On May 14, we’re gathering at The Deep End in New York City for a night that feels a little more intentional than usual.
This lineup came together through overlapping friendships, shared histories, and a mutual respect for each other’s work—Arielle Lana, Daedelus, Izzy Holmes, Nick Boyd, and Twaankalu. Everyone on the bill approaches sound differently, but that’s kind of the point. It’s less about cohesion on paper and more about what happens in the room when those differences meet.
The Deep End felt like the right place for it — intimate, a little unpredictable, and built for actually listening as much as moving. Expect a range of textures and moods across the night, with space to settle in and moments that might catch you off guard.
All proceeds from the night will go to the HEADS KNOW FUND, which distributes grants on an as-needed basis to people who are often holding scenes together without support—underground electronic and hip-hop pioneers facing urgent financial hardship, freelance culture journalists trying to complete their work, and independent promoters navigating losses or organizing events for a cause. The fund exists to make sure there’s real, tangible support for the people who shape culture—especially in moments when they need it most.
If that resonates, come be part of it.
Pour les fans de Electro.
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While Alfred Darlington was a musical child through and through, picking up an astonishing number of instruments and getting trained in them for both classical and jazz styles, it wasn't until the age of 15 that he discovered the music that spoke to him personally. It was while staying at a YMCA in London, England that he turned the radio on, flipped through the channels and stumbled across the kind of rave and hardcore electronica that the UK scene was producing, and to this day, Darlington calls that discovery the “Eureka!” moment of his life. After he came back to the United States he took up Djing, inspired by the most leftfield drum and bass sounds that he could find, and took up the stage name Daedelus as a tribute to his childhood love of inventors.
By 1999 he had started dropping his own productions into his DJ sets, and one of these tracks impressed fellow DJ Carlos Nino so much that he introduced him to people involved with the Los Angeles based record label Plug Research. The label signed Darlington up and his debut album as Daedelus “Invention” was released in 2002. Ever since then, he's remained one of the most acclaimed and unusual figures in modern electronica, one who's made records with kindred spirits like MF Doom, Tunng and Boom Bip. He's also remained one of the most consistent acts of his time, at his peak releasing dive studio albums across 2003 and 2004. He remains as acclaimed as ever to this day for both his records and his DJ sets, and because we won't see the likes of him again for a very long time, he comes highly recommended.
LA beatsmith Daedelus, aka Alfred Darlington, is one of those rare things in electronic music: a man who is better live than on record. The Ninja Tune and Brainfeeder affiliate doesn’t just mix or mess around on a laptop; when he performs ‘live’ he uses Monome equipment, which involves sequencing and creating beats and samples live, meaning no two sets are ever the same.
Daedelus is such, such good fun to see live. Dressed as a Victorian ‘dandy’, often with enormous lamb chop sideburns, he grins and bounces over his Monome like a mad man, as he unleashes a barrage of instrumental hip hop, trap, dubstep, techno, house…pretty much anything and everything, at a rapid pace. His sets can often be super hectic and are usually bass-heavy, but they are never anything but brilliant.
I’ve seen him about six times over the past few years and each show has been unique. He’s at his best when he performs alongside his Archimedes mechanical mirror AV show, as he did at KOKO in 2013, which features a bunch of mirror panels twisting in time with the music, reflecting lights and projections. It really is a spectacle worth seeing, especially when the mix of IDM and hip hop he offers is so sublime.