Pour les fans de Electro, Indé et Alternatif, et Hip-hop.
genre_page_link
Jimmy LaValle, prior to embarking on the musical project The Album Leaf, formed the post-rock band Tristeza in 1997, which he continues to contribute to. Adopting the kitchen sink compositional approach of utilising every sound producing item attainable, including radio transmissions and field recordings, Album Leaf’s debut recording arrived in 1999 entitled “An Orchestrated Rise to Fall”. Recorded by GoGoGo Airheart’s singer and guitarist Mike Vermillion, the album features LaValle improvising on a Rhodes Piano and vintage Roland drum machine. The Album Leaf, along with LaValle’s post-rock band Tristeza, subsequently signed with the New York label Tigerstyle.
After signing with Tigerstyle LaValle earned his first advance that allowed him to purchase a computer and recording equipment. The fruits of this advance became clear when the four-track EP “In An Off White Room”, named for the colour of his home studio, was issued in 2001. Following a performance at South by Southwest, featuring members LaValle, guitar and keyboard player Leilani Clark, keyboard player Tana Helean, bassist Susanna Waiche, and drummer Jay Hough of GoGoGoAirheart, the band embarked on a four-week U.S. tour. LaValle later took a job at the San Diego music house “Singing Serpent”, recording jingles for television commercials. Whilst the job gave the musician access to a studio, and was where he recorded his sophomore “One Day I’ll Be On Time”, it also stifled LaValle’s creativity.
“One Day I’ll Be on Time” was issued in early 2001 and earned significant exposure when it was bought by Jón Þór Birgisson of Sigur Rós in Iceland. Sigur Rós subsequently invited The Album Leaf to support them on their U.S. tour, doing wonders for album sales and international appeal.
LaValle’s third solo album “In a Safe Place”, recorded at Sigur Rós’ Icelandic studio, was released on Sub Pop in June 2004. Featuring contributions from all members of Sigue Rós, the album earned greater commercial success than its predecessors, and led to musical appearances on the TV shows “The O.C.” and “CSI: Miami”. The album “Into the Blue Again” arrived in September 2006, with a return to LaValle crafting the majority of the instrumental sounds. After composing an original soundtrack to the 1927 silent film “Sunrise: A Song of Two Human” by F.W. Murnau, The Alum Leaf released the 2010 album “A Chorus of Storytellers”. The album earned strong reviews from the musical press and was supported by an intense worldwide tour including parts of Europe, Canada, Japan, and Taiwan.
Born and raised in West Baltimore, Juwan was introduced to the Baltimore club music scene in his teens. During high school Juwan’s older sister introduced the budding musician to producer J. Period, who took the Baltimore-native under his wing. Juwan subsequently met Alex Epton, an alumni of the New England Conservatory of Music, and the two began performing together under the moniker Spank Rock. Playing early shows around Philadelphia and Phoenixville, the band’s profile increased significantly supporting artists including Hollertronix and M.I.A.
Following a tour in support of Beck in 2006, Spank Rock issued their debut full-length “YoYoYoYoYo”. Replete with hypersexual lyrical themes and decades-old samples, the record generated a host of positive reviews, led by the singles “Rick Rubin”, “Sweet Talk”, and “Bump”. Released on Big Dada Records, the album proved to be the final Spank Rock output as a duo with Alex Epton, also known as XXXChange, going solo in late 2007. Spank Rock subsequently collaborated with Benny Blanco on the EP “Benny Blanco & Spank Rock Present: Bangers & Cash” and appeared on the Kylie Minogue remix track “Benny Blanco”.
Later collaborating with Mark Ronson, Spank Rock featured on his single “The Bike Song” from the 2010 album “Record Collection” before appearing on Ronson’s supporting tour. Issued on his own label Bad Blood Records, the rapper’s sophomore album “Everything Is Boring and Everyone Is a Fucking Liar” arrived in September 2011. Led by the single “Energy”, the record earned mixed reviews however featured a string of producers including Mark Ronson, Boyz Noize, and XXXChange. In December 2014 the musician released the EP “The Upside”, led by the single “Gully”.
How do you possibly turn a bad date into a decent time? Going to The Album Leaf show at The Casbah in San Diego, California. My terrible, lack of conversational skills date took me their show after an awkward dinner and it was the best thing he could have done because the show was absolutely wonderful. Founded by Jimmy LaValle, they perfectly combine electronica ambiance with alternative rock flare.
The show started with the stage set for the band, and a light in the shape of a leaf on the screen in the background. Most of the crowd is mellowed out and really appreciate the artsy-ness of the show. In comes in the piano to “Until the Last,” which slowly starts to build momentum with the addition of other instruments. On top of that, the lighting all around the stage and instruments change colors and patterns and are perfectly synced with the music as visual art. Many of the artists are multi-talented, switching instruments throughout the songs. The harmony between the vocals of LaValle and the other members are so spot on, that you really feel as though nothing could ruin the happiness that the show brought. They played an hour -long set, and after the set hung out with the crowd, one of the benefits of being at a small venue.
Assuming you can get past the sheer silliness - or crudeness, depending on your point of view - of his stage name, there’s a lot to like about Naeem Juwan’s music; anybody turned off by his moniker, though, should probably also know that he christened his debut album with the equally trite name YoYoYoYoYo. That record was the one that introduced Juwan’s uncanny ability to take hip hop sounds that are essentially pretty age-worn, pretty tired, and inject new life into them, with some sumptuously deep bass tracks and digital wizardry setting him apart from his nostalgia-obsessed contemporaries. Since that album made a name for him back in 2006, he took a while to follow it up, but eventually did so in triumphant fashion with the gloriously - and, indeed, honestly - titled Everything Is Boring and Everyone Is a Fucking Liar in 2011, which featured collaborations with the likes of Big Freedia. He’s currently on tour with Boys Noize and Baauer across the United States as he preps album number three, bringing his eccentric flow and choppy beats to a live audience in a fashion that’s ostensibly pretty sparse, but actually proves genuinely enthralling; he’s one of the most original propositions currently performing on the hip hop circuit.