Forming in 1994, Michael Franti formed a new band with a few studio musicians after the dissolution of his previous band, Disposable Heroes of Hypocrisy. Their first album “Home” in 1994 drew inspiration from funk and soul music, and a mere three years later released their second album, “Chocolate Supa Highway.” The sophomore album had a changeup not only with the band members, but also with their sound, having more of a reggae and hip hop sound than the previous record.
After running into some issues with Capitol Records, the band left the label and formed Boo Boo Wax. In 2000 the band released “Stay Human” and the album touched upon social and political issues, such as the death penalty and corporate globalization. Following “Stay Human,” the band released “Everyone Deserves Music” in 2003, an album that was a bit more rock centric while still maintaining a blend of reggae and folk as well. Inspired by his trip to the Middle East, Franti wrote and recorded with his band, “Yell Fire!”
Having gained a large following through their extensive touring and alternative media, the band continued to find success, especially with their lyrics speaking about so many relevant global events and issues. Franti even played three different events to commemorate President Barack Obama’s inauguration.
Growing up in Oakland, California, US, Michael Franti was raised in a black community by his adopted white parents, an experience which fostered a deep awareness of his cultural identity, a theme which Franti often tackled through his music. This awareness of self led to Franti to become deeply interested in social issues, displaying the same sense of passion as Gil Scott-Heron.
Franti’s first foray into music was in 1986 with his drum ’n’ bass/industrial outfit, the Beatnigs, which came to an end after only one album release. Franti then turned his head to hip-hop, forming the Disposable Heroes of Hiphoprisy, fusing jazz-influenced beats with hard-hitting raps that was at odds with mainstream rap, attacking the misogyny and materialism inherent in the music.
Franti’s next project was with Spearhead, delivering socio-political hip-hop, addressing matters such as homelessness, police brutality and the increasing AIDS epidemic. Spearhead garnered critical acclaim through their releases, enjoying over a decade of success that offered a voice against social injustice.
In 2003, Franti released his first solo album, titled “Songs From the Front Porch,” an album of sensitive R&B delivered on an acoustic guitar, offering a new platform from which Franti could present his poignant and thought-provoking lyrics. In 2006, Franti united again with Spearhead for “Yell Fire!” which was recorded in Kingston, Jamaica, after which several live recordings were made available.
In 2008, Franti joined with legendary producers Sly & Robbie for “All Rebel Rockers,” a record that found influence from Jamaica once again. After a stint supporting John Mayer on his tour, Franti returned to the studio for 2010’s “The Sound of Sunshine,” before waiting three years to release new material, in the shape of “All People.”
It was a beautiful night in Santa Barbara. The venue was stunning and the vibrations were high! Micheal exudes love and genoursity as he shared the stage with a new songwriter and 2 other bands before he let lose on his dynamic show with a great band to back him up on stage. Micheal bravely and courageously dominated the venue with his talent and message.Wow! The guitar solos were fantastic! He has a great voice and presence. Everyone had a great time . There were all ages and personalities there. Micheal helped us drop our stuff and become united in his message of love and compassion. Highly recommend seeing him live!
Some of the first hip hop I ever discovered when I was a kid was by Michael Franti’s Spearhead. The record was the group’s 1994 debut called Home and it was a fusion of lounge hip hop, soul and spoken word. Franti’s acoustic solo album Songs from the Front Porch was something I played on repeat after he released it in 2003. Whether on his own or with Spearhead (he tends to perform under the moniker ‘Michael Franti & Spearhead), he has continued to make interesting world-laced hip hop and soul music in career than has lasted decades. He has turned his songwriting and vocal skills to almost all genres of music, with his latest releases featuring everything from folk and reggae to rock and dance music – in the ‘80s he event fronted an industrial punk band called The Beatnigs. Sadly I was just a baby, so I never got to see The Beatnigs live. Michael Franti is a towering figure (6 ft 5 in) to witness it the flesh, as I did in London a couple of years ago, but he seems like such a gentle giant. His voice is warm and his tone laidback, even though much of his lyrical content concerns serious social commentary – he is political activist and social justice filmmaker on the side. This particular show was geared more towards his funk party music than the chilled lounge-hop I best love him for, but it was still a fantastic show and his band was seriously good. He is the perfect all-round entertainer.
there was nothing original about them except for AL Anderson no opening act very disappointed I felt cheated so I wouldn't advertise for this so called original no horn section no backup singers almost like it was put together last minute.