Her”. Like their previous releases the album was a commercial success reaching no.4 on the US Billboard Top Country Albums and sporting three no.1 singles: “If You See Him/If You See Her”, “How Long Gone”, and “Husbands and Wives”.
Their hot streak came to an end with their 6th studio album “Tight Rope”. While the album was in no way a commercial flop it failed to live up to the standard set by it’s predecessor; however, it did peak at no. 6 on the US Billboard Top Country Albums and featured the no.5 hit single “You’ll Always Be Loved By Me”.
The duo more than picked up the “slack” in the 2000s, releasing three consecutive albums to top the country charts “Steers & Stripes”, “Red Dirt Road”, and “Hillbilly Deluxe”. Five of their singles from this period claimed the no.1 spot on the Country singles chart and in the midst of all this they also released a widely popular Christmas album “It Won’t Be Christmas Without You”.
On 2 October 2007 Brooks & Dunn released their final studio album “Cowboy Town”. It was followed by two additional compilation albums: “Playlist: The Very Best of Brooks & Dunn” and “#1’s... and Then Some” as well as their farewell tour “The Last Rodeo”. After 20 years together the two musicians amicably parted ways to pursue solo careers; however, at the beginning of 2015 they reunited to perform a series of shows in Las Vegas, Nevada.
Dustin Lynch is the pinnacle of what I imagine country music to be. His gingham shirts, ripped jeans, boots and cowboy hat paired with the old guitar slung over his shoulder immediately transports you to the south. In 2003 Lynch made the brave decision to relocate to Nashville, home of the country singer, and try his luck there. His talent and charisma caught on slowly, but after his hard work and dedication, he was signed by Broken Bow Records in 2011.
Cowboys and Angels, my favourite song of Lynch’s was a collaboration with Josh Leo and Tim Nichols, and in my opinion, they should really write more together. It went straight into the top 20, being a solid release. Lynch’s work with other artists also gave him an amount of credibility which enabled him to begin his successful touring period. What I love about Lynch, is his enthusiasm that he shares with the crowd. He connects with them, not just from on the stage, but he also jumped down and immersed himself in the audience, which was one of the most memorable moments. Hopefully he’ll be touring far and wide for the foreseeable future, I will definitely be going back to see him again!
With over 30 million albums sold worldwide, Brooks and Dunn are the second highest selling musical duo of all time, runners up only to Simon and Garfunkel. With 10 studio albums and just under 20 years touring under their belts, Kix Brooks and Ronnie Dunn knew how to put on a show before their retirement in 2010. The duo would emerge on stage looking more American than apple pie, with buffalo skulls heading their drum kit and spurs knocking on their boots, the pair on the ‘Last Rodeo Tour’ would open with rowdy honky tonk numbers ‘Play Something Country’ and ‘Put a Girl in It’.
The hits would keep on rollin’, Louisiana born Brooks brooding, and Ronnie Dunn, Texan through-and-through, charging around the stage, letting the confetti fly as the patriotism was notched up to 11 with the inclusion of the song both Bush and Obama used in their Presidential campaigns “Only in America”.
The night would undoubtedly come to a close with arguably the duo’s biggest hit and the saviour of line dancing “Boot Scootin’ Boogie” and the pair would inevitably bring down the house. It doesn’t get more red, white and blue than a Brooks and Dunn concert, and it’s a shame one of the most ‘Murica bands of all time have bowed out, but line dancing will be forever grateful for the contribution of these legends to country music.