Pour les fans de Jazz, Funk & Soul, R&B, et Hip-hop.
genre_page_link
Glasper grew up in Houston, Texas, US and was raised in a musical family. His mother was a professional jazz and blues singer, and her music deeply impacted Glasper’s passion for music. Glasper first started to play the piano in church and it was in church where he would begin to develop his sound. Glasper would later attend the New School for Jazz and Contemporary Music in New York City where he developed his techniques as a jazz performer. While attending the New School, Glasper met the neo-soul singer Bilal and began collaborating with him regularly. As Glasper’s music started to gain recognition in the community he soon ended up collaborating with recognizable artists like Q-Tip, Kanye West, J Dilla, Erykah Badu, Talib Kweli, and Jay-Z.
In 2004 Glasper released his debut album “Mood”. The album featured some of Glasper’s original music as well as renditions of jazz standards such as Herbie Hancock’s “Maiden Voyage”. In 2005 Glasper released his major label debut “Canvas” through Blue Note Records. The album featured Bilal on vocals and all original music except for a cover of Herbie Hancock’s song “Riot”. The album was presented in a progressive jazz and post-bop format, which incorporated complex time signatures and chord progressions. The album also contains the smooth sounds of the Fender Rhodes piano, which has a bell like quality.
In 2006 Glasper released his third album “In My Element”, which was a commercial success reaching the No. 9 position on the Billboard’s US Top Jazz Albums. The album showed Glasper performing another cover of “Maiden Voyage”, but this time it segued into a cover of Radiohead’s “Everything in Its Right Place”. In 2009 Glasper released the album “Double-Booked”, which consisted of one half of the album being performed by an acoustic piano trio and the other half of the album being performed by a band that used electric instruments. The album contained a diverse range of songs that were presented in a traditional jazz format as well as songs that were presented with funk elements. The album contained a cover of Thelonious Monk’s song “Think of One” and also contained guest appearances by Mos Def and Bilal. The album also received a Grammy Award nomination for Best Urban/Alternative Performance for the song “All Matter”.
In 2012 Glasper took a step back from traditional jazz music and released the album “Black Radio”, which combined jazz elements with hip-hop, soul, and R&B. The album contained guest appearances from many soul and hip-hop artists like Lalah Hathaway, Lupe Fiasco, and Mos Def. The album also contained mostly original music, but also a diverse selection of cover songs such as David Bowie’s “Letter to Hermione” and Nirvana’s “Smells Like Teen Spirit”. The album reached the No. 1 position on Billboard’s US Top Jazz Albums chart and the No. 15 position on the US Billboard 200 chart. The album also won a Grammy Award for Best R&B Album and received a Grammy nomination for the song “Gonna Be Alright (F.T.B.)”.
In 2013 Glasper released the album “Black Radio 2”, which followed in the same musical format as “Black Radio”. The album also featured many guest appearances by artists like Antony Hamilton, Norah Jones, Snoop Dogg, and Common. “Black Radio 2” also did well on the charts reaching the No. 1 position on Billboard’s US Top Jazz Albums chart. Robert Glasper is well regarded for his live performances and has played in the bands The Robert Glasper Trio, which is an acoustic jazz trio, and The Robert Glasper Experiment, which is an electronic act. Glasper has performed many headlining shows and has also played notable jazz festivals as well as other large music festivals such as Bonnaroo.
Robert Glasper is a multi-instrumentalist Jazz composer with one of the most low-key, but extensive rap sheet in the scene. His Jazz-Hip Hop fusions have featured on the work of Jay Z, Kanye West, Mos Def, Q Tip, Erykah Badu and plenty more. As a contributor he's lent his fresh hip hop inflected brand of contemporary jazz, as a performer and record maker he truly shines. Very much of the J Dilla school of beat makers, his Grammy award winning 2012 album Black Radio featured a whose who of Neo-Soul and Hip Hop artists culminating in one of the first truly original jazz records of the decade, and perhaps in the decades preceding it. Watching Glasper on stage, accompanied by long time collaborators and band members, one gets lost in the down tempo beats of his signature style. He'll often take over multiple instrumental roles depending on the track being performed, showing off an impressive array of talent most of us yearn for, all while he and other vocalists get intimate with a vocoder or two, whisking you off to some techno-jazz dreamland. These are relaxed, achingly cool affairs, the kind of show that requires a cocktail in your hand, but has no problem with your new Air Jordans.
Ever heard of a "double double bass"? No? Me neither. That was until I had the pleasure of experiencing two of the greatest living artistes of the double bass play at the packed Komedia deep in the famous Lanes of Brighton. Jazz man - soon to be labelled jazz great - Christian McBride and folk/bluegrass master Edgar Meyer joined their considerable forces for a night of joy and artistry by the Seaside.
The truth is that it was really Christian McBride who I had come to see. I'm a long time fan and, to be honest, I was a little disappointed that I wasn't going to see him in his now familiar excellent trio setting. When I realised that the person he was going to play with, Edgar Meyer, was a bluegrass master I consoled myself with the thought that my wife Kate would be very happy having a real affection for that music that I, as yet, have never fully acquired.
What happened next, after we bagged front table seats where it was physically impossible to be nearer to the performers without joining in, was sheer magic. Anyone subjected to me droning on about the best music gigs I've ever seen will possibly recall me praising a performance of jazz legend Sonny Rollins at the Umbria Jazz Festival, the maestro Yo Yo Ma entering a trance like state playing his cello in London and sitting in box seats with Kate at the famous Apollo in Harlem when the brilliant Lizz Wright made me cry and the other performances left me breathless. McBride and Meyer will now be added to the very select list that I will, no doubt, endlessly bore people with.
As I've already said I'm a fan of McBride, but I'm not generally a strings man - with the exception of the superb Esperanza Spalding. That's likely to change after watching at close quarters the skill and artistry of these two amazing performers. Each musician, as the very best seem to do, just became one with their instruments.
The interplay between McBride and Meyer, especially the effortless way that they swopped lead roles mid tune was something to behold. I've never seen such a thing even in jazz gigs where band interplay and improvisation is the order of the day.
McBride has a funky deep jazz feel to his playing that clearly flows from his days backing The Godfather James Brown. He shows a real passion for his instrument that washes over his audience. Meyer, no less passionate than McBride, and certainly no less skilful, played his double bass with his whole body. It seemed at times that the swaying movement of his body was the principle mechanism by which his fingers glided effortlessly up and down his double bass.
There are lots of things I don't know and there are a few things I'm certain of. I'm certain that no matter how bad my football team Aston Villa get that we will always be better than the lot from Small Heath. I'm certain that bears do in fact shit in the woods. I'm also certain that McBride and Meyer should record an album together and go back on tour to play it. I'm also certain that if there are any better double bass players than these two then I'm going to see them! Wherever they are in the World. Like Kate - I have a credit card and I'm not afraid to use it!
Roger McKenzie
One of the leading Jazz trumpeters, if not the o n e.
Mr Payton quartet performance was superb, no less. Together with the Tableau bar ambience it was a memorable experience.