Interpol et Youth Lagoon

The band are currently made up of singer and guitarist Paul Banks, drummer Sam Fogarino and lead guitarist Daniel Kessler. Unlike many of their contemporaries, they are one of the few bands who came to prominence in the great indie rock boom of the early 2000’s to keep their creative spark alive into the new decade.

This is especially impressive considering that in 2010 the band's unofficial frontman, effortlessly suave bassist Carlos Dengler, left the band after growing tired of the touring lifestyle. Many thought that they would be rudderless ship after he left, but many were wrong.

Ever since they formed, the band had been an equal collaboration between every member. They’ve never had a main songwriter and still don’t have one to this day. With Dengler gone, a crucial element of that dynamic went with him but after a long break, they were able to return to their former glory with style.

They returned with 2014’s “El Pintor”, an album that went to the top ten on the album charts of both sides of the Atlantic and restored the bands mojo in thrilling fashion, with their icy, edgy post-punk never sounding more exciting and totally unique as it does now.

With experience and ability on their side, Interpol have quite simply never been a better band than they are today. They’re at their peak, and they’re only going to get better, so join the ride now, and you will not regret it!

He began recording music in 2011, releasing a trilogy of albums under the moniker Youth Lagoon

before announcing the end of the project in 2015. While taking crash courses in classical theory, jazz, and ancient modes throughout the time that followed, Powers started making music experiments inspired by the visual works of artists such as Francis Bacon, Sister Gertrude Morgan, and Harry Clarke. Lining his walls in crude print-outs of pictures, he found graphic saturation helped inform the social and spiritual themes of his music.

For two years, Powers crafted his own library of sounds, grotesque and bewitching, to serve as the backbone to the poetry he had been writing while traveling between Europe, Asia, and the United States. Embracing a combination of noise, beauty, and mercurial avant-pop atmospheres, he began molding these experiments into songs highlighting the intersection of unity and chaos, nightmares, and the invisible forces at war within the human self.

Retreating to Tornillo, Texas, Powers brought his songs and a handful of contributors to Sonic Ranch, a residential studio complex in the middle of a 2,300-acre orchard, to record Mulberry Violence - the debut album under his birth name. The six-week tracking process consisted of fusing together and manipulating elements recorded over the previous two years with textures, arrangements, and programming created at the ranch. The album was mixed in Los Angeles by frequent Beyoncé collaborator Stuart White.