Para fans de Indie y Alternativa, Country, y Folk y Blues.
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Born in South Africa’s Johannesburg but raised in the Hampshire, UK, Flynn attended Winchester College on a music scholarship requiring him to learn two instruments, the trumpet and the violin. Flynn would later earn a second scholarship to nearby Beadles School having also became proficient at the guitar. In 2005 the singer and actor was named as one of Screen International’s Stars of Tomorrow which previously spotted the careers of Emily Blunt, Benedict Cumberbatch and James McAvoy. A year later he landed roles in the TV series “Murder in Suburbia” and “Holby City”, before earning his big break as Dolf Vega in the 2006 film “Crusade in Jeans”.
Two years later Flynn appeared in the television series “Kingdom” before the same year issuing his debut album “A Larum” to widespread critical acclaim. Recorded with his folk-rock band The Sussex Wit, the album spawned the singles “Tickle Me Pink” and “The Wrote & The Writ” and propelled the band up the indie-folk hierarchy. Following years of touring the record globally, the band returned in 2010 to release the full-length “Been Listening”. Featuring vocals from Laura Marling and guitar by Anna Calvi, the record was issued by Transgressive Records and earned positive reviews.
Johnny Flynn’s subsequent album “A Film Score of a Bag of Hammers” was issued in 2012 and was the musical accompaniment to the 2011 Brian Crano film “A Bag of Hammers”. Following its release Flynn appeared in the 2012 film “Something In the Air” and issued his third full-length album “Country Mile” in 2013. Led by the single “The Lady is Risen”, the record showcased years of dedicated touring and a maturation of songwriting. The album was supported by another extensive tour, after which he landed the role of James Forrester in the 2013 film “Song One” alongside Anne Hathaway. A year later the singer and actor played the lead role in the Channel 4 TV series “Scrotal Recall”, which earned an American released in 2015.
When you think about the horribly-monikered ‘nu folk’ movement that came out of London in the late noughties, you actually start to wonder whether there were any artists who didn’t go onto become success stories; Laura Marling, of course, is doing her very best to justify the innumerable Joni Mitchell comparisons that have been thrown at her since day one, Noah and the Whale have a sizeable cult following that apparently weren’t put off by the fact that, in between albums two and three, frontman Charlie Fink woke up one day with an American accent, and Mumford and Sons, regrettably, have become one of the biggest bands in the world. Johnny Flynn, though, didn’t fare quite as well, flying under the radar after the release of his debut A Larum LP in 2008, an album which really should have propelled him to bigger things. He’s retained a core fanbase, though, and made three more records since, and if you’re among that army of Flynnites, the good news is that his live shows have become laid-back, intimate affairs, with Flynn regularly interacting with and taking requests from the audience. He continues to tour the UK regularly, having put a new band together for last year’s Country Mile; he remains one of the country’s most underrated songwriting talents.